Baharak Saeid Monir
بطور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The ڈرامہ film Ambrosia, starring Sahar Biniaz, Camyar Chai, Heather Doerksen, etc., directed by Baharak Saeid Monir, was released on September 23, 2013 in کینیڈا. It tells the story of Fashion designer gets dream job, new boss sexually harasses her, straining marriage. She must decide between career and relationship while upholding values. This is a ڈرامہ film with a runtime of 79 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 3.4/10 from 558 viewers.
Baharak Saeid Monir
بطور Director
Sahar Biniaz
بطور Leila
Camyar Chai
بطور Ali
Heather Doerksen
بطور Sarah
Pauline Egan
بطور Monica
Tina Milo Milivojevic
بطور Samira
Veenu Sandhu
بطور Maryam
Zeus Ghadban
بطور Ferry
Mark James
بطور Customer #1
Jeffrey Flieler
بطور Customer #3
John Emmet Tracy
بطور Real Estate Agent
Patrick Gaites
بطور John Heath
Yvette Dudley-Neuman
بطور Woman in the restaurant
Tara Pratt
بطور Counselor
Lynda Yee Shioya
بطور Mrs. Woo
Patrick Carr
بطور Sam
Sam Mansouri
بطور Driver
Rodd Lew
بطور Homeless man in park
John Parlett
بطور Homeless man in station
Baharak Saeid Monir
بطور Writer
دستیابی ملک، زبان اور ریلیز ونڈو کے لحاظ سے مختلف ہو سکتی ہے۔ کچھ عنوانات پلیٹ فارم سبسکرپشنز میں شامل ہوتے ہیں، جبکہ دیگر کے لیے کرایہ، خریداری یا ایپ پر مبنی رسائی درکار ہو سکتی ہے۔ اسٹریمنگ کیٹلاگ اور لائسنسنگ معاہدے باقاعدگی سے اپ ڈیٹ ہوتے ہیں، اس لیے پلے بیک کے اختیارات وقت کے ساتھ بدل سکتے ہیں۔ دیکھنے کے سب سے درست تجربے کے لیے اپنی منتخب سروس پر تازہ ترین فہرست دیکھیں اور شروع کرنے سے پہلے علاقائی سپورٹ، سب ٹائٹل کے اختیارات اور ڈیوائس کی مطابقت کی تصدیق کریں۔
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مجموعی طور پر 21 جیتیں اور 43 نامزدگیاں
موبائل، FM بلڈز اور TV-مطابقت پذیر APK ورژن کے لیے تازہ ترین MovieBox پیکجز ڈاؤن لوڈ کریں۔ اپنے آلے اور علاقے سے مماثل پیکج منتخب کریں، پھر بہترین مطابقت اور سیکیورٹی کے لیے سرکاری انسٹال گائیڈ پر عمل کریں۔
اچھی فلم!
اچھی فلم!
source: Ambrosia
Iran is home to one of the world's oldest continuous major civilizations, with historical and urban settlements dating to 7000 BC. That having been said, I would have liked to have seen more of why the movie ended as it did. This is not a movie with naked bodies and sex. Rather, it looks at life and our decisions. The protagonist, a woman, makes up her own mind, as it should be. Just because someone does not like her decision does not make it a bad movie. To me, it was true to life. The protagonist's husband's temper was stupid but not abusive. And for a traditional Iranian man, he was on the radical left, as many in Iran are to this day. But more than that, sexual harassment in the workplace is real: How refreshing to see a different take on the problem. I had a sexually frisky boss once, and like the protagonist, I believe employees should have the right to express their feelings and still keep their job. If the boss won't take no for an answer, what better place to tell him or her about it than in the John? Yes, the ending was cheesy, and the writing could have been much better. But I liked it. It was an adult movie for thinkers. Watch it until the end. That's when it's okay to go yuck or whatever. I just hope there was room for the protagonist to grow. She earned it.
Ok let's remake the plot. I think part that Laila leaves Ali is ok. And "romance" between Sarah and Monica is need to be developt. So let's remake plot Leila after leave the Ali goes to Sarah's house while Monica is on a buisness trip for a week. Leila has no joy in life now so the most positive person she knows Sarah is welcome her at home. Then Sarah tell that she needs to express her feelings. After that they are going to have sex and Leila had her best week. But when Monica comes back she see that Sarah is care and spend more time than her and then they started a fight. Meanwhile Leila's friends say that she need to came back to Ali. But she doesn't want to. But she see that Ali is in a very bad situation. She is angry and think that Sarah is the reason of that but actually she is select that. Then she see her at office's bathroom and slaps her in the face. But Sarah explain that she is also in a big trouble because Monica left her. And both of them realise that they have pretty much in common about fashion, atractions, ect. And they make out. The End. I think this better than what we got.
Ok it's not great. But I've seen Way worse. Pretty flat overall and the acting is not strong. The outfits are good and the women are pretty. It wasn't very realistic in a number of aspects. The inappropriate advances of her lesbian boss somehow cause her to question her marriage but it doesn't make sense why. It doesn't feel like there's much of a climax, when there almost is, it kind of falls flat. So not 'good' but not the worst.
At first, I thought the movie would be fantasy-like or sexual, but after watching it, it was way different from what I expected. It was not even a lesbian story but more about the protagonist making her own decisions and not letting or giving in to her boss to get what she wants (sex). What I thought the film was about, or at least what it looked like to me, I don't believe it was that being a lesbian is not real. It wasn't that modernity was wrong and traditional values were superior. To me, it shows that lesbians aren't all good people with good intentions and that lesbians can be just as manipulative and bad as men. But maybe I just missed the point of the movie. Who knows? I know it is not an over-fantasy lesbian film nor a bad one.
It's hard to find good lesbian movies and this is definitely not one of them. It is one of the slowest most boringness movie ever. The most interesting part of this movie is the pizza. Don't even waste your time.
The girl is unhappy, lives with a man she does not love, falls pregnant and (happy ending!!!) she decides to gave the baby, live with the man she dies no live and be unhappy for the rest of her days. The men are happy and the women get screwed. Moral of the story: follow the rules imposed my men and religion and forget yourself and your own happiness. One star. Can we give zero stars?
I literally waited an hour and a half for something to happen besides just two hot women brushing against each other here and there. I don't know---maybe some romantic lines and passion exchanged between the two of them. Maybe some sex. Maybe some banter, flirting. I was waiting for the boss and her partner to break up so the boss could get with Ali's wife after they broke up. Nope. Nada. Nothing. By the way, why did all of their exchanges happen in the bathroom? Instead, I wasted one and a half hours watching nothing happen. There was no drama. The characters had no growth. There was no progression in the movie and there was NO FREAKING PLOT. I LAUGHED MY ASS OFF AT THE ENDING TOO. All I watched was a man's pizza business get run down by insensitive customers and his unprofessional responses which contributed to the downfall of his business. Then I watched the main character (this movie is so terrible I don't remember any of their names) develop a better taste of fashion, but I watched her grow more and more passive/silent at her true feelings. The only act that coincided with something that resembled a true feeling was the ending when she went back with her ex. It seems the movie's focus was on looks and how hot the women were. I really see nothing else with it. The actors and actresses seemed platonic, stoic, and without passion/drama--- something that is well needed in the entertainment industry. I am surprised it even made it to Netflix.
حالیہ قیمتوں میں تبدیلیوں، صارفین اپنے دیکھنے کے سیٹ اپ پر دوبارہ غور کیوں کر رہے ہیں، اور اپنی دریافت کی عادات کھوئے بغیر متبادل طریقہ کار کا جائزہ لینے کا تفصیلی تجزیہ۔
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ایک تفصیلی جائزہ جو بتاتا ہے کہ 2026 میں Project Hail Mary کیوں نمایاں ہے: موافقت کا معیار، سائنسی کہانی، جذباتی گہرائی اور سامعین کے ردعمل۔
کامیڈی کہانیاں مزاح کے ذریعے تفریح فراہم کرنے کے لیے بنائی جاتی ہیں۔ مقبول فارمیٹس میں حالات پر مبنی کامیڈی، خاکہ نما مزاح، دفتری کامیڈی اور رومانوی کامیڈی شامل ہیں۔
ایکشن فلمیں جوش، جسمانی کشمکش، بہادر کرداروں اور تیز رفتار کہانی پر زور دیتی ہیں۔ ایڈونچر فلموں میں اکثر تلاش، بقا یا عظیم سفر دکھائے جاتے ہیں۔
کرائم ڈرامے تفتیش کاروں، جاسوسوں، وکلا یا صحافیوں کی پیروی کرتے ہیں جب وہ مجرمانہ مقدمات حل کرتے ہیں۔ اسرار کہانیاں ناظرین کو کرداروں کے ساتھ سراغ دریافت کرنے کی ترغیب دیتی ہیں۔
سائنس فکشن مستقبل کی ٹیکنالوجی، خلائی سفر، مصنوعی ذہانت، متبادل حقیقتوں اور سائنسی قیاس آرائیوں کی کھوج کرتا ہے۔
ہارر کہانی نفسیاتی تناؤ، مافوق الفطرت واقعات، راکشسوں یا بقا کے منظرناموں کے ذریعے سسپنس پیدا کرتی ہے۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔
اینیمیشن میں بچوں، خاندانوں اور بالغوں کے لیے تعلیمی مواد سے لے کر پیچیدہ ڈرامائی کہانی تک کے کام شامل ہوتے ہیں۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔