Elisabeth Röhm
के रूप में Director
English,Filipino,Français,Indonesian,Kiswahili,Malay,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The अपराध film Girl in the Basement, starring Judd Nelson, Stefanie Scott, Joely Fisher, etc., directed by Elisabeth Röhm, was released on February 27, 2021 in संयुक्त राज्य अमेरिका. It tells the story of अपने अठारहवें जन्मदिन का इंतजार कर रही सारा नियंत्रित करने वाले अपने पिता से दूर जाने का इंतजार कर रही है. वह ऐसा कर सके इससे पहले ही उसके पिता उसे उनके घर के तहखाने में कैद कर लेता है. This is a अपराध, थ्रिलर film with a runtime of 88 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.3/10 from 18,407 viewers.
Elisabeth Röhm
के रूप में Director
Judd Nelson
के रूप में Don Cody
Stefanie Scott
के रूप में Sarah Cody
Joely Fisher
के रूप में Irene Cody
Emma Myers
के रूप में Marie Cody
Braxton Bjerken
के रूप में Michael Cody
Jake Nuttall
के रूप में Thomas
Emily Topper
के रूप में Amy Cody
Liam Pileggi
के रूप में Toddler Michael
Madison Johnson
के रूप में 5 year old Marie
Jake Etheridge
के रूप में Chris
Sydney Kowalske
के रूप में Toddler Marie
Michael Lawson
के रूप में Investigative Police Officer
Nic Starr
के रूप में Hospital Police Officer
Yossie Mulyadi
के रूप में Attending Physician
Vince Pisani
के रूप में Dogwalker
Carmen Alexis
के रूप में Nurse
Alnisa Chislom
के रूप में Hospital Reception
Shayla Harris
के रूप में Nurse Giving CPR
Barbara Marshall
के रूप में Writer
उपलब्धता देश, भाषा और रिलीज़ अवधि के अनुसार अलग-अलग हो सकती है। कुछ फिल्में प्लेटफ़ॉर्म सब्सक्रिप्शन में शामिल होती हैं, जबकि अन्य के लिए किराये, खरीद या ऐप-आधारित पहुँच की ज़रूरत हो सकती है। स्ट्रीमिंग कैटलॉग और लाइसेंसिंग समझौते नियमित रूप से अपडेट होते हैं, इसलिए प्लेबैक विकल्प समय के साथ बदल सकते हैं। सबसे सटीक देखने के अनुभव के लिए, अपनी चुनी हुई सेवा पर नवीनतम लिस्टिंग देखें और शुरू करने से पहले क्षेत्रीय समर्थन, सबटाइटल विकल्प और डिवाइस संगतता की पुष्टि करें।
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कुल 21 जीत और 43 नामांकन
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ayahnya udah ga waras, gila anak sendiri pun amit" dah
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I knew something was off the moment our main antagonist delivered his first line of dialogue. He was such an atrociously bad actor throughout the entire film that it genuinely felt like a school project at times. It wasn't until the first cut to black during a tense moment that I realized this is a Lifetime made for TV type movie. With that taken into consideration, it held my attention well enough. What trumps even the poor acting and cinematography was the method of story telling. They attempt the classic move where they show a scene from near he end of the movie and then jump back 20 years earlier, slowly building back up to that moment to continue from it. The problem is that this particular scene shows us that any attempt at escape we see throughout the first hour will be unsuccessful, killing any tension and momentum. This was based off the harrowing real story of Elisabeth Fritzl, and more justice could have been done with it in the film realm.
EDIT: *According to the woman in the informational bit at the end of the movie ( the executive director of the National Foundation to End Child Abuse and Neglect ), it is a "fictionalized account of abduction and imprisonment". Yet others are saying it's based on the true story of Elizabeth Fritzl in Austria. I had originally assumed that LMN implied it's a true story to attract more viewers, especially with the caption at the beginning - "Inspired by true events". The fact that it's based on a true story makes it absolutely beyond horrific, which is why it was important to determine whether it was or not. So I watched the 15-minute special at the end to find out, but now I'm confused.* Secondly, another reviewer here said that Judd Nelson acted badly in it in his role as the psycho father Don. That couldn't be farther from the truth. He was so good in the role that I had to keep reminding myself he was only acting. It was too easy to believe Judd Nelson, the actor, is/was as despicable as the character he was portraying. I don't think LMN actors are ever considered for Emmy awards, but if not, they should make an exception for him. Sometimes I read reviews here on imdb and wonder what is wrong with people who can't recognize and appreciate great acting, and who rave with adulation about terrible movies with bad acting and direction, etc. I was pleasantly surprised to see that Elizabeth Rohm directed this movie - she's a very good actress and did a great job with this. It was difficult to sit through at times since the entire theme was so disturbing, but it was very good as a whole except for minor plot holes and contrivances, such as Chris the boyfriend waiting for her for two decades. It would've been more believable and real if he had told her he had gotten married and had a few kids during those twenty years, and either they could be good friends or he was divorced and available. But since nothing was said in that respect, the audience is led to believe he had been waiting for her all those years, even though her dad had told him that she had run off with another guy. Side note: I wanted her to climb out of the hole she scraped bigger and go for help instead of flashing signals with the flashlight. Also, the make-up people should have done more to make her look 38 years old at the end because she still looked like a teenager - just raggedy, thin, and pale, which was realistic, but she looked much younger than the age she would've been then. Finally, I don't know if anyone else noticed the subtle implication of pure intentional evil in something Don said toward the end: when the boy Michael came at him to fight him and Don mocked and belittled his smallness in size and weight compared to Thomas who had been raised upstairs all his life - knowing all the while that Thomas was bigger and healthier than pale, thin Michael because Michael had grown up in the bomb shelter with no sunshine or fresh air and never enough to eat. Don shouldn't be hostile to a child that came from sex with his own daughter in the first place, of course. It magnified what a monster he was. Grade B- / 7 out of 10.
हाल के मूल्य परिवर्तनों, उपयोगकर्ता अपने देखने के सेटअप पर पुनर्विचार क्यों कर रहे हैं, और अपनी खोज आदतों को खोए बिना वैकल्पिक तरीके का मूल्यांकन कैसे करें, इसका विस्तृत विश्लेषण।
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कॉमेडी कहानियाँ हास्य के ज़रिये मनोरंजन के लिए बनाई जाती हैं। लोकप्रिय प्रारूपों में स्थितिजन्य कॉमेडी, स्केच-शैली का हास्य, कार्यस्थल कॉमेडी और रोमांटिक कॉमेडी शामिल हैं।
एक्शन फिल्में उत्साह, शारीरिक संघर्ष, वीर पात्रों और तेज़ कहानी पर ज़ोर देती हैं। एडवेंचर फिल्मों में अक्सर खोज, अस्तित्व या महाकाव्य यात्राएँ होती हैं।
क्राइम ड्रामा जाँचकर्ताओं, जासूसों, वकीलों या पत्रकारों का अनुसरण करते हैं जो आपराधिक मामले सुलझाते हैं। मिस्ट्री कहानियाँ दर्शकों को पात्रों के साथ सुराग खोजने के लिए प्रोत्साहित करती हैं।
साइंस फिक्शन भविष्य की तकनीक, अंतरिक्ष यात्रा, कृत्रिम बुद्धिमत्ता, वैकल्पिक वास्तविकताओं और वैज्ञानिक कल्पना की खोज करता है।
हॉरर कहानी मनोवैज्ञानिक तनाव, अलौकिक घटनाओं, राक्षसों या अस्तित्व के परिदृश्यों से सस्पेंस पैदा करती है।
रोमांटिक कहानियाँ मुख्य रूप से पात्रों के बीच रिश्तों, प्रेम-यात्रा और भावनात्मक विकास पर केंद्रित होती हैं।
एनीमेशन में बच्चों, परिवारों और वयस्कों के लिए शैक्षिक सामग्री से लेकर जटिल नाटकीय कहानी तक के काम शामिल हैं।
रोमांटिक कहानियाँ मुख्य रूप से पात्रों के बीच रिश्तों, प्रेम-यात्रा और भावनात्मक विकास पर केंद्रित होती हैं।