Piotr Skowronski
के रूप में Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The ड्रामा film The Discarded, starring Chisholm Pothier, A.J. Aschaber, Nick Biskupek, etc., directed by Piotr Skowronski, was released on August 4, 2020 in कनाडा. It tells the story of Debt and unemployment are forces of oppression in Maggie's world in this gritty story of survival. This is a ड्रामा, थ्रिलर film with a runtime of 86 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 3.5/10 from 155 viewers.
Piotr Skowronski
के रूप में Director
Chisholm Pothier
के रूप में Dr. Moreau
A.J. Aschaber
के रूप में Officer Wyatt
Nick Biskupek
के रूप में Viceroy
David Crowe
के रूप में Travis
Daniel Friedman
के रूप में Marco
Alino Giraldi
के रूप में Speaker in Corporate Video
Zara Jestadt
के रूप में Maggie
Neil Paterson
के रूप में Mason
Kate Alice Phillips
के रूप में Worker
Judy Roche
के रूप में Andrea
Rick Stolz
के रूप में Kyle
Milosz Skowronski
के रूप में Writer
Piotr Skowronski
के रूप में Writer
उपलब्धता देश, भाषा और रिलीज़ अवधि के अनुसार अलग-अलग हो सकती है। कुछ फिल्में प्लेटफ़ॉर्म सब्सक्रिप्शन में शामिल होती हैं, जबकि अन्य के लिए किराये, खरीद या ऐप-आधारित पहुँच की ज़रूरत हो सकती है। स्ट्रीमिंग कैटलॉग और लाइसेंसिंग समझौते नियमित रूप से अपडेट होते हैं, इसलिए प्लेबैक विकल्प समय के साथ बदल सकते हैं। सबसे सटीक देखने के अनुभव के लिए, अपनी चुनी हुई सेवा पर नवीनतम लिस्टिंग देखें और शुरू करने से पहले क्षेत्रीय समर्थन, सबटाइटल विकल्प और डिवाइस संगतता की पुष्टि करें।
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
कुल 21 जीत और 43 नामांकन
मोबाइल, FM बिल्ड और TV-संगत APK संस्करणों के लिए नवीनतम MovieBox पैकेज डाउनलोड करें। अपने डिवाइस और क्षेत्र से मेल खाने वाला पैकेज चुनें, फिर सर्वोत्तम संगतता और सुरक्षा के लिए आधिकारिक इंस्टॉल गाइड का पालन करें।
बढ़िया फिल्म!
source: The Discarded
I will say this film was better than many recent films I've seen. I grew up in a time when plot and storyline actually mattered and films weren't just thrown together like they are today. I do agree with another reviewer that said It has a weak storyline/plot and it's pretty slow. My biggest complaint is that is felt like a musical at times. I can't stand movies that include some actor/actress singing. It feels weird and it doesn't belong. I think music belongs in musicals. Outside of that, it was watchable but that's all I can say. Many films today I can't even finish so I guess that's some kind of compliment but it can't live up to many movies I've seen just 20 years ago.
There could have been a good movie here if only someone decided to question the motivations behind the actions driving the story whilst it was still in embryonic script development stage but, obviously, no one ever bothered and the result is that what we've got here is a film that's confusing, preposterously outlandish, illogical and just plain silly. The pretense of the scenario is based upon the crushing conscientious weight of student debt for which people are apparently wholly prepared to live for years on end in concentration camps with armed guards, brutality, attacks dogs and all of those other atrocities that the civilised world in which this film is apparently set, (you wouldn't know, since they don't bother giving you any idea about which country this movie is set in), countries that have spent the last 70 years since the end of WWII legislating and outlawing out of existence through rules and laws designed to ensure nothing of the kind ever again has any chance of happening, and yet, for some crazed reason, the makers of this film expect us to somehow throw aside all comprehension of these aspects of modern life and fully accept that some corporation somewhere deemed it 'best business practice' to incarcerate the student loan debt laden poor with a cruel regime of suffering that would, in any real world scenario, see their board of directors quickly locked up for decades and their company sued until a meter deep layer of earth on their company head office building site had been bagged up and flogged off in order to settle the masses of damages lawsuits. If you're prepared to initiate 'nuclear response level logic wipe suspension of disbelief' then this film may be, for you, a peak viewing experience, whereas, for myself, it's logical flaws so voraciously made themselves glaringly and prominently omnipresent that I couldn't stomach another second of it in under the first 30 minutes. However, if you detest logic then prepare yourself to enjoy- People who live in a slick, 21st century environment in some unnamed nation where people live on the street in the manner of 15th century peasants, dealing daycare services for babies (that magically disappear after one scene) from the back of a car which are paid for with a handful of spare change,. Heads of medical departments who think pressuring staff into sex to keep their job a valid option something that would actually occur in the manner in which this film believes it possible. Unmolested by law, 'work camps' utilising armed guards, barbed wire and complete lack of heavy earth moving equipment as best practise for their end goal. I'm sure it later revved up to suck hard enough to empty a carcass of bones in under ten seconds were it a domestically available vacuum cleaner, but I'm not prepared to suffer another minute of it to find out as early on I deduced its 'resolution' point ending, and how we were going to get there, (with ample gratuitous violence employed whilst boyfriend rescuing girlfriend, escaped the camp). My only remaining question would then be- "Guys, maybe you need to locate your baby?"
Horribly directed and written, how are these movies even green lit and whose foolish enough to spend the money? Save your time and go for a walk, or watch paint dry, or the grass grow. Anything else is better than watching this movie. Hard pass.
Slow movie, weak storyline, questionable acting and horrible direction. A couple nice shots in the film but that's about it. Save yourself time and skip this one.
Definitely worth a watch, very relevant! I really enjoyed the female lead performance.
Intriguing story! Strong female lead ! Beautiful cinematography! The Discarded is a film I would highly recommend watching!
source: The Discarded
There could have been a good movie here if only someone decided to question the motivations behind the actions driving the story whilst it was still in embryonic script development stage but, obviously, no one ever bothered and the result is that what we've got here is a film that's confusing, preposterously outlandish, illogical and just plain silly. The pretense of the scenario is based upon the crushing conscientious weight of student debt for which people are apparently wholly prepared to live for years on end in concentration camps with armed guards, brutality, attacks dogs and all of those other atrocities that the civilised world in which this film is apparently set, (you wouldn't know, since they don't bother giving you any idea about which country this movie is set in), countries that have spent the last 70 years since the end of WWII legislating and outlawing out of existence through rules and laws designed to ensure nothing of the kind ever again has any chance of happening, and yet, for some crazed reason, the makers of this film expect us to somehow throw aside all comprehension of these aspects of modern life and fully accept that some corporation somewhere deemed it 'best business practice' to incarcerate the student loan debt laden poor with a cruel regime of suffering that would, in any real world scenario, see their board of directors quickly locked up for decades and their company sued until a meter deep layer of earth on their company head office building site had been bagged up and flogged off in order to settle the masses of damages lawsuits. If you're prepared to initiate 'nuclear response level logic wipe suspension of disbelief' then this film may be, for you, a peak viewing experience, whereas, for myself, it's logical flaws so voraciously made themselves glaringly and prominently omnipresent that I couldn't stomach another second of it in under the first 30 minutes. However, if you detest logic then prepare yourself to enjoy- People who live in a slick, 21st century environment in some unnamed nation where people live on the street in the manner of 15th century peasants, dealing daycare services for babies (that magically disappear after one scene) from the back of a car which are paid for with a handful of spare change,. Heads of medical departments who think pressuring staff into sex to keep their job a valid option something that would actually occur in the manner in which this film believes it possible. Unmolested by law, 'work camps' utilising armed guards, barbed wire and complete lack of heavy earth moving equipment as best practise for their end goal. I'm sure it later revved up to suck hard enough to empty a carcass of bones in under ten seconds were it a domestically available vacuum cleaner, but I'm not prepared to suffer another minute of it to find out as early on I deduced its 'resolution' point ending, and how we were going to get there, (with ample gratuitous violence employed whilst boyfriend rescuing girlfriend, escaped the camp). My only remaining question would then be- "Guys, maybe you need to locate your baby?"
हाल के मूल्य परिवर्तनों, उपयोगकर्ता अपने देखने के सेटअप पर पुनर्विचार क्यों कर रहे हैं, और अपनी खोज आदतों को खोए बिना वैकल्पिक तरीके का मूल्यांकन कैसे करें, इसका विस्तृत विश्लेषण।
Movie Box APK इंस्टॉल करने का सही तरीका जानें: पहले संस्करण की मूल बातें, फिर साफ इंस्टॉलेशन चरण, और अंत में TV, iOS, वेब और ऐप उपयोग पथों में से कैसे चुनें।
एक विस्तृत समीक्षा जो बताती है कि 2026 में Project Hail Mary क्यों अलग दिखती है: रूपांतरण की गुणवत्ता, वैज्ञानिक कहानी, भावनात्मक गहराई और दर्शकों की प्रतिक्रियाएँ।
कॉमेडी कहानियाँ हास्य के ज़रिये मनोरंजन के लिए बनाई जाती हैं। लोकप्रिय प्रारूपों में स्थितिजन्य कॉमेडी, स्केच-शैली का हास्य, कार्यस्थल कॉमेडी और रोमांटिक कॉमेडी शामिल हैं।
एक्शन फिल्में उत्साह, शारीरिक संघर्ष, वीर पात्रों और तेज़ कहानी पर ज़ोर देती हैं। एडवेंचर फिल्मों में अक्सर खोज, अस्तित्व या महाकाव्य यात्राएँ होती हैं।
क्राइम ड्रामा जाँचकर्ताओं, जासूसों, वकीलों या पत्रकारों का अनुसरण करते हैं जो आपराधिक मामले सुलझाते हैं। मिस्ट्री कहानियाँ दर्शकों को पात्रों के साथ सुराग खोजने के लिए प्रोत्साहित करती हैं।
साइंस फिक्शन भविष्य की तकनीक, अंतरिक्ष यात्रा, कृत्रिम बुद्धिमत्ता, वैकल्पिक वास्तविकताओं और वैज्ञानिक कल्पना की खोज करता है।
हॉरर कहानी मनोवैज्ञानिक तनाव, अलौकिक घटनाओं, राक्षसों या अस्तित्व के परिदृश्यों से सस्पेंस पैदा करती है।
रोमांटिक कहानियाँ मुख्य रूप से पात्रों के बीच रिश्तों, प्रेम-यात्रा और भावनात्मक विकास पर केंद्रित होती हैं।
एनीमेशन में बच्चों, परिवारों और वयस्कों के लिए शैक्षिक सामग्री से लेकर जटिल नाटकीय कहानी तक के काम शामिल हैं।
रोमांटिक कहानियाँ मुख्य रूप से पात्रों के बीच रिश्तों, प्रेम-यात्रा और भावनात्मक विकास पर केंद्रित होती हैं।