Naradan

🎬2022150h 0mIndiaDrama, Cerita menegangkan

English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文

6.0/102,368 orang memberi rating

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Deskripsi

The drama film Naradan, starring Tovino Thomas, Anna Ben, Sharafudheen, etc., directed by Aashiq Abu, was released on March 3, 2022 in India. It tells the story of Naradan adalah perjalanan dramatis Chandraprakash, pembawa berita populer di dunia media yang putus asa untuk membuktikan nilainya. This is a Drama, Cerita menegangkan film with a runtime of 150 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.0/10 from 2,368 viewers.

Pemeran Utama

Aashiq Abu

sebagai Director

Tovino Thomas

sebagai Chandra Prakash

Anna Ben

sebagai Shakira Muhammad

Sharafudheen

sebagai Pradeep John

Vijayaraghavan

sebagai Babuji

Lukman Avaran

sebagai Amos

Renji Panicker

sebagai Govinda Menon

Jaffer Idukki

sebagai Purambokkilachan

Rajesh Madhavan

sebagai Manu

Joy Mathew

sebagai Kurup

Kunchan

sebagai Gurudasan (Minister of Finance)

Nikhil Nair

sebagai Jaleel

Reghunath Paleri

sebagai Shakira's father

Koottickal Jayachandran

sebagai Shivarajan

Kiran Peethambaran

sebagai George

N.P. Nisa

sebagai Roopa Oommen

Kumar Sethu

sebagai Journalist

Unni R.

sebagai Writer

Tempat Menonton

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Lokasi Syuting

127A Smithfield Road, Frederiksted, Virgin Islands

Produksi

Castle Rock Entertainment

Penghargaan

21 kemenangan & 43 nominasi total

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Ulasan Pengguna

Samrat sarakar24/10/23 13:00

Film yang bagus!

user807964728762028/04/23 05:07

Naradan , a eye opening of the back life happening in the media. For the sake of fame and TRP, how journalism goes to the lowest level of shame is being portrayed.. Tovino Thomas as Chandra Prakash portrays those journalist or the media organisations who walks over the prestige of the people to reach the epitome of success. Although the story is all of this but the screen play is lagging in many areas. An incomplete climax ending... Presence of Ana Ben is not fully utilised as expected.. Indrans presence during climax was one of the highlighting factor... Overall an above average movie due to a scribbled screen play.

saint202028/04/23 05:07

No plot and the entire movie is just Wasting talents involved. Highly recommended not to watch and waste time. It's still confusing, why directors make such movies. They give lot of hype and disappoint the audiences. Never go for a movie due to the actors. Go after best directions.

Nomzamo Mbatha28/04/23 05:07

Very bad screenplay and direction. There are a bunch of unnecessary shots and some of them are long panoramic shots which tests your patience. Tovino's acting is terrible and he didn't seem suitable for this role. Finally, I don't wanna see Anna Ben in a lawyer role in any upcoming movies. A complete disaster.

Landa28/04/23 05:07

One time watchable movie, not so good but tovino was good . Everyone performed well except Anna she doesn't match up with the character as it is a lawyer and she look like a school student. Not good at all.

Amie❤️❤️💃🏻💃🏻28/04/23 05:07

I really enjoyed watching the movie. In fact its thrilling and exciting aspects were appreciable. I think it has got a very strong and grippy scripting which could have slipped if handled carelessly. Casting is one of the perfect things in the film. From Cp to mudiyan all have done their part very well. Sharafudheen and Annaben actually nailed it. Also the usual pattern of depicting journalists with one hand on the top of the desk and reporting in a very unrealistic tone are brilliantly replaced. I also noticed the same thing for the court scenes also. Often the court scenes are very dramatic in our films with mass dialogues and undefeatable superiority of the leading actor. But here it is very carefully and realistically executed. And there was where I felt, 'oh the director is Ashiq abu'. When coming to its plot its a very sensitive and sensible one which must be spoken in the present days. Even the layman can understand that there is a clear division among journalists when it comes to the matter of ethics. It is very well conveyed. But at certain times certain slips and lag was felt and also we had some questions remaining in head especially regarding the opening issue of Narada channel. So there I felt if those aspects where also cleared out it would have become an ultimate one. And I'm glad that mollywood is very forward from the time of depicting an invincible hero even if he is a no. 1 criminal. Neglecting certain aspects of continuity at certain points, I enjoyed watching it. The opinions may vary among audience as it is a very tough topic to handle... Anyway I liked it!!!

Sy_ Chou28/04/23 05:07

THIS IS A SLOW PACED MOVIE WITH SOME INTERESTING MOMENTS. THIS MOVIE CONVEYS THE THE TRANSITION OF CHANDRAPRAKASH AND THE AFTER EFFECTS. THE MOVIE IS PERFECTLY ENJOYABLE AND WE ARE KEEN TO KNOW WHAT WILL HAPPEN NEXT. THE CLIMAX COURT SEQUENCE OF THE MOVIE WAS GOOD. BY THE END MOVIE SHOWS A REALISTIC VIBE WITH A FRESH TOUCH. ITS A GOOD MOVIE AND A GOOD EXPERIENCE NOT HIGHLY RECOMMEND BUT STILL WORTH A WATCH.

user11422528/04/23 05:07

What more can u expect from a biased person like ashiq Abu.... I would have given zero rating but that 1 is for tovino Thomas. Ashiq as all know Is a hinduphobiac person and that is well portrayed in movie... also the movie clearly tries to portray anti national people like kunal Kamra as a good person...

grace..28/04/23 05:07

Disappointment, story is very bad. Tovino is too bad in this movie. But the camera , and graphics is good. This movie is very lag start to end.story is not understand every one. The script of the movie is very bad. This is a complete failure for Ashiq Abu as the director.

Preciosa Osa👑28/04/23 05:06

One of the worst malayalam movie .i would never recommend this movie for a person who loves to watch and experience a theatrical movie. .............................................................................................. . . . . . . . . . . . . . . . . . . . .. . . . .

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