Debra Neil-Fisher
dans le rôle de Director
The TV series Travel back to ancient times to rob the prince, created by Brad Morris and produced by an unlisted studio, first premiered on April 22, 2022 in Chine. The series spans 1 season with 10 episodes, featuring the voices of Lea Thompson, Keith David, Eva Longoria, and Matt Walsh. It follows the story of The man accidentally crossed over to the prince of the nest, and took the road of the god king by resurrecting the corpse. This is a Voyager dans le temps series and has received a rating of 6.2/10 from 10 viewers.
Debra Neil-Fisher
dans le rôle de Director
Lea Thompson
dans le rôle de Perkins
Keith David
dans le rôle de Gil
Eva Longoria
dans le rôle de Jeanine
Matt Walsh
dans le rôle de Dan
Nicole Byer
dans le rôle de Sheriff Margaret
Al Madrigal
dans le rôle de Juan
Joel Kim Booster
dans le rôle de Phil
Johnny Pemberton
dans le rôle de Tim
Tina Parker
dans le rôle de Vicky
Hala Finley
dans le rôle de Elizabeth
Brad Morris
dans le rôle de Ed
Heath McGough
dans le rôle de Francis
Gail Cronauer
dans le rôle de Grandma
Stacie Greenwell
dans le rôle de Alex
Krista Perry
dans le rôle de Frank's wife
Anthony Parker
dans le rôle de Jimmy Golden Hawk
Lureena Cornwell
dans le rôle de Alida
Nancy Friedrich
dans le rôle de Stephanie
Brad Morris
dans le rôle de Writer
Matt Walsh
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
I just watched "Unplugging" on streaming for free and found it to be decent free entertainment. I would not want to pay for it, but for free it is fine. Nothing too remarkable or memorable here but the lead actors give it their best I thought and the cinematography and settings were pleasant, which is all too rare these days in film. A few crude jokes and a few too many silly stereotypes about rural folk and hapless husbands hold this film back from being something better and deeper. But worth a watch if you are a fan of Eva Longoria or Matt Walsh. My rating: 5/10, clearly average entertainment.
Dan (Matt Walsh) is a former branding advisor who now makes hot sauce in his garage. His desperate wife Jeanine (Eva Longoria) is a workaholic in commercial leasing. She is on her phone 24/7. Dan decides they need some time away from their devices and finds a vacation spot where people complain about having no service. While there the couple gets to communicate with each other, but is constantly looking for bars, but only find Gil's. Lea Thompson revives her character from "Red Dawn" as she is now fighting the Chinese with her ton of conspiracy theories. She was the only well written character in the bunch. The film attempted to be funny but it stayed unconnected below the bar. Had potential. Script fell short. Guide: F-word. Sex. No nudity.
I plugged into this movie because Al Madrigal is listed in the cast. Well if you blink your eyes twice you'll completely miss his appearance in the movie. Outside of that the movie isn't totally bad. Eva Longoria and Matt Walsh are just not plausible as a couple. And the gas station/store owner wasn't off his rocker enough to believe he was a paranoid/delusional as the characters Tim and Perkins are. This flick will pass if you are seeking lite silly entertainment.
We watched this with fairly low expectations - we just wanted an amusing movie for a Friday night, and, after sifting through the various super hero franchise offerings, the teenage-oriented shack in the country horror movies, the elderly person's last hurrah movies and the range of action movies which still have Bruce Willis 'starring' even though he's barely in them, this was left. It's unoriginal - several movies have already 'done' the digital detox theme. It's unlikeable - the set-up, focusing on someone who cannot stop texting and scrolling, just irritates: it goes on so long you just depise the character and want her off the screen. Then the basic story begins and it's not really a story. It's forever trying, not very hard, to find a story. A bit of a road movie, a bit of fish out of water movie, a bit of a small town eccentrics movie, but still no actual narrative. You keep expecting something to happen in a joined-up way, and it doesn't. Worst of all, it's so desperately unfunny. It really is mind-bogglingly devoid of real humour. The chicken 'thing' epitomises how badly-written the whole thing is. They don't know what to do with the thing. The chicken symbolises the script. People just carry it for no reason. What on earth did they think when they sat through this is the screening room? Shame, I hope. It's a depressing waste of time.
Decent acting but boring script. The leads are not believable as a couple. Eva Longoria has not aged a bit. Lea Thompson's role was strange. Tried to be a heartfelt comedy with a bit of a mystery but missed the mark. Pretty boring but not bad for background noise. One modest sex scene but kids don't need to see it. Some marijuana usage and a scene at a bar with heavy drinking. A few wild animals make brief appearances as pets. I really like Eva and Lea but they needed better writers who were actually funny! Movie did have a good message about needing to step away from technology to connect with nature and your partner.
This is the worst movie I've seen in years. I don't know who wrote it but I hope they find a new job. It's bizarre, neurotic, annoying, and just down right bad. I feel terrible that Eva Longoria was even in this movie. I can't imagine anyone that would want to watch a movie about an ugly, annoying, loser husband that some how got a beautiful, hardworking wife who he then traps in the barren wilderness to teach her some sort of lesson. I wanted to turn it off half way through but sadly I'm one of those people that commit to finishing a movie once I start it, unfortunately there was no redemption for the sad sack of a film. The only thing worse than the movie itself was the incredibly awkward and inappropriate sexual scenes that added absolutely nothing to the film but only subtracted the watcher to feelings of discomfort.
Yes, silly, but true enough about two people seeking to unplug from their devices and plug into their relationship. Loved seeing Eva Longoria in a non glamorous role still looking absolutely gorgeous and beijg funny. . And Matt Walsh playing the alpha mail that loss his alpha and got it back. Leah Thompson playing a backwoods conspiracy crazy was over the top. Loved watching Ozzie Smith again- such a long career. And they "Nailed It" with Nicole Byer as sheriff Margaret "Don't call me Margaret". I always love to watch her and her crazy personality. Don't overthink, just unplug. This is a good family movie. Nothing inappropriate, just fun.
You don't see much of Eva Longoria anymore and it's weird to view character actor Matt Walsh in a lead role. But here they are, playing a head-scratching married couple in 2022's Unplugging. Unplugging is a lightweight comedy whose tones are ambitious yet skewed. There are times when the film sort of turns into heavy-handed drama (I stress the words sort of). There are other times when Unplugging's setting suggests that it might become horror fare (I stress the word might). All of what's on screen is uneven but hey, the producers needed to expand more on a premise that feels airy and trivial (too much cell phone usage and bad cell reception are the dated topics). So yeah, there's a reason why a flick like Unplugging was never gonna be released in theaters. I'm not talking about the COVID situation here, I'm talking about what Unplugging is well, about. I mean did we really need a movie about two spouses who take a weekend sabbatical because today's modern technology is getting in the way of their union? Not really. It doesn't carry enough weight, well maybe if Unplugging was in the form of a third quarter Super Bowl commercial. Longoria and Walsh (as Unplugging's couple in Dan and Jeanine) are game in their performances because why not. They're probably glad to be working actors while collecting that almighty paycheck. If they were A-lister-s they wouldn't even touch this thing with a stick let alone be okay with the film's generic title. I give kudos to them and their commitment because otherwise Unplugging would be so nugatory it might just float away. Look for Unplugging's road trip remnants, its mild slapstick antics, its drones (wha??), and its yokel characters encountered in the middle of nowhere (because cinema just has to have them). Unplugging is not as awful as I thought it would be but aside from projecting itself as a harmless time-waster, it's still mediocrity "unplugged".
Jeanine (Eva Longoria) and Dan (Matt Walsh) do a digital detox as they go for a short break away in the rural countryside. However life without a mobile phone reception and working internet is not easy. As they start their holiday they meet wacky locals such as a freaky conspiracy theorist nut and plagued by drones. Jeanine is a workaholic who sends emails in the middle of the night. Dan has become a slacker playing video games and managing a micro hot sauce business from his garage. The couple were hoping that time away would allow them to repair their relationship but they keep finding themselves in more ludicrous situations. This comedy-thriller hybrid is a complete shambles. It as an incoherent and half baked script. The acting is as lousy as the story.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.