Suburbicon

It was a beautiful film overall!... For me, this character was the most lovable in the entire movie. It's unfortunate to know how he died in the end, but anyway, I loved it.

Film yang bagus!

Film yang bagus!

Don't go, but if you do and you find you were duped, walk out and ask for your money back. Do not let them keep your money. There is no reason to pay for a movie that you were tricked into seeing. Hollywood used to get away with casting "star power" to steal your money while preaching to you (although I have always thought Clooney was way overrated as an actor, now he proves so as a "writer", "producer" AND "director" which means he was overpaid). No longer. Want a movie that consciously tries to divide? This is it. Hollywood needs to wake up. We have seen behind the curtain. Take a knee or walk out. But stop supporting this garbage. Maybe the theaters should push back. They wonder why they are losing money. How about theaters that only show good movies? Movies that are apolitical and good for the soul and our country. There have always been theaters for Independent and/or Foreign films, why not other categories?

It may have seemed logical before, but now there's genuine proof that a Coen Brothers movie has to be both written and directed by Joel and Ethan so that the dark comedy seems genuine, palpable, and not one bit contrived... But their own personal Cary Grant in George Clooney, the star of a few less inspired installments after the bro's last true classic, THE BIG LEBOWSKI, has, as director and co-writer, made his very own "Coen Brothers" experience taking place in a 1950's Suburban community called, simply enough, SUBURBICON, a misleading paradise with postcard-perfect houses and manicured lawns belonging to one-dimensional neighbors, all of them white... Save for the black family that just moved in... a husband, wife and child suffering through chanting protests right outside their living room window, and for absolutely zero reason plot-wise except to further prove how hypnotically racist, soulless and Stepford-like Caucasians were back then... But even this chanting mob is merely a background distraction for a pointless fable centering on who seems to be the most open-minded neighbor, living with his aunt and son after wife/mom was killed in an opening scene that plays out like IN COLD BLOOD on downers... Which the main character, Matt Damon, seems to have overdosed on: With zero personality he's hardly a person to either root for as a hero or follow as a pawn through this sluggish maze without corners. Despite a few quirky Coen elements, SUBURBICON goes absolutely nowhere, slowly. The location is supposed to mean everything, and does look old-new and genuinely nostalgic, but it's eye candy without a main course. Plus there's a particularly loud, awkward silence throughout: difficult to explain except that it occurs when a movie has no point or purpose, urgency or destination... Unlike a real Coen's film, the moments that don't serve the plot aren't intriguing/engrossing as a character-study while these characters, white or black, drive absolutely nothing. The best thing is the relatively short run time. Plus there's an inevitable yet still somewhat intriguing primal twist that could've given Matt Damon's middle-aged sad-sack a touch of TALENTED MR. RIPLEY but... no dice. Not even Coen stock trouper Julianne Moore has anything more to give than dull stares in the 4.8 IMDb-rated abyss that, like THE MONUMENTS MEN, proves Clooney is more beloved within the "progressive" bowels of Hollywood than a mainstream audience: anyone else would be banned from filmmaking. As an actor (HAIL CAESAR) and a director, he should just stay away from the Coens... Especially in this case, tacking-on an overblown social message to what was (most likely) a Noir-inspired tale of murder and mayhem. Let's face it... George is so politically motivated, he simply can't have any fun. To paraphrase the mortician's request to Don Corleone in THE GODFATHER... He wants us to suffer, like they suffered.

Wow, how can all you so-called critics hate on a nearly flawless film? This film was excellent in every aspect. First off, the story was well told and executed perfectly by director/writer George Clooney, with excellent writing by the Coen brothers. The set and prop details to fit the era were outstanding in every scene. Clooney's camera work and direction of his actors was perfect. The score could have not been any better. All actors were perfectly cast and played their characters flawlessly, especially little Noah Jupe as Nicky. Cinematography and editing were on point. Although I'm not a fan of slow-paced films, this one managed to hold my attention and interest really well. I've seen many bad films - by overall production, and in certain aspects of development that had way too high of ratings/reviews. Yet this little gem got slammed for no reason, as not too many can see the production value and details that have gone into it, revealing an interesting and unique crime/mystery story told really well. A very deserving 9/10 from me!

Wow - I've just watched this for the third time and I think this will be one of those films that becomes a cult classic in time via word of mouth . The reviews have been quite poor and I wasn't expecting to enjoy it at all , but if you like Hitchcock , you'll love this . It has all the hallmarks of a great Hitchcock thriller with added racial social satirical commentary i.e. He who cast the first stone ... many glass houses in utopia There's murder , mystery , suspense , red herrings , money , deception , good and evil . The film is seen almost entirely through the eyes of Nicky the son and his innocence and perceived naivety , but is a triumph of good over evil . There were so many fantastic filmic cues throughout , this is the perfect film for film students and those who love the craft of film . It's set in 1959 and the style of the movie could have easily have been made in that year , Clooney has done a fantastic job and like Hitchcock he plays a cameo role accept it's not him it's a lookalike playing the insurance agent ! There are a few items that could be considered as the McGuffin not least the fire engine spelling danger and a constant pre cursor to unfolding events The soundtrack was perfect , acting , cast and costume and props all top notch giving you the feeling that something wasn't quite right in utopian suburbia - ever heard of Uruba ? It's a protectorate - everything happens for a reason in film and this one was just about perfect . There's something sinister in Suburbicon on Sunday 8.5/10 Pad.A

This film intrigues and engages from its beautifully crafted opening titles to its unusually optimistic end. The immaculate (and slightly too pristine) recreation of the American dream, or more accurately nightmare, of the 1950s and its values carries a message that is true and very relevant today in every country. The story line is simply told and allegorical. The protagonists in the film - who are the stakeholders who hold power and social position - all focus their attention and ire on people who are different while overlooking the horrendous crimes that are going on in their own midst and behind their own backs. The story is told very simply and has some surprise moments - a couple that, unusually, caught me completely off-guard. My only criticism of the film is that the story is told a little too simply. There is no mystery or sudden revelation. the pieces fit together like a child's jigsaw but, sometimes meaningful story needs to be told simply. Noah Jupe, as Nicky, steals the show effortlessly from Matt Damon and Julianne Moore and in his convincing emotional range prevents the film from turning into 'Home Alone'. His silent, withheld anger and understanding seethe out from the screen in the scene where he sits at the table while his father eats a sandwich. Julianne Moore is as wonderful as ever. This role enables her to develop the 'evil beach'range of her acting that she started in 'Kingsman 2'. Matt Damon unravels in a strong, measured and resilient way as the plot unravels. Some funny moments are clearly aimed for in many of the darker scenes but George Clooney, as director, does not extract their full laughter value and Matt Damon seems unsure whether to play it straight or play it for laughs. For once, the Coen brothers hold back a little on the violence. Some of it is only semi-witnessed allowing the imagination to fill in all the gaps. The film is all the better for it. All in all this an excellent film and is very relevant to modern world- life. It is my film of the year and it has has affected me deeply. If you only see one film this year - make it this one.

I'm sorry but i am incensed to write this, the amount of people giving this film 1 star due to it being 'liberal' has just got my goat. No wonder the world despises America due to its right wing attitude...this is a film about race and equality (and a tragic premise) yet all you do is harp on about 'liberalism'?? is this such a bad thing? no! on topic, for a first time directorial debut i think Clooney has done a fine job (i studied film at university) his composition is excellent as is the setting/mood/costumes etc and the writing is sound via the Coens...stop being so bloody narrow minded people. learn to love.

This was just awful.... tiresome, predictable and boring. I wanted to love it, but there was nothing to even like. Top talent in every category but it fell flat, like a soufflé that did not rise. Satire should be funny, but there were few laughs. Irony may be too sophisticated to pull in an audience. It felt like something was just off - timing? Editing? It dragged on and on without reason. So sad, it coulda been a contender.