Kheiron
بطور Director
The مزاحیہ film All Three of Us, starring Kheiron, Leïla Bekhti, Gérard Darmon, etc., directed by Kheiron, was released on November 4, 2015 in فرانس. It tells the story of An Iranian family survives the shah and the ayatollah and moves to France. This story follows the family through it all. Despite the politics, revolution, prison, beatings, assassinations and suicides this is a comedy. This is a مزاحیہ, ڈرامہ film with a runtime of 102 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.2/10 from 2,860 viewers.
Kheiron
بطور Director
Kheiron
بطور Hibat Tabib
Leïla Bekhti
بطور Fereshteh Tabib
Gérard Darmon
بطور Le père
Zabou Breitman
بطور La mère
Alexandre Astier
بطور Le Shah d'Iran Mohammad Reza Pahlavi
Kyan Khojandi
بطور Barbe
Arsène Mosca
بطور Le gardien en chef
Jonathan Cohen
بطور Chokri
Eriq Ebouaney
بطور Adama
Carole Franck
بطور Catherine Hanriot
Camélia Jordana
بطور Maryam
Michel Vuillermoz
بطور Daniel Bioton
Khereddine Ennasri
بطور Aziz
Sébastien Pouderoux
بطور Muhamad Tabib
Azize Kabouche
بطور L'homme du Shah
Soufiane Guerrab
بطور Elyess
Mourad Boudaoud
بطور Abdel
Adama Bathily
بطور Mamadou
Kheiron
بطور Writer
دستیابی ملک، زبان اور ریلیز ونڈو کے لحاظ سے مختلف ہو سکتی ہے۔ کچھ عنوانات پلیٹ فارم سبسکرپشنز میں شامل ہوتے ہیں، جبکہ دیگر کے لیے کرایہ، خریداری یا ایپ پر مبنی رسائی درکار ہو سکتی ہے۔ اسٹریمنگ کیٹلاگ اور لائسنسنگ معاہدے باقاعدگی سے اپ ڈیٹ ہوتے ہیں، اس لیے پلے بیک کے اختیارات وقت کے ساتھ بدل سکتے ہیں۔ دیکھنے کے سب سے درست تجربے کے لیے اپنی منتخب سروس پر تازہ ترین فہرست دیکھیں اور شروع کرنے سے پہلے علاقائی سپورٹ، سب ٹائٹل کے اختیارات اور ڈیوائس کی مطابقت کی تصدیق کریں۔
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
مجموعی طور پر 21 جیتیں اور 43 نامزدگیاں
موبائل، FM بلڈز اور TV-مطابقت پذیر APK ورژن کے لیے تازہ ترین MovieBox پیکجز ڈاؤن لوڈ کریں۔ اپنے آلے اور علاقے سے مماثل پیکج منتخب کریں، پھر بہترین مطابقت اور سیکیورٹی کے لیے سرکاری انسٹال گائیڈ پر عمل کریں۔
اچھی فلم!
Overall this movie is a sympathetic story about Hibat and his life, going from being a jailed anti-shah activist in Iran, to becoming a French social worker. The problem with the movie is that it suffers from not really knowing what it want. It does not have a good balance between being serious or/and funny. Lots of characters from Hibats life appear, and is often given so little screen time that by the end of the movie, you often dont really care about most of characters. It feels like the movie is made for people who already know Hibats real life story, But that would work much better as a documentary or a book, But really becomes a superficial movie when made into a fiction. When the movie started, i thought there would be a bigger focus on Hibats family with siblings, But besides his clothes Stealing brother, you dont really hear more about the Big family that is introduced in the beginning. Unfortunately this movie could benefit from a better director and a better script.
The movie is well done as a comedy... makes you laugh... but Shah is presented from the point of view of a communist, not the truth about Shah! Shah was a king who with his father created the most prosperous period of Iran, after 2500 years... exactly from the time of Cyrus the Great, king of Persia! During his reign as king, Iran is evolving very quickly from all points of view: military, economic, constructive, educational, etc.! I mean, a lover of the homeland and the people... it is presented as being fearful, which is not really... he did not want people to blood flow, otherwise it was very easy to give the order to army to kill the people! Certainly also had mistakes, but the biggest mistake was to trust traitors next to him ... that the Iranian intelligence service who had continually lied and they relatad misinformation! Those who study or have studied the history of Iran, knows the truth! In a country in which the union has succeeded ... and they removed foreign powers and is evolving with maximum speed, is no need for communists, left or right or other policies... When a French lord said to Shah, that the solution is to hang 60 people, no matter who they are ... just have to hang and people will not go out on the street ... Shah said, I am king, not dictator! If people do not want me, I'll leave the country. I'm waiting for the day to be made a film about the true story of the Iranian revolution during and after the Shah ... but someone to tell the truth and be impartial.
Very nice film in two parts: first, in Iran during the Shah and Khomeini eras, then in the Paris suburbs, in France, in a 'black blanc beur' environment. The film rhymes with tenderness, benevolence and delicacy, behind a light tone. Cherry on the cake: it's funny. The quartet Kheiron, Leila Bekhti, Gerard Darmon and Zabou Breitman is excellent! Two adorable scenes, among so many others: 1) The official presentation of the future son-in-law to the parents. After a deafening silence, the father tries to initiate a Corleone-like conversation but the mother quickly gets him back on track: irresistible! 2) The silent telephone conversation between the father and his daughter: literally incredible but tenderly moving!
Great story, nicely executed and well written. Managed a good balance between politics, drama and comedy. Despite the seriousness of the topic the funny and witty portrayal of all characters is top notch. Great soundtrack and pace of storytelling.
The first movie is set in Iran is about dissidence. Or maybe terrorists as the friends plot to overthrow the official government. Writing this in France in state of emergency, all this thing become a big headache : there is legitimate rebels and bad ones ? Who makes the difference ? Anyway this part reminds me of « love and shadows », especially with the mountain escape But if Jenny's movie stops there, this one goes on and this is the second movie ! This one is set in France in Parisian suburbs i know : Pierrefite, Stains. For a white, it's indeed a pit slump ! Naturally, this part is about immigrants, integration, social work, scums, communitarianism, again topics we are fed up by medias in France ! At the end, this movie comes in a bad timing ! So i keep that the director has done a wonderful thanks for his parents (don't skip the end credits) ; Leila and Darmon have never been as good and moving since a long time (wonderful phone scene) .
I'm not really into french movies in general (even if i'm french). They are kind like excessive in their styles. Comedy are often "too much", serious movies are like real life you'll to watch (dramatic and boring) but THIS MOVIE have a really good balance. Kheiron (the director) is known for his stand up performance and also for playing in the successful mini series : "Bref" I wasn't expecting much of it but a friend of mine advised me to give it a try. (saw it in a airplane) The story is set in Iran during dictatorship (i don't know or care much about geopolitics). With fun and seriousness, Kheiron introduce characters and their history that leads them to move from Iran to France. This is really a story about french "actual" population and their multicultural background (roots of the 2nd generations of migrants). All the parents have their stories and all sort of background that children don't even know much about it. Kheiron by this movie is giving consistency to his roots and by extent to a lots of people that relate to this kind of family history. All say, the movie is entertaining, funny and dramatic all at once. And i hope that it will have the success that it deserve.
حالیہ قیمتوں میں تبدیلیوں، صارفین اپنے دیکھنے کے سیٹ اپ پر دوبارہ غور کیوں کر رہے ہیں، اور اپنی دریافت کی عادات کھوئے بغیر متبادل طریقہ کار کا جائزہ لینے کا تفصیلی تجزیہ۔
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ایک تفصیلی جائزہ جو بتاتا ہے کہ 2026 میں Project Hail Mary کیوں نمایاں ہے: موافقت کا معیار، سائنسی کہانی، جذباتی گہرائی اور سامعین کے ردعمل۔
کامیڈی کہانیاں مزاح کے ذریعے تفریح فراہم کرنے کے لیے بنائی جاتی ہیں۔ مقبول فارمیٹس میں حالات پر مبنی کامیڈی، خاکہ نما مزاح، دفتری کامیڈی اور رومانوی کامیڈی شامل ہیں۔
ایکشن فلمیں جوش، جسمانی کشمکش، بہادر کرداروں اور تیز رفتار کہانی پر زور دیتی ہیں۔ ایڈونچر فلموں میں اکثر تلاش، بقا یا عظیم سفر دکھائے جاتے ہیں۔
کرائم ڈرامے تفتیش کاروں، جاسوسوں، وکلا یا صحافیوں کی پیروی کرتے ہیں جب وہ مجرمانہ مقدمات حل کرتے ہیں۔ اسرار کہانیاں ناظرین کو کرداروں کے ساتھ سراغ دریافت کرنے کی ترغیب دیتی ہیں۔
سائنس فکشن مستقبل کی ٹیکنالوجی، خلائی سفر، مصنوعی ذہانت، متبادل حقیقتوں اور سائنسی قیاس آرائیوں کی کھوج کرتا ہے۔
ہارر کہانی نفسیاتی تناؤ، مافوق الفطرت واقعات، راکشسوں یا بقا کے منظرناموں کے ذریعے سسپنس پیدا کرتی ہے۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔
اینیمیشن میں بچوں، خاندانوں اور بالغوں کے لیے تعلیمی مواد سے لے کر پیچیدہ ڈرامائی کہانی تک کے کام شامل ہوتے ہیں۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔