Eric Karson
dans le rôle de Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The action film La Fureur du juste, starring Chuck Norris, Karen Carlson, Lee Van Cleef, etc., directed by Eric Karson, was released on August 15, 1980 in États-Unis. It tells the story of Un ancien karatéka, Scott James, doit déjouer le plan des ninjas qui veulent créer un camp d'entraînement mondial pour les terroristes. This is an Action, Drame, Romance film with a runtime of 103 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.1/10 from 6,732 viewers.
Eric Karson
dans le rôle de Director
Chuck Norris
dans le rôle de Scott James
Karen Carlson
dans le rôle de Justine
Lee Van Cleef
dans le rôle de McCarn
Art Hindle
dans le rôle de A. J.
Carol Bagdasarian
dans le rôle de Aura
Tadashi Yamashita
dans le rôle de Seikura
Kim Lankford
dans le rôle de Nancy
Larry D. Mann
dans le rôle de Tibor
Kurt Grayson
dans le rôle de Doggo
Richard Norton
dans le rôle de Kyo - Seikura's Enforcer
Richard Norton
dans le rôle de Longlegs
Yuki Shimoda
dans le rôle de Katsumo - Seikura's Aide
Redmond Gleeson
dans le rôle de Duffy
Alan Chappuis
dans le rôle de Pierre
Brian Libby
dans le rôle de Deadwyler
Ken Gibbel
dans le rôle de Meat
Cheyenne Rivera
dans le rôle de Greek
Ted Duncan
dans le rôle de Truckdriver
Alan Marcus
dans le rôle de Truckdriver
Leigh Chapman
dans le rôle de Writer
Paul Aaron
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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source: The Octagon
Bon film !
The Octagon
Chuck Norris fans and martial art film fans in general will love The Octagon. He seems to be going for a record number of casualties in dispensing bad guys in this one. As seems to be usual for occidental actors in these films Norris was adopted by a ninja master who raised him as his own and after his blood kin disgraced him in competition with young Norris kicked him out. Now the ninja school is being used to train mercenaries and terrorists and the rules there are mighty strict. Counter terrorism honcho Lee Van Cleef wants to put them out of business. But Norris has to have and gets a personal reason for getting the job done. A little bit of Eugene O'Neill's self analysis and introspection dialog is done by Norris in voice overs. Believe me it worked a lot better in Strange Interlude. Enough action for any martial arts fan here.
Personally, I wouldn't say that this is an action movie. It's more of a thriller. The movie is in fact really slow and a bit boring most of the time. The decent action doesn't kick in until just before the end. If it hadn't been for that scene, this movie wouldn't have got more than 3 stars from me. But since the last scene was pretty good, I give it a 6. Just remember that this is an Chuck Norris-movie. Norris isn't exactly the best martial arts actor, he hasn't got any spectacular moves and I get a little tired watching him wear the same type of jeans in almost every movie. There are a bunch of ninjas in the movie. The movie tried to establish them as skilled and feared fighters, but it didn't succeed with that.
The fight scene inside the Octagon between Scott James (Norris) and Kyo the Enforcer (Norton) is one of the most impressive and best choreographed fight scenes I have ever seen in any martial arts flick. No wire works, nor special camera shots...just one fluid scene of swift exchanges of blows combining Katana sword play and hand to hand combat between two badasses. This scene is perhaps the next most memorable Chuck Norris fight scene, besides him duking it out with Bruce Lee in 'Return of the Dragon'. I'm not a big Chuck Norris fan, but I consider 'The Octagon' Norris at his best.
What works for me here is the atmosphere and the mystery they put into the Ninja aspects of the story. I've always had a romantic soft spot for Ninjas (sounds weird I know) but I still feel that they are a character that has yet to be captured successfully. The Octagon does a good job of building the mystique although some of the action is a little stilted, which was the style of the time. Chuck is still a little wooden (probably still recovering from the Bruce Lee beat down) but I'm not watching this to make comparisons to Pacino! Its a great late night movie!
The plot in The Octagon hardly matters. Trying to follow the nuances of the story is enough to give you a headache. The plot deals with a lost brother, ninja training, a woman who has something to do with a group of terrorists, and some other hokum. It makes little sense. But that's not why people watch movies like The Octagon. The main purpose of the movie is to see Chuck Norris fight a bunch of ninjas. I recently revisited Norris' A Force of One. Chuck's acting improved dramatically between the time he made that movie and the time he made The Octagon. He still had that unnatural style of delivery, but there was improvement there nonetheless. The big problem with The Octagon, though, isn't the acting it's the complete lack of anything interesting. The first hour or so is, in a word, boring. Nothing much happens. Chuck spends most of the time, like the audience, just trying to figure out what's going on. I don't think he was any more successful than I was.
i rather enjoyed this Chuck Norris vehicle.the fight scenes are pretty well done,and the y are a quite few of them.the acting is is good enough for the genre.the story isn't anything special,but it works for the genre.the one thing that did irk me,though was the stupid echoing voice over whenever we were subjected to Norris's character's inner thoughts.the effect came across as stupid and cheesy in my opinion.it would just take me out of the movie. i wouldn't say it was bad enough to to lower my rating on the film.but it was distracting,and wasn't necessary.other than that though,it wasn't that bad.if you can get around that one annoying factor,then i'd recommend the movie.for me,The Octagon is a 6/10
The Octagon on the surface is just another in a long line of not-so-great Chuck Norris karate pictures. But wait; there are differences. Admittedly the quality of production is poor, but the addition of ninja assassins as chief antagonists was interesting. It should have intrigued us, but the film was just not meant to be great. The most entertaining aspect of the film is Chuck Norris' voice over narration of his thoughts. His voice echoes in whisper whenever he thinks of anything. This element may have been meant to be mysterious, but obviously it was just another part of the movie that may have swayed the viewer into thinking this was a comedy. This movie is at best described as a guilty pleasure, or something to watch on a night when you can't get to sleep. But for sarcastically humored people, or just undemanding viewers, The Octagon is fun to watch.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.