Shelagh Carter
sebagai Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The drama film Into Invisible Light, starring Jennifer Dale, Peter Keleghan, Kari Matchett, etc., directed by Shelagh Carter, was released on February 1, 2020 in Kanada. It tells the story of after her husband dies, a woman reconnects with an old boyfriend who is now married. This is a Drama, Percintaan film with a runtime of 102 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.5/10 from 53 viewers.
Shelagh Carter
sebagai Director
Jennifer Dale
sebagai Helena Grayson
Peter Keleghan
sebagai Michael
Kari Matchett
sebagai Lydia
Stuart Hughes
sebagai David
Kristen Harris
sebagai Kathleen
Judy Arnason
sebagai Maid
Jeff Avenue
sebagai Competitor One
Sharon Bajer
sebagai Woman
Ryan Bennett
sebagai Extra
Eric Blais
sebagai He
Nazariy Demkowicz
sebagai Erik
Sheryl Ducharme
sebagai Poetry Reading Guest
Martha Henry
sebagai Sonya Grayson
Lorraine James
sebagai M.C.
Jonathan Lawrence
sebagai Male Assistant
Jaydee-Lynn McDougall
sebagai Monica Astrov
Ernie Pitts
sebagai Waiter
Robin Ruel
sebagai She
Shelagh Carter
sebagai Writer
Jennifer Dale
sebagai Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 kemenangan & 43 nominasi total
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source: Into Invisible Light
Film yang bagus!
Its a shame the leading role is a dead character trying to be awake. Very challenging to watch a mediocre character drag herself up, out the door and live when she'd dead inside. Self-deprecating is boring, lifeless...goodness. Grieving she is, but I think she was dead before her husband died. The light is there but she isn't moving. One can say she found her feet towards the end of the movie, but she still has that negative, sluggish air about her. The long time ago lover's daughter was the highlight of the movie...she can dance!
Into Invisible Light (2018), directed by Shelagh Carter, is a Canadian drama starring Jennifer Dale (Helena Grayson). Carter and Dale co-wrote the film's script. It's a story where the death of a meaningful relationship meets grief, angst, loneliness, and renewal. It's a story about an attractive, middle-aged woman who finds herself alone and at a crossroads following the death of her devoted husband. To complicate things, her late husband's business partner, David (Stuart Hughes), is romantically interested in her, and a former love, Michael (Peter Keleghan), reappears in her life, and stirs at her heartstrings. It's a beautiful, artistic film. Dale shines as Helena bringing a gravitas and dignity to her character as the grieving widow unsure of herself who is caught up in the past. Carter weaves together many visual elements to create a compelling film juxtaposing the narrative of Helena's past against the narrative of her life as she mourns and processes her grief. The motif of grief and nostalgia weave themselves through the narrative stitching the film into a cohesive structure. Close ups and medium angle shots are interspersed with wide angle shots. The film is shot in black and white, and colour, giving the film a richness and complexity, contrasting Helena's interior life, grief and loss(black and white footage) against the narrative of her life (colour). The music and soundtrack complement the film moving it along and setting the dramatic tone. I really liked the location shots of Winnipeg contextualizing the narrative within the framework of the city which gives the film an intimate quality and feel. And there is more to the film than Helena's story as it touches on the lives of the people who are directly and indirectly involved in her life which adds to the film's richness and complexity. We see Michael, Lydia, Monica, David and her mother-in-law as they are, distinct, and not through Helena's POV. The film resonated with me on many levels - intellectually, emotionally, and on a personal level. Whether we are aware or not, and as much we crave order and stability, life will throw us a curveball. The film shines a light on the curveball of life - the transitory nature and impermanence of life, and the importance of living in the moment which is easier said than done. Do we stop living when the life we have lived comes to an end? If nothing else, don't we owe it to ourselves to go on living and give our life new meaning? Shouldn't we consider and explore new romantic opportunities if they present themselves to ease the pain and loneliness resulting from the death of a meaningful relationship? The film poses many important questions about the philosophy of life and is food for thought. I also appreciated the theme of the film which cinematically explores the powerful emotion of grief in its various shades and how destabilizing and overwhelming the experience can be. I have been there, and the film struck an emotional cord with me. These intense emotions make us human and part of the human condition, and allow us to relate to Helena and to anyone who is experiencing loss. Her loss has left her vulnerable and in a state of heightened loneliness. When she re-visits her past and pursues her creative endeavours, she re-surfaces into the light of being and is able to move forward. Her example is a guiding light to all of us, and shows us the healing power of art. There is much to recommend the film. It's superbly acted, and beautifully shot. Do see it for you won't be disappointed.
Into Invisible Light
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