Richard Bates Jr.
sebagai Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The komedi film Tone-Deaf, starring Kim Delaney, Ray Wise, Amanda Crew, etc., directed by Richard Bates Jr., was released on March 10, 2019 in Amerika Serikat. It tells the story of A woman goes to the countryside to spend a quiet weekend after losing her job and having her last complicated relationship implode. She rents a country house from an old-fashioned widower, who struggles to hide his psychopathic tendencies. This is a Komedi, Kengerian, Cerita menegangkan film with a runtime of 87 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.9/10 from 3,342 viewers.
Richard Bates Jr.
sebagai Director
Kim Delaney
sebagai Crystal
Ray Wise
sebagai Michael
Amanda Crew
sebagai Olive
Nelson Franklin
sebagai York
Ray Santiago
sebagai Asher
Pia Shah
sebagai Riki
Hayley Marie Norman
sebagai Lenore
AnnaLynne McCord
sebagai Blaire
Gigi Zumbado
sebagai Frankie
Justin Wade
sebagai Motivational Speaker
Robert Patrick
sebagai Harvey
Christian Calloway
sebagai Abraham
Nancy Linehan Charles
sebagai Agnes
Johnny Pemberton
sebagai Uriah
Heidi Kaufman
sebagai Edith
Ronnie Gene Blevins
sebagai David
Shane Brady
sebagai Ethan
Tate Ellington
sebagai James
Richard Bates Jr.
sebagai Writer
Ketersediaan dapat berbeda menurut negara, bahasa, dan jendela rilis. Sebagian judul sudah termasuk dalam langganan platform, sementara judul lain mungkin memerlukan penyewaan, pembelian, atau akses melalui aplikasi. Katalog streaming dan perjanjian lisensi diperbarui secara berkala sehingga opsi pemutaran dapat berubah. Untuk pengalaman menonton paling akurat, periksa daftar terbaru pada layanan pilihan Anda dan pastikan dukungan wilayah, opsi subtitle, serta kompatibilitas perangkat sebelum memulai.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 kemenangan & 43 nominasi total
Unduh paket MovieBox terbaru untuk seluler, versi FM, dan APK yang kompatibel dengan TV. Pilih paket yang sesuai dengan perangkat dan wilayah Anda, lalu ikuti panduan instalasi resmi untuk kompatibilitas dan keamanan terbaik.
source: Tone-Deaf
The attempts from the director to make Harvey interact with the viewers make this movie long and boring . Characters are not likeable. After 15 minutes you just want to make it stop and take your money and time back.
I liked (a lot) how the creators of Tone-Deaf tried to bend some of the rules of cinema. They break the fourth wall on a few occasions and make some bold narratorial decisions. I also liked the antagonism between Baby Boomers and Millennials and how this encapsualted the impotent rage between the generations. In terms of horror, there we some very creepy moments, some BANGS but it wasn't that scary. All in all, an enjoyable indie-flick, better than US but worse than Get Out.
This film start with a young pianist playing piano, a man helping a woman changing clothes, a grown up pianist "Olive" fire by her boss and she rent a house from a man "Harvey" scene! As turnout, this film is a killing story of a psychopath "Harvey", who also is a millennial hater! Entire film full of mockery scene of Harvey! Super annoying! Harvey keep hallucinate in the film also make audience asleep! Only two killing scene show in detail! First one, Harvey killing an old woman on a bed by stabbing her! Second one, Harvey kill a homeless guy by hitting his head! Barely laughable scene is, at the end, Olive's mother calling 911, and she saying she won't stay on the line, because she will get cancer! At the end, Harvey using an ax to kill a male friend of Olive, her mother arrive and shot Harvey to death! That's it! Completely wasting time to watch!
If you don't like cheese movies If you don't like predictability If you dont like bad comedy attempts dont watch this If you have an open mind If you enjoy B class acting If you have time to kill and want to watch something with no thinking required Watch this 5.6
This...is NOT high art. But it's fun. Robert Patrick really made this movie for me, breaking the 4th wall about Millenials. I'm sure if I really studied this as a metaphor I'd find something to be offended about. Since I see it as great cinema I'm not going to narrow the view on it. Great movie.
I stumbled upon this by accident. Expected some run of the mill modern day horror but was pleasantly surprised. I feel I shouldn't say what I enjoyed and didn't enjoy. I realise this isn't helpful but you should just watch it and decide yourself.
Obviously millennials are not too impressed at the way they are represented in this movie - which is spot on. This is a tongue-in-cheek kind of movie not to be taken too seriously. I found it great to watch - although perhaps I am of a certain age to appreciate the irony. The acting and production - as well as the story - are well done and something different from the usual vacuous horror/comedy designed to appeal to the lowest common denominator.
A girl loses a job, her friend n mom advises her to go outta the city. She rents a country house from a widower who is on the verge of insanity. The widower (Robert Patrick) is suffering from dementia but is able to observe things like a detective n get away clean after committing murders. Our lead girl sleeps with the door open, she gets her toes hit by a tomahawk n she steps on a wooden plank with nails but is healthy chatting n arguing with the attacker even after losing few teeth. The film has some nice dry n bright locations, the acting is good, some violent scenes n a good spider scene. Ther was no need to create suspense when the guy gets out from the car to help fix the tire.
Boring...Boring...Boring except for the parts that Robert Patrick was in...Amanda Crew looked like she never acted in a movie before...And Baby Boomers will not like what she says at the ending...Little bit of gore but not scary at all... It's a big discredit to all of the Millennials that actually think they can act and then find truthful reviews like mine that put them in their place. Robert Patrick is a very good actor and showed that in the Terminator 2 almost stealing the movie from Arnold Schwarzenegger. And Ray Wise a credited actor was very good when his character was shown. But some career advice for Amanda Crew & Hayley Marie Norman..I hear they're hiring at McDonald's. Don't waste your time on this movie..all the good reviews were probably from Amanda's family.
Uraian mendetail tentang perubahan harga terbaru, alasan pengguna mempertimbangkan kembali pengaturan menonton, dan cara mengevaluasi alur alternatif tanpa kehilangan kebiasaan penemuan Anda.
Pelajari alur yang tepat untuk memasang APK Movie Box: dasar-dasar versi terlebih dahulu, lalu langkah pemasangan yang bersih, dan terakhir cara memilih antara jalur TV, iOS, Web, dan penggunaan aplikasi.
Ulasan panjang yang membahas mengapa Project Hail Mary menonjol pada 2026: kualitas adaptasi, penceritaan ilmiah, kedalaman emosional, dan reaksi penonton.
Cerita komedi dirancang untuk menghibur lewat humor. Format populer meliputi komedi situasi, humor ala sketsa, komedi dunia kerja, dan komedi romantis.
Judul aksi menekankan kegembiraan, konflik fisik, tokoh heroik, dan penceritaan yang cepat. Judul petualangan sering menampilkan eksplorasi, bertahan hidup, atau perjalanan epik.
Drama kriminal mengikuti penyidik, detektif, pengacara, atau jurnalis saat memecahkan kasus kriminal. Cerita misteri mendorong penonton mengungkap petunjuk bersama para tokoh.
Fiksi ilmiah mengeksplorasi teknologi futuristik, perjalanan luar angkasa, kecerdasan buatan, realitas alternatif, dan spekulasi ilmiah.
Penceritaan horor menciptakan ketegangan lewat tekanan psikologis, peristiwa supernatural, monster, atau skenario bertahan hidup.
Cerita romantis berfokus terutama pada hubungan, alur cinta, dan perkembangan emosional antartokoh.
Animasi mencakup karya untuk anak-anak, keluarga, dan orang dewasa, mulai dari konten edukatif hingga penceritaan dramatis yang kompleks.
Cerita romantis berfokus terutama pada hubungan, alur cinta, dan perkembangan emosional antartokoh.