Olivier Megaton
के रूप में Director
The TV series Monsters Inside: The 24 Faces of Billy Milligan, created by Brice Lambert and produced by an unlisted studio, first premiered on September 22, 2021 in संयुक्त राज्य अमेरिका. The series spans 1 season with 4 episodes, featuring the voices of Billy Milligan, Bobby Lacer, Gary Schweickart, and Cornelia Wilbur. It follows the story of 1970 के दशक के अंत में, एक आरोपी सीरियल बलात्कारी ने दावा किया कि कई व्यक्तित्व उसके व्यवहार को नियंत्रित करते हैं, एक कानूनी ओडिसी की स्थापना करते हैं जो अमेरिका को लुभाती है. This is a वृत्तचित्र, अपराध series and has received a rating of 6.3/10 from 5,327 viewers.
Olivier Megaton
के रूप में Director
Billy Milligan
के रूप में Self
Bobby Lacer
के रूप में Police Archive Man
Gary Schweickart
के रूप में Self - Billy's Public Defender
Cornelia Wilbur
के रूप में Self - Psychiatrist
Jacob Spicer
के रूप में Billy Milligan
Christian Schmook
के रूप में Billy Milligan
Kathy Preston
के रूप में Self - Billy's Sister
Bob Ruth
के रूप में Self - Journalist at the Columbus Dispatch
Sheila Porter
के रूप में Self - Psychologist
Frank W. Putnam
के रूप में Self - Professor of Psychiatry
Allen J. Frances
के रूप में Self - Professor of Psychiatry
Dorothy Moore
के रूप में Self - Billy's Mother
Jay C. Flowers
के रूप में Self - Judge
Jim Morrison
के रूप में Self - Billy's Brother
George Harding
के रूप में Self - Psychiatrist
Bernard Yavitch
के रूप में Self - Prosecutor
Tom Brokaw
के रूप में Self - Host, NBC Nightly News
Judy Stevenson
के रूप में Self - Billy's Public Defender
Brice Lambert
के रूप में Writer
Olivier Megaton
के रूप में Writer
उपलब्धता देश, भाषा और रिलीज़ अवधि के अनुसार अलग-अलग हो सकती है। कुछ फिल्में प्लेटफ़ॉर्म सब्सक्रिप्शन में शामिल होती हैं, जबकि अन्य के लिए किराये, खरीद या ऐप-आधारित पहुँच की ज़रूरत हो सकती है। स्ट्रीमिंग कैटलॉग और लाइसेंसिंग समझौते नियमित रूप से अपडेट होते हैं, इसलिए प्लेबैक विकल्प समय के साथ बदल सकते हैं। सबसे सटीक देखने के अनुभव के लिए, अपनी चुनी हुई सेवा पर नवीनतम लिस्टिंग देखें और शुरू करने से पहले क्षेत्रीय समर्थन, सबटाइटल विकल्प और डिवाइस संगतता की पुष्टि करें।
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
कुल 21 जीत और 43 नामांकन
मोबाइल, FM बिल्ड और TV-संगत APK संस्करणों के लिए नवीनतम MovieBox पैकेज डाउनलोड करें। अपने डिवाइस और क्षेत्र से मेल खाने वाला पैकेज चुनें, फिर सर्वोत्तम संगतता और सुरक्षा के लिए आधिकारिक इंस्टॉल गाइड का पालन करें।
बढ़िया फिल्म!
बढ़िया फिल्म!
बढ़िया फिल्म!
बढ़िया फिल्म!
You know 20 min in that they unnecessarily dragged this out for length. The method of story telling is not done well and they honestly make this story uninteresting. I agree with all the reviews stating the editing is terrible and has no flow whatsoever.
It was long drawn and it got boring going nowhere. It seems like a story that could be told much faster. But I won't even read about it on Wikipedia.
What's most pathetic is the constant disregard for Billy's countless victims- from his siblings, to 'friends', to doctors, etc., absolutely no one outside of law enforcement bring themselves to mention the victims who suffered mightily due to their collaborative and gross ignorance. Multiple personalities or not, due to the ineptitude of countless doctors, this absolute abomination brutally murdered and raped people and his sister cannot even be bothered to recognize whether or not one of his innumerable victim had ever been found. His 'friend' who drove him to Colorado should have faced charges and this nonsense of multiple personality disorder was used by this horrific person to escape countless counts of serious crimes and face actual punishment. Along with ridiculous and scattered editing and this was almost impossible to watch without nausea medication.
I could only stand watching this for ten minutes or so. Perhaps there's an interesting story in this documentary, I will never know. Then again, judging from the first ten minutes alone, this documentary seems fragmented and poorly structured, jumping all over the place. The annoying cinematography (ooh Dutch angles and going crazy with Lumetri Color is so rad, man!) of the reconstructions was only surpassed by the idiocy of the editing, which must have been done by an intern after a long night bumping rails. I don't know why I'm so surprised considering that this flaming pile of garbage is made by a hack director with the ridiculous name "Megaton" who, unbelievably, has made a career out of churning out garbage.
What a mess. As my boyfriend and I were watching we kept thinking (especially regarding the interviews): "What's up with these old, awful-looking buildings set up as backdrops?!", "What's up with these French psychologists that seem to have NOTHING to do with this specific case (and are speaking French no less while everyone else is speaking English?!) and lastly... "If Netflix is going to make another docu-series that could have been an hour and a half long documentary... they could have more background on the victims (and the victims families) and THEIR stories." (Perhaps the victims/families wanted no part in this documentary... which I would understand.) I would also like to mention my boyfriend fell asleep before the end of the first episode, which says something considering he's the type that LOVES true crime stories. I do too... so I kept watching... but tbh I had a hard time staying awake as well. While the story itself is very interesting... the HORRIBLE editing and bad direction lost me... SO MANY REPETITIVE SCENES. Like, we get it!!! One of the worst editing with regards to a documentary on Netflix to date (IMHO). HOWEVER... To the family members involved in this... for giving their time and testimony... I thank you so much... because you provided a lot of insight.
I've only seen the first episode and would have turned it off but it was so bad I had to continue. The interviews are over lit, overexposed and the skin tones are unflattering. The director is at least consistent in the style of making his subjects head blend into the background or placing them in front of a window that the sun is shining through. The woman in the bank vault was top lit making her look like her eyes were removed from her face. I bet she is pumped about this. Also, what are these locations and the framing? I have a great idea, let's put a journalist in a tight hallway of a jail for no reason! There is one interview with a guy in what appears to be a restaurant where I saw them use 4 different colors of light: green, blue, yellow and magenta. It's like they found a grip truck that had been robbed and stripped for parts and just used what they had leftover. But seriously every shot is overexposed and over saturated to the point where people either look dead or like they have jaundice. As for the editing, I had to look away as I was getting nauseous from all of the cuts, zooms, shakes, focus pulls and flares. We get it. You have a few tricks and you like to use them all at once. I couldn't even pay attention to the story due to the visual onslaught of disjointed effect heavy trash. All I took away from the story is that this Billy guy had a few personalities so they decided to interview a bunch of older folks in randomly chosen locations that make no sense. That's about all I got from the first episode. If you like watching train wrecks, you'll love this. Honestly couldn't find a single shot that wasn't dreadfully amateur. Even the B roll was bad. The best footage in this was from the 1970's and heavily deteriorated.
हाल के मूल्य परिवर्तनों, उपयोगकर्ता अपने देखने के सेटअप पर पुनर्विचार क्यों कर रहे हैं, और अपनी खोज आदतों को खोए बिना वैकल्पिक तरीके का मूल्यांकन कैसे करें, इसका विस्तृत विश्लेषण।
Movie Box APK इंस्टॉल करने का सही तरीका जानें: पहले संस्करण की मूल बातें, फिर साफ इंस्टॉलेशन चरण, और अंत में TV, iOS, वेब और ऐप उपयोग पथों में से कैसे चुनें।
एक विस्तृत समीक्षा जो बताती है कि 2026 में Project Hail Mary क्यों अलग दिखती है: रूपांतरण की गुणवत्ता, वैज्ञानिक कहानी, भावनात्मक गहराई और दर्शकों की प्रतिक्रियाएँ।
कॉमेडी कहानियाँ हास्य के ज़रिये मनोरंजन के लिए बनाई जाती हैं। लोकप्रिय प्रारूपों में स्थितिजन्य कॉमेडी, स्केच-शैली का हास्य, कार्यस्थल कॉमेडी और रोमांटिक कॉमेडी शामिल हैं।
एक्शन फिल्में उत्साह, शारीरिक संघर्ष, वीर पात्रों और तेज़ कहानी पर ज़ोर देती हैं। एडवेंचर फिल्मों में अक्सर खोज, अस्तित्व या महाकाव्य यात्राएँ होती हैं।
क्राइम ड्रामा जाँचकर्ताओं, जासूसों, वकीलों या पत्रकारों का अनुसरण करते हैं जो आपराधिक मामले सुलझाते हैं। मिस्ट्री कहानियाँ दर्शकों को पात्रों के साथ सुराग खोजने के लिए प्रोत्साहित करती हैं।
साइंस फिक्शन भविष्य की तकनीक, अंतरिक्ष यात्रा, कृत्रिम बुद्धिमत्ता, वैकल्पिक वास्तविकताओं और वैज्ञानिक कल्पना की खोज करता है।
हॉरर कहानी मनोवैज्ञानिक तनाव, अलौकिक घटनाओं, राक्षसों या अस्तित्व के परिदृश्यों से सस्पेंस पैदा करती है।
रोमांटिक कहानियाँ मुख्य रूप से पात्रों के बीच रिश्तों, प्रेम-यात्रा और भावनात्मक विकास पर केंद्रित होती हैं।
एनीमेशन में बच्चों, परिवारों और वयस्कों के लिए शैक्षिक सामग्री से लेकर जटिल नाटकीय कहानी तक के काम शामिल हैं।
रोमांटिक कहानियाँ मुख्य रूप से पात्रों के बीच रिश्तों, प्रेम-यात्रा और भावनात्मक विकास पर केंद्रित होती हैं।