Brian Knappenberger
sebagai Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The TV series Turning Point: 9/11 and the War on Terror, created by Dexter Filkins and produced by an unlisted studio, first premiered on September 1, 2021 in Amerika Serikat. The series spans 1 season with 5 episodes, featuring the voices of Osama bin Laden, George W. Bush, Dexter Filkins, and Bruce Hoffman. It follows the story of This unflinching series documents the 9/11 terrorist attacks, from Al Qaeda's roots in the 1980s to America's forceful response, both at home and abroad. This is a Dokumenter, Sejarah, Perang series and has received a rating of 7.9/10 from 13,005 viewers.
Brian Knappenberger
sebagai Director
Osama bin Laden
sebagai Self - Co-Founder of Al-Oaeda
George W. Bush
sebagai Self - 43rd President of the United States
Dexter Filkins
sebagai Self - New York Times, Middle East Correspondent 2000 - 2010
Dexter Filkins
sebagai Self - Staff Writer, The New Yorker
Bruce Hoffman
sebagai Self - Senior Fellow, The Council on Foreign Relations
Joe Biden
sebagai Self - Senator (DE)
Joe Biden
sebagai Self - 46th President of the United States
Joe Biden
sebagai Self - Vice President of the United States
Khalid Sheikh Mohammed
sebagai Self - Former Head of Propaganda for Al-Oaeda
Khalid Sheikh Mohammed
sebagai Self - Accused Architect of 9
Khalid Sheikh Mohammed
sebagai Self - 11 Attacks
Gregg Hansson
sebagai Self - Battalion Chief, FDNY-Battalion 2
Craig Whitlock
sebagai Self - Washington Post, Author of The of Afghanistan Papers
Jacqueline Maguire
sebagai Self - FBI Special Agent, NY Field Office
Rajiv Chandrasekaran
sebagai Self - Washington Post, Former War Correspondent
Alberto Gonzales
sebagai Self - White House Counsel 2001 - 2005
Alberto Gonzales
sebagai Self - U.S. Attorney General 2005 - 2007
Ali Soufan
sebagai Self - Former FBI Special Agent
Ali Soufan
sebagai Self - Former FBI Special Agent, Joint Terrorism Task Force
Mark Fallon
sebagai Self - Former NCIS Special Agent
Désirée Bouchat
sebagai Self - 9
Désirée Bouchat
sebagai Self - 11 Survivor
Désirée Bouchat
sebagai Self - Employed in South Tower Offices, The World Trade Center
Ahmad Zia Massoud
sebagai Self - Former Vice President of Afghanistan
Andrew Card
sebagai Self - White House Chief of Staff 2001 - 2006
Gregory Frederick
sebagai Self - Engineer, Marriott World Trade Center
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Castle Rock Entertainment
21 kemenangan & 43 nominasi total
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Film yang bagus!
Film yang bagus!
Film yang bagus!
Film yang bagus!
Film yang bagus!
If you're left wing and dislike the USA you'll love this series.
All of the bias I've come to expect from a Netflix documentary. Save your time and skip this one.
Once upon a time, there were these two jocks (full of muscle but s**t for brains) who had to one-up each other and see who has the bigger cojones. One is a psychopath (Russia) and the other is a narcissist (America). Somehow they had teamed up to defeat a common thorn in their side (Germany) and each ended up briefly dating the conjoined Korean twins. Of course they had to sow discord between the twins, indoctrinating them with their respective ideologies. Russia later flirted with Vietnam and America was like, "Not on my watch". It was an ugly love triangle. Not long after Vietnam, Russia, like a horny teenager, made a move on Afghanistan. America obviously had to spoil Russia's party and come to Afghanistan's rescue like a knight in shining armour. America saved Afghanistan from being violated by Russia. Russia then went through a meltdown. But fear not, trouble was brewing within the Islamic society over the distribution of Adderall. Iraq tried to seize Kuwait's share of Adderall. America, horrified at the potential disruption to the Adderall supply chain, stepped in and fended off Iraq on Kuwait's behalf. What a guy. This drew the attention of the new bad boy of Islamic society, Al Qaeda, who did not appreciate America meddling in Islamic affairs. So Al orchestrated an elaborate plot to invade America's home and destroy America's pride - his high school trophies. America was livid; Russia had a massive case of schadenfreude. To save face, America decided to strike back. See, Al had been cosying up to Afghanistan's tyrannical patriarch, the Taliban, and living under their roof. America then exposed Al Qaeda and Taliban for their misdemeanors, and got them kicked out of home. Afghanistan was grateful that she gets to do whatever she wanted at home again, without the watchful eye of the Taliban. High on adrenaline, America was looking for another fight and his gaze settled on Iraq. Time for some unfinished business. Afghanistan, in the meantime, like a damsel in distress, could not decide whether she loves America or not, "Is he my liberator or is he another oppressor?". Why don't we find out by inviting the Taliban back home? Not to be outdone, Russia has been doing some shady things in the Crimea and Syria. These two bad boys are hellbent on leaving their skid marks all over the world.
Why can't we have a documentary that is not slanted? Just the facts please! I watched the first 2 1/2 episodes and then thought here we go again........
Pretty spot on demonstration of how an eye for an eye leaves everyone blind.
Uraian mendetail tentang perubahan harga terbaru, alasan pengguna mempertimbangkan kembali pengaturan menonton, dan cara mengevaluasi alur alternatif tanpa kehilangan kebiasaan penemuan Anda.
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Ulasan panjang yang membahas mengapa Project Hail Mary menonjol pada 2026: kualitas adaptasi, penceritaan ilmiah, kedalaman emosional, dan reaksi penonton.
Cerita komedi dirancang untuk menghibur lewat humor. Format populer meliputi komedi situasi, humor ala sketsa, komedi dunia kerja, dan komedi romantis.
Judul aksi menekankan kegembiraan, konflik fisik, tokoh heroik, dan penceritaan yang cepat. Judul petualangan sering menampilkan eksplorasi, bertahan hidup, atau perjalanan epik.
Drama kriminal mengikuti penyidik, detektif, pengacara, atau jurnalis saat memecahkan kasus kriminal. Cerita misteri mendorong penonton mengungkap petunjuk bersama para tokoh.
Fiksi ilmiah mengeksplorasi teknologi futuristik, perjalanan luar angkasa, kecerdasan buatan, realitas alternatif, dan spekulasi ilmiah.
Penceritaan horor menciptakan ketegangan lewat tekanan psikologis, peristiwa supernatural, monster, atau skenario bertahan hidup.
Cerita romantis berfokus terutama pada hubungan, alur cinta, dan perkembangan emosional antartokoh.
Animasi mencakup karya untuk anak-anak, keluarga, dan orang dewasa, mulai dari konten edukatif hingga penceritaan dramatis yang kompleks.
Cerita romantis berfokus terutama pada hubungan, alur cinta, dan perkembangan emosional antartokoh.