Clare Niederpruem
بطور Director
English,Filipino,Français,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The مزاحیہ film An American in Austen, starring Eliza Bennett, Nicholas Bishop, Nell Barlow, etc., directed by Clare Niederpruem, was released on February 17, 2024 in امریکہ. It tells the story of Harriet, who thinks that no real man compares to Mr. Darcy, is transported into Pride and Prejudice and gets an unexpected chance to find out. Starring Eliza Bennett and Nicholas Bishop. This is a مزاحیہ, تصور, رومانی film with a runtime of 84 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.4/10 from 1,266 viewers.
Clare Niederpruem
بطور Director
Eliza Bennett
بطور Harriet
Nicholas Bishop
بطور Mr. Darcy
Nell Barlow
بطور Elizabeth
Catherine Hannay
بطور Jane
Erica Ford
بطور Kitty
Grace Hogg-Robinson
بطور Lydia
Calypso Cragg
بطور Mary
Robin Weaver
بطور Mrs. Bennet
Robert Portal
بطور Mr. Bennet
Toby-Alexander Smith
بطور Charles Bingley
Olivia Benjamin
بطور Caroline
Charlotte Wakefield
بطور Charlotte Lucas
Dominic Andersen
بطور George Wickham
Joseph Richardson
بطور William Collins
Bert Seymour
بطور Ethan
Kate Nichols
بطور Natalie
Shin-Fei Chen
بطور Wendy
Adam Goodwin
بطور Footman
Cameron Johann
بطور Writer
Jane Austen
بطور Writer
دستیابی ملک، زبان اور ریلیز ونڈو کے لحاظ سے مختلف ہو سکتی ہے۔ کچھ عنوانات پلیٹ فارم سبسکرپشنز میں شامل ہوتے ہیں، جبکہ دیگر کے لیے کرایہ، خریداری یا ایپ پر مبنی رسائی درکار ہو سکتی ہے۔ اسٹریمنگ کیٹلاگ اور لائسنسنگ معاہدے باقاعدگی سے اپ ڈیٹ ہوتے ہیں، اس لیے پلے بیک کے اختیارات وقت کے ساتھ بدل سکتے ہیں۔ دیکھنے کے سب سے درست تجربے کے لیے اپنی منتخب سروس پر تازہ ترین فہرست دیکھیں اور شروع کرنے سے پہلے علاقائی سپورٹ، سب ٹائٹل کے اختیارات اور ڈیوائس کی مطابقت کی تصدیق کریں۔
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
مجموعی طور پر 21 جیتیں اور 43 نامزدگیاں
موبائل، FM بلڈز اور TV-مطابقت پذیر APK ورژن کے لیے تازہ ترین MovieBox پیکجز ڈاؤن لوڈ کریں۔ اپنے آلے اور علاقے سے مماثل پیکج منتخب کریں، پھر بہترین مطابقت اور سیکیورٹی کے لیے سرکاری انسٹال گائیڈ پر عمل کریں۔
If a writer must write a load of garbage at least have the decency to use your own intellectual property and don't turn a classic piece of literature into some plagiarized pile of junk. Jane Austin must be turning in her grave! Everything from the character turning up with bare legs without so much as an ounce of concern from her family. To the characters loudmouth and uncouth approach to Mr Darcy at a dance is just pathetic. People in polite company would consider this girl an uncouth loudmouth even today in polite company. It's not clever or attractive to have someone impolitely storm up and gob off like gutter trash. Not well written or entertaining. One star is one too many for this trash.
I love any movie that Veronica Brown produces. I already knew I was going to love this movie because she was one of the masterminds behind it. I love her creative eye, storytelling ability and the flow of the character development. Absolutely love this movie! I thought it was a great testament to the story of Pride and Prejudice and Jane Austens work in general. The main character was relatable, funny and enjoyable to get lost in. The way the movie was started and finished was brilliant. I loved the way it all came together. Insightful and fulfilling. A really great way to tie it altogether. One of my favorite hallmarks for sure!
This is the third offering in Hallmark's Jane Austen inspired 2024 February Love-uary and it might be my favorite so far. It was unexpected and a delight. The story tells of Harriet (played by an honest to goodness Eliza Bennett!) a writer and librarian, whose wonderful boyfriend Ethan proposes to her in a very romantic way...to which she responds "maybe" because she has fantasies in her head about the fictional Mr. Darcy and how she thinks love is supposed to feel. After over imbibing, Harriet wakes up inside of the Pride and Prejudice story as the American cousin Harriet to the Bennett sisters. This is where the story gets interesting as Harriet with her prior knowledge of the plot...ends up interfering and turning the story on its ear, only to have regret and have to right the ship all over again. Needless to say the whole experience gives her new perspective on her real life. This was a fun twist to Pride and Prejudice that I had never seen before and I found it thoroughly delightful. I thought the main actress Liza Bennett did a wonderful job and I appreciated Hallmark's attempt at a historical set...enough so I can overlook the very modern front and back chain drop earrings worn by a Georgian era character. It was a bit of a surprise to see an actual British royal playing the role of "The Duchess". This is a big recommendation to both Jane Austen fans and romantics alike!
'' An American in Austen '' is a fantasy romantic comedy that sends our american Austen lover author in one of Austen's most famous works. The movie is pretty enjoyable, to the point that you often forget that its a Hallmark. It is well filmed, has plenty of funny moments, it's light, it's romantic, and it has a nice enough ending that is both satisfying and happy. Also, our main lead didn't get annoying and she was actually really sweet. The side characters did a great job as well. In addition, the fantasy element was well handled. So, overlal, six out of ten for '' An American in Austen ''.
Out of all the Jane Austen Hallmarks (2024), this one has impressed me the most. Harriet is a struggling writer with a supporting boyfriend that loves her deeply. Despite their short on screen time, their chemistry is unquestionable and is more enjoyable than most couples in recent Hallmark feature films. Harriet, after a series of events, finds herself in the story of Pride & Prejudice living out the plot of the book as the American cousin of the Bennett girls. Her involvement in their story brings many twists and turns, especially since she knows the story. The humour in the movie is clever and current, with the lead actress being an absolute star in the movie. She delivers an outstanding performance that sells Harriet wonderfully. By the end, you're rooting for her and her quirkiness. Moreover, the set and costume of this film is OUTSTANDING. Undeniably, one of the best dressed Hallmarks I've seen in a long time. They captured the time and location wonderfully, as if you were watching a feature film of Pride & Prejudice. It made me wish I were booking a flight overseas to experience what I watched in the movie. Overall, this Hallmark is a fun watch with an ending that is different by Hallmarks standards. Even if you're not too familiar with Jane Austin's work, this movie does a great job with capturing the emotion, comedy and romance of some of the best.
8.2 stars. If you are hopelessly stricken by Austen's works, tread carefully into this story, as it may be offensive to your dogmatic senses and sensibilities. This is the tale of a female author who is currently struggling with writer's block. She is well versed in old English literature and other similar works. There is much going on in her life, a boyfriend who wants more, a publisher who demands her best, and her personal life is cluttered with too many things. She makes a wish and we are taken back in time, into a book within a book, which eventually lands into yet a third. Once again, Hallmark hits a home run. I find they are producing some very entertaining period pieces; almost defining for our times what a family friendly historical fiction film should be. Hollywood, take some lessons about 19th century English (family values oriented) comedy/drama from 'An American in Austen'. I do fewer reviews these days, I've moved on after 800+. I feel for me it's better to rate a movie and get on with my day. But when I happen upon a remarkable film as this, I have to share my thoughts. What jumps out immediately is the lead female/protagonist does not fit in with any of the characters from 'Pride and Prejudice', to whence she has been transported back in time. I feel this is a brilliantly clever rendition of a woman out of place and time. And, she very much seems 200 years out of place. Her mannerisms, colloquialisms, language, metaphors, and slang are so painfully untimely and vulgar. Yet, her character is so well versed in Victorian era knowledge due to her literature background, that she is able to navigate her way through with limited difficulty (conveniently explained by her being swept into the narrative as an American cousin of the family). The script is amazingly clever and to augment it, the acting is equally as superb. Her character is emboldened with 21st century sarcasm and wit, refreshingly matched step by step by the intellect and savvy of the characters from the novel that she has found herself living in. She has wished to have a Mr. Darcy of her own, and her wish is granted. Of course, she is completely out of her element. What a great theme for a wonderful story...brilliant, luminous, splendid!
اچھی فلم!
source: An American in Austen
Librarian Harriet Goodson (Eliza Bennett) is struggling to write her first novel. Her boyfriend makes the big proposal and she can only respond with Maybe. Her favorite book is Pride and Prejudice. She wakes up magically inside the book as an American cousin and meets her fantasy crush Mr. Darcy (Nicholas Bishop). Eliza Bennett is a lovely actress and she plays a good fish out of water. It is a little funny that the British actress is playing an American in this British classic. Heck, her name is Eliza Bennett. It's very meta. The Hallmark production looks rather TV movie level despite the grand locations. It could be better. The story is a fun and often-done concept. More could be used for comedy. Maybe she doesn't like the food or the makeup is bad. They do the corset and the carriage rides. Those are a little funny. This just needs to push for more humor. The Bennet sisters are really only characters in a book. They don't have the latitude to be real people. It's all up to Harriet. I want her to run around and struggling in this old timey society to get things right.
First of all, I liked the message in this about an American Pride and Prejudice fan realizing her idealizing of Darcy when comparing him to real men. However, I can't help but compare this movie to the BBC miniseries Lost in Austen (or LiA) which also has a modern girl protagonist drop into the plot of Pride and Prejudice and the story goes off the rails. In both, because the characters end up "off book" the traditional P&P characters have to react to these plot changes. For me, how Darcy and Lizzie behaved and reacted just did not match up with their book characters. Especially with Darcy, I didn't buy that he would have immediately fallen for Harriet and expressed it as forthcoming as he did and be so moony over her. In LiA, its Mr Darcy also falls for the modern protagonist, Amanda (spoiler: they end up together at the end) who in this swapped places with Lizzie. Mr Darcy's first reactions to Amanda is disgust at her rudeness, impropriety, and outspokenness. Essentially, their relationship mirrors Darcy and Lizzie's in the book, enemies to lovers and this Darcy's reactions to the changes in P&P's plot felt way more authentic to Darcy's character than how this Darcy reacted to Harriet. I do like the Lydia did not run off with Wickham in this one (YAY). AND this was the least annoyed I was with Mrs. Bennet even though she didn't feel right either. Overall, An American in Austen was fine with a good message but the characterizations of Austen's characters were lacking.
حالیہ قیمتوں میں تبدیلیوں، صارفین اپنے دیکھنے کے سیٹ اپ پر دوبارہ غور کیوں کر رہے ہیں، اور اپنی دریافت کی عادات کھوئے بغیر متبادل طریقہ کار کا جائزہ لینے کا تفصیلی تجزیہ۔
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ایک تفصیلی جائزہ جو بتاتا ہے کہ 2026 میں Project Hail Mary کیوں نمایاں ہے: موافقت کا معیار، سائنسی کہانی، جذباتی گہرائی اور سامعین کے ردعمل۔
کامیڈی کہانیاں مزاح کے ذریعے تفریح فراہم کرنے کے لیے بنائی جاتی ہیں۔ مقبول فارمیٹس میں حالات پر مبنی کامیڈی، خاکہ نما مزاح، دفتری کامیڈی اور رومانوی کامیڈی شامل ہیں۔
ایکشن فلمیں جوش، جسمانی کشمکش، بہادر کرداروں اور تیز رفتار کہانی پر زور دیتی ہیں۔ ایڈونچر فلموں میں اکثر تلاش، بقا یا عظیم سفر دکھائے جاتے ہیں۔
کرائم ڈرامے تفتیش کاروں، جاسوسوں، وکلا یا صحافیوں کی پیروی کرتے ہیں جب وہ مجرمانہ مقدمات حل کرتے ہیں۔ اسرار کہانیاں ناظرین کو کرداروں کے ساتھ سراغ دریافت کرنے کی ترغیب دیتی ہیں۔
سائنس فکشن مستقبل کی ٹیکنالوجی، خلائی سفر، مصنوعی ذہانت، متبادل حقیقتوں اور سائنسی قیاس آرائیوں کی کھوج کرتا ہے۔
ہارر کہانی نفسیاتی تناؤ، مافوق الفطرت واقعات، راکشسوں یا بقا کے منظرناموں کے ذریعے سسپنس پیدا کرتی ہے۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔
اینیمیشن میں بچوں، خاندانوں اور بالغوں کے لیے تعلیمی مواد سے لے کر پیچیدہ ڈرامائی کہانی تک کے کام شامل ہوتے ہیں۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔