Sreenu Vaitla
بطور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The عمل film Amar Akbar Anthony, starring Ravi Teja, Ileana D'Cruz, Sheetal Deo, etc., directed by Sreenu Vaitla, was released on November 16, 2018 in بھارت. It tells the story of A man suffering from Dissociative Identity Disorder has to take revenge against four businessmen for the murder of his family while his past confronts him in the form of his childhood love. This is a عمل, مزاحیہ, جرم film with a runtime of 153 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.1/10 from 1,231 viewers.
Sreenu Vaitla
بطور Director
Ravi Teja
بطور Amar
Ravi Teja
بطور Akbar
Ravi Teja
بطور Anthony
Ileana D'Cruz
بطور Aishwarya
Ileana D'Cruz
بطور Pooja
Ileana D'Cruz
بطور Teresa
Sheetal Deo
بطور Ileana D'Cruz Friend in America
Sunil
بطور Bobby
Jayaprakash Reddy
بطور Pullareddy
Subhalekha Sudhakar
بطور Dr. Marc Anthony
Sayaji Shinde
بطور Jalal Akbar
Abhirami
بطور Amar's mother
Vennela Kishore
بطور Miriyala
Laya
بطور Young Aishwarya's mother
Abhimanyu Singh
بطور Balwant Kharge
Tarun Arora
بطور Karan Arora
Raghu Babu
بطور Gandikota
Adithya Menon
بطور Saboo Menon
Srinivasa Reddy
بطور Kandulu
Vikramjeet Virk
بطور Vikram Talwar
Rajveer Ankur Singh
بطور Rajveer
Bharath Reddy
بطور Mareddy, Pullareddy's assistant
Rishabh Purohit
بطور Writer
Vamsi Rajesh Kondaveeti
بطور Writer
Sreenu Vaitla
بطور Writer
دستیابی ملک، زبان اور ریلیز ونڈو کے لحاظ سے مختلف ہو سکتی ہے۔ کچھ عنوانات پلیٹ فارم سبسکرپشنز میں شامل ہوتے ہیں، جبکہ دیگر کے لیے کرایہ، خریداری یا ایپ پر مبنی رسائی درکار ہو سکتی ہے۔ اسٹریمنگ کیٹلاگ اور لائسنسنگ معاہدے باقاعدگی سے اپ ڈیٹ ہوتے ہیں، اس لیے پلے بیک کے اختیارات وقت کے ساتھ بدل سکتے ہیں۔ دیکھنے کے سب سے درست تجربے کے لیے اپنی منتخب سروس پر تازہ ترین فہرست دیکھیں اور شروع کرنے سے پہلے علاقائی سپورٹ، سب ٹائٹل کے اختیارات اور ڈیوائس کی مطابقت کی تصدیق کریں۔
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
مجموعی طور پر 21 جیتیں اور 43 نامزدگیاں
موبائل، FM بلڈز اور TV-مطابقت پذیر APK ورژن کے لیے تازہ ترین MovieBox پیکجز ڈاؤن لوڈ کریں۔ اپنے آلے اور علاقے سے مماثل پیکج منتخب کریں، پھر بہترین مطابقت اور سیکیورٹی کے لیے سرکاری انسٹال گائیڈ پر عمل کریں۔
ravi tejaaa km trbaikkk
Now i don;t remember why i saw this movie in the first place. :-D
Mr.SV has "come back" at the audience for trusting him to make an entertaining film. Screenplay is stale, dialogues are stale, characters are stale. There is no plot anyway. Only thing that worked fine is the cinematography.
One of the worstest telugu movie with very big star casts. Story/Screenplay were totally crap and the villains were just awful. Total waste of more than 2 hours of my life.
Bad i mean this is as bad as possible. director just don't know where to start and where to join the connections....
In my point of view it is good but some of characters have less importance. I felt heroine importance should have little more because it is a revenge drama.
Director Srinu Vaitla has gone bonkers, he needs a rehab. Short films on YouTube can provide more entertainment than this peace of $h!t
The movie is good, but not good enough. the plot is quite stupid, however acting is on point. filled woth comedy, and because of that filled with TOO MANY comedy actors In simple words: SO BAD ITS GOOD
Is this srinu vaitla?? 🙂 suspense crime drama... Not bad.....One time watch
Amar (Ravi Teja) is a troubled man with revenge in his veins due to a childhood marred by people his family trusted. Pooja, aka Aishwarya (Ileana) is his childhood friend who's equally damaged and waits for his return with Jalal (Sayaji Shinde), a family friend. But Amar and Aishwarya both seems to have a peculiar problem that mars their life even further. Will they find a way to overcome it? Tollywood seems to be extremely fascinated with taking scientific discoveries or medical ailments that are very much real and twisting them into something else by actively providing false information. In the case of Amar Akbar Anthony, it is dissociative identity disorder that's the victim, along with the audience. Amar (Ravi Teja) is released from prison after serving his 14 year sentence and the second he's out, he's baying for blood. Pooja (Ileana) is an event manager constantly harassed by Miriyala (Vennela Kishore) who can't seem to take no for an answer. Both the individuals have triggers that turn them into a whole different person, much to the chagrin of those around them. Pursuing Amar and his trail of dead bodies is FBI officer Balwanth (Abhimanyu Singh); put on his tail by the very people he's hunting down. While this makes for a fascinating story by itself, there's also the cliché accented Telugu speaking Akbar and suspiciously calm Dr Anthony to deal with. But because that's also not enough, we have a motley of NRI characters who make up the WATA (World Andhra Telangana Association), a black magic practitioner Jr Paul (Satya) and a serial gambler Bobby (Sunil) thrown into the fold, apart from the four antagonists who are shareholders of a pharma group. Phew! While it is good that the film attempts to maintain a serious tone by leaving the character of Amar constantly grumbling and Pooja ever pensive, given the subject, AAA strays majorly off the path when it also tries to be a typical commercial masala potboiler by injecting the good ol' song and dance and forced comedy at regular intervals. The story is so predictable that despite the flashback being revealed in bits and pieces, one can gauge exactly how it's all going to turn out. Predictability aside, Sreenu Vaitla seems to be trying so hard to reinvent himself that the film seems to have a tone that's majorly confused. It's a relief to see a film that immediately jumps to the point without meandering around and equally relieving to not see unnecessary romantic moments forced into a narrative about revenge. But unfortunately, the way the whole film is stitched together does not seem to work, and not just due to the choppy editing in parts. The sad part is that by the end, one can even understand what the director tried to pull off and failed at. Ravi Teja delivers a good performance as the focused Amar who has nothing left to live for except revenge, disoriented at times due to his ailment, and as the calm Dr Anthony. It is his performance as Akbar that seems forced, mostly due to the way it's written. Ileana too makes her presence felt in limited screen-time, looking gorgeous as Aishwarya, even while kicking some major butt. While Vennela Kishore, Sunil and Satya are a delight to watch on-screen, especially when Sunil decides to shake a leg, the way they're inserted into the story seems pointless and inorganic. Sayaji Shinde and Abhimanyu Singh are wasted in roles where they have nothing much to do, so are the rest of the cast. They all deserved a better screenplay. Thaman did a good enough job with the BGM even if the songs don't leave a mark. The cinematography by Venkat C Dileep is good too. Unfortunately, by the end, the film just turns out to be old wine in a new bottle made worse by ignorance. But watch this one if you're a Ravi Teja or Ileana fan, just don't expect too much.
حالیہ قیمتوں میں تبدیلیوں، صارفین اپنے دیکھنے کے سیٹ اپ پر دوبارہ غور کیوں کر رہے ہیں، اور اپنی دریافت کی عادات کھوئے بغیر متبادل طریقہ کار کا جائزہ لینے کا تفصیلی تجزیہ۔
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ایک تفصیلی جائزہ جو بتاتا ہے کہ 2026 میں Project Hail Mary کیوں نمایاں ہے: موافقت کا معیار، سائنسی کہانی، جذباتی گہرائی اور سامعین کے ردعمل۔
کامیڈی کہانیاں مزاح کے ذریعے تفریح فراہم کرنے کے لیے بنائی جاتی ہیں۔ مقبول فارمیٹس میں حالات پر مبنی کامیڈی، خاکہ نما مزاح، دفتری کامیڈی اور رومانوی کامیڈی شامل ہیں۔
ایکشن فلمیں جوش، جسمانی کشمکش، بہادر کرداروں اور تیز رفتار کہانی پر زور دیتی ہیں۔ ایڈونچر فلموں میں اکثر تلاش، بقا یا عظیم سفر دکھائے جاتے ہیں۔
کرائم ڈرامے تفتیش کاروں، جاسوسوں، وکلا یا صحافیوں کی پیروی کرتے ہیں جب وہ مجرمانہ مقدمات حل کرتے ہیں۔ اسرار کہانیاں ناظرین کو کرداروں کے ساتھ سراغ دریافت کرنے کی ترغیب دیتی ہیں۔
سائنس فکشن مستقبل کی ٹیکنالوجی، خلائی سفر، مصنوعی ذہانت، متبادل حقیقتوں اور سائنسی قیاس آرائیوں کی کھوج کرتا ہے۔
ہارر کہانی نفسیاتی تناؤ، مافوق الفطرت واقعات، راکشسوں یا بقا کے منظرناموں کے ذریعے سسپنس پیدا کرتی ہے۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔
اینیمیشن میں بچوں، خاندانوں اور بالغوں کے لیے تعلیمی مواد سے لے کر پیچیدہ ڈرامائی کہانی تک کے کام شامل ہوتے ہیں۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔