Kwabena Gyansah
के रूप में Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The ड्रामा film Azali, starring Asana Alhassan, Akofa Edjeani Asiedu, Adjetey Anang, etc., directed by Kwabena Gyansah, was released on February 6, 2020 in Ghana. It tells the story of Thrust into Accra by circumstances, a 14-year-old girl from Northern Ghana must endure life in the slums of Accra, and find a way to get back home. This is a ड्रामा film with a runtime of 92 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.7/10 from 300 viewers.
Kwabena Gyansah
के रूप में Director
Asana Alhassan
के रूप में Amina
Akofa Edjeani Asiedu
के रूप में Rukaya
Adjetey Anang
के रूप में Akatok
Peter Ritchie
के रूप में Razak
Ama K. Abebrese
के रूप में Joan
Mohammed Hafiz
के रूप में Seidu
Emmanuel Nii Adom Quaye
के रूप में Kortey
Ramatu Mohammed
के रूप में Fatima
Abdul Malek
के रूप में Boy
Alhassan Tahiru Niindoo
के रूप में Yussif
Ismaila Mashod
के रूप में Baba Abdulai
Yakubu Inusah
के रूप में Fuseini
Ibraham Alhassan
के रूप में Baba Dauda
Mohammed Awal Mahama
के रूप में Man 1
Bela Afua Sarhene
के रूप में Orphanage Woman
Wumpini
के रूप में C.I.D.
Sagan
के रूप में Muscular Man
Adam Rahimatu
के रूप में Social Welfare Woman
Kwabena Gyansah
के रूप में Writer
Gwandelen Quartey
के रूप में Writer
उपलब्धता देश, भाषा और रिलीज़ अवधि के अनुसार अलग-अलग हो सकती है। कुछ फिल्में प्लेटफ़ॉर्म सब्सक्रिप्शन में शामिल होती हैं, जबकि अन्य के लिए किराये, खरीद या ऐप-आधारित पहुँच की ज़रूरत हो सकती है। स्ट्रीमिंग कैटलॉग और लाइसेंसिंग समझौते नियमित रूप से अपडेट होते हैं, इसलिए प्लेबैक विकल्प समय के साथ बदल सकते हैं। सबसे सटीक देखने के अनुभव के लिए, अपनी चुनी हुई सेवा पर नवीनतम लिस्टिंग देखें और शुरू करने से पहले क्षेत्रीय समर्थन, सबटाइटल विकल्प और डिवाइस संगतता की पुष्टि करें।
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
कुल 21 जीत और 43 नामांकन
मोबाइल, FM बिल्ड और TV-संगत APK संस्करणों के लिए नवीनतम MovieBox पैकेज डाउनलोड करें। अपने डिवाइस और क्षेत्र से मेल खाने वाला पैकेज चुनें, फिर सर्वोत्तम संगतता और सुरक्षा के लिए आधिकारिक इंस्टॉल गाइड का पालन करें।
I felt empty watching this, in the sense that there seemed to be no connectivity. I had subtitles but they didn't generate with some of the non-English probably because the languages were mixed together. I understand countries do that; that's not a problem but going from one scene to the next just seemed disconnected and that seemed to be one of the reasons why. Also, I've seen a lot of movies etc., but I don't know if I would call any of this 'acting'. It seemed as if everyone was just speaking AT each other rather than TO each other. Maybe it's a cultural thing, I don't know. There's a lot of quietness in this. Like you're just looking at people, scenery etc., like it was dispersing art house type moments (I don't think it was, intentionally at least.) It's a story about a 14 year old girl surviving and trying to get back home. Everything moves so slowly. I was interested in the film but it just was teetering on boring me to death. It's too quiet. Even what supposedly is supposed to be exciting was subtle and quiet; such as the main girl finding out that she's going to be sold into slavery (sex trafficking, most likely) and the slaver comes up from behind her--and this other guy that the girl knows from elsewhere--and reaches for a gun in her purse and was so ominous but became so monotonous. It begins only to get interesting until the last 35 minutes of the film but then it twists into just the unbelievable. Amina was able to escape a life of slavery and perhaps sex trafficking only to end up surviving in Accra as a prostitute. That's irony for you. Of a city of over 2 million people she runs into a guy who sort of becomes her protector (who's also new to the city) oh, and after Amina finds her Uncle we find that her protector is her biological father who she's pregnant by! Oh, the twists this movie has and how pathetically entwined. I think they knew it was a boring movie so they added that taboo! I will say the showing of the vast landscape was quite lovely to look at but other than that, I didn't really care for this film.
Very interesting movie about the difficult life of a 14-year old girl in Ghana. The storyline might be a little foreseeable and the plot twist at the end is a little too much, but that's not what it's really about. This movie gives you an insight on hard living conditions in Ghana and the reality of a lot of people, especially women, without dramatizing too much. Instead, it puts an emphasis on the day-to-day life and willingness/necessity to fight for survival, which is very well played by the main actress. A immersion in another world which makes you reflect about inequalities as well as violence against women and children. I definitely recommend this movie.
बढ़िया फिल्म!
My compound
nice movie
u
Following dis movie 🎬
source: Azali
I felt empty watching this, in the sense that there seemed to be no connectivity. I had subtitles but they didn't generate with some of the non-English probably because the languages were mixed together. I understand countries do that; that's not a problem but going from one scene to the next just seemed disconnected and that seemed to be one of the reasons why. Also, I've seen a lot of movies etc., but I don't know if I would call any of this 'acting'. It seemed as if everyone was just speaking AT each other rather than TO each other. Maybe it's a cultural thing, I don't know. There's a lot of quietness in this. Like you're just looking at people, scenery etc., like it was dispersing art house type moments (I don't think it was, intentionally at least.) It's a story about a 14 year old girl surviving and trying to get back home. Everything moves so slowly. I was interested in the film but it just was teetering on boring me to death. It's too quiet. Even what supposedly is supposed to be exciting was subtle and quiet; such as the main girl finding out that she's going to be sold into slavery (sex trafficking, most likely) and the slaver comes up from behind her--and this other guy that the girl knows from elsewhere--and reaches for a gun in her purse and was so ominous but became so monotonous. It begins only to get interesting until the last 35 minutes of the film but then it twists into just the unbelievable. Amina was able to escape a life of slavery and perhaps sex trafficking only to end up surviving in Accra as a prostitute. That's irony for you. Of a city of over 2 million people she runs into a guy who sort of becomes her protector (who's also new to the city) oh, and after Amina finds her Uncle we find that her protector is her biological father who she's pregnant by! Oh, the twists this movie has and how pathetically entwined. I think they knew it was a boring movie so they added that taboo! I will say the showing of the vast landscape was quite lovely to look at but other than that, I didn't really care for this film.
The beginning 20-30 minutes got me very interested in the story, but then it lags so badly and for so long that I no longer cared what was going to happen. There are stretches up to 10 minutes where there is little or absolutely no dialogue AND nothing happening. It is just panning the area they are in and while it is beautiful scenery and people are going about their daily lives in the market, I don't understand the point of how lengthy these segments were. I think the film could have benefited from a better editor. With all that said, the lead actress did a pretty good job working with a bad script. The message is lost in the confusing mess that is the final film.
हाल के मूल्य परिवर्तनों, उपयोगकर्ता अपने देखने के सेटअप पर पुनर्विचार क्यों कर रहे हैं, और अपनी खोज आदतों को खोए बिना वैकल्पिक तरीके का मूल्यांकन कैसे करें, इसका विस्तृत विश्लेषण।
Movie Box APK इंस्टॉल करने का सही तरीका जानें: पहले संस्करण की मूल बातें, फिर साफ इंस्टॉलेशन चरण, और अंत में TV, iOS, वेब और ऐप उपयोग पथों में से कैसे चुनें।
एक विस्तृत समीक्षा जो बताती है कि 2026 में Project Hail Mary क्यों अलग दिखती है: रूपांतरण की गुणवत्ता, वैज्ञानिक कहानी, भावनात्मक गहराई और दर्शकों की प्रतिक्रियाएँ।
कॉमेडी कहानियाँ हास्य के ज़रिये मनोरंजन के लिए बनाई जाती हैं। लोकप्रिय प्रारूपों में स्थितिजन्य कॉमेडी, स्केच-शैली का हास्य, कार्यस्थल कॉमेडी और रोमांटिक कॉमेडी शामिल हैं।
एक्शन फिल्में उत्साह, शारीरिक संघर्ष, वीर पात्रों और तेज़ कहानी पर ज़ोर देती हैं। एडवेंचर फिल्मों में अक्सर खोज, अस्तित्व या महाकाव्य यात्राएँ होती हैं।
क्राइम ड्रामा जाँचकर्ताओं, जासूसों, वकीलों या पत्रकारों का अनुसरण करते हैं जो आपराधिक मामले सुलझाते हैं। मिस्ट्री कहानियाँ दर्शकों को पात्रों के साथ सुराग खोजने के लिए प्रोत्साहित करती हैं।
साइंस फिक्शन भविष्य की तकनीक, अंतरिक्ष यात्रा, कृत्रिम बुद्धिमत्ता, वैकल्पिक वास्तविकताओं और वैज्ञानिक कल्पना की खोज करता है।
हॉरर कहानी मनोवैज्ञानिक तनाव, अलौकिक घटनाओं, राक्षसों या अस्तित्व के परिदृश्यों से सस्पेंस पैदा करती है।
रोमांटिक कहानियाँ मुख्य रूप से पात्रों के बीच रिश्तों, प्रेम-यात्रा और भावनात्मक विकास पर केंद्रित होती हैं।
एनीमेशन में बच्चों, परिवारों और वयस्कों के लिए शैक्षिक सामग्री से लेकर जटिल नाटकीय कहानी तक के काम शामिल हैं।
रोमांटिक कहानियाँ मुख्य रूप से पात्रों के बीच रिश्तों, प्रेम-यात्रा और भावनात्मक विकास पर केंद्रित होती हैं।