Terrence Malick
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The drame film La Ligne rouge, starring Kirk Acevedo, Penelope Allen, Benjamin Green, etc., directed by Terrence Malick, was released on January 15, 1999 in États-Unis. It tells the story of Adaptation du roman autobiographique de James Jones datant de 1962, axé sur le conflit de Guadalcanal pendant la seconde guerre mondiale. This is a Drame, Histoire, Guerre film with a runtime of 170 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.6/10 from 211,272 viewers.
Terrence Malick
dans le rôle de Director
Kirk Acevedo
dans le rôle de Pvt. Tella
Penelope Allen
dans le rôle de Witt's Mother
Benjamin Green
dans le rôle de Melanesian Villager
Simon Billig
dans le rôle de Lt. Col. Billig
Mark Boone Junior
dans le rôle de Pvt. Peale
Adrien Brody
dans le rôle de Cpl. Fife
Norman Patrick Brown
dans le rôle de Pvt. Henry
Jim Caviezel
dans le rôle de Pvt. Witt
Ben Chaplin
dans le rôle de Pvt. Bell
George Clooney
dans le rôle de Capt. Bosche
John Cusack
dans le rôle de Capt. John Gaff
Jarrod Dean
dans le rôle de Cpl. Thorne
Matt Doran
dans le rôle de Pvt. Coombs
Travis Fine
dans le rôle de Pvt. Weld
Paul Gleeson
dans le rôle de 1st Lt. Band
Woody Harrelson
dans le rôle de Sgt. Keck
David Harrod
dans le rôle de Cpl. Queen
Don Harvey
dans le rôle de Sgt. Becker
James Jones
dans le rôle de Writer
Terrence Malick
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
Bon film !
Bon film !
source: The Thin Red Line
The single worst movie I have EVER seen. I can NOT tell you what this movie is about because it has no story, no plot. It came out right after Saving Private Ryan, which didn't help it, since SPR ruined all war movies to come after it (or so I thought, after seeing this.. Later Black Hawk Down, We Were Soldiers, and others have proved that theory wrong-THANKFULLY!) Anyways, there was one scene in which the platoon or whatever was trying to take this hill. They took it, and then the movie went on.. For no apparent reason whatsoever. I wish someone would tell me what I'm missing in this movie. Poetry it may be, but it is not my cup of tea. Saw it in the theaters, my wife walked out after two hours. It is just very boring. Even Windtalkers, as bad as it was, had a plot. This has none. And if all it is is showing different people involved in war, with no link between them and no actual story, well then, I'd rather watch a documentary about it. Review written 3-3-05. Walt D in LV
The overly philosophical chatter and the slowness of the film have lost me. Not that I don't like slow action and can take the voice off, but the conversation of God, Nature and the like I didn't have a lot of patience for them. Most of the time it started to wander. The combat scenes are good, and the rawness of death and madness show well.
It's hard to believe this rubbish was nominated for Best Film alongside "Saving Private Ryan". It must have been good politicking because there is nothing to this film. Maybe the book was good, but I won't read it because the film was so disappointing. For a 3-hour war film, there certainly was not any battle scenes that typically make up successful war flicks. There was just artsy-fartsy dream sequences that go on and on and bore you to tears. Nick Nolte stands out however, so see it if you like him. All the other Hollywood names add nothing, and the main character is so bland I didn't care a whit about him. Check out the classic War films such as: "Cromwell", "Zulu", "Waterloo", "Braveheart", "Tora Tora Tora", "Charge of the Light Brigade", etc...
Theres been bad movies made in the past but nothing comes close to this trash. I'm still numb. What in the hell WAS that? No plot. No characters to care about. Disconnected, disjointed, boring, pointless, stunningly awful. Who is this Terrance Maklic and how do I get him to give me 2 hours of my life back? All those guns and nobody thought to shoot this maniac before he finished this tripe. How could ANYONE in thier right mind like this crap? I've read some of the other reviews and all I can say is they must be on some pretty good drugs to see any redeeming value to this waste of film.
"I like you captain, and I'd just want you to know that, we're in this thing together" growls Lt. Col. Gordon Tall early in what has to be one of the most innovative war films ever made, and that is truly how the audience feels, as if they are it with the characters. The perfect cinematography and directing create such immersion, that we really feel as though we are one of Charlie company, fighting alongside them. This practically first person view contributes to this being possibly the most visually stimulating war film ever made, and this allows the audience to really picture the horror of combat. When combined with fantastic performances from the likes of Nick Nolte, whose deranged persistence is a highlight of his career, the film is as thought provoking as the best of all war films, Apocalypse Now, and a comparison to that shows how brilliant a film Terrence Malick has created.
Despite an all-star cast and critical acclaim, I found this movie to be a big yawn. Two hours of close-ups of soldier's faces surrounded by nothing but tall grass and another hour of close-ups of soldiers' faces with a stream or other landscape as a backdrop. I know this isn't an action film but I found it difficult to invest myself it in when I couldn't even tell if they were advancing or retreating, were near the enemy, or anything else. If the cast hadn't been full of familiar faces, I would've been totally lost because they all look the so similar with helmets and dirty faces. This movie was a huge disappointment.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.