Graeme Campbell
بطور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The مزاحیہ film Christmas à La Carte, starring Erin Agostino, Dillon Casey, Deborah Tennant, etc., directed by Graeme Campbell, was released on December 9, 2022 in کینیڈا. It tells the story of when food correspondent, Carly, gets a shot at her own show, she is sent to Angel Heights to help Grant open his diner and film it as a Holiday special for her TV show. Will Grant and Carly open their hearts too. This is a مزاحیہ, ڈرامہ, رومانی film with a runtime of 91 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.6/10 from 532 viewers.
Graeme Campbell
بطور Director
Erin Agostino
بطور Carly Hayes
Dillon Casey
بطور Grant Quinn
Deborah Tennant
بطور Delia Hayes
Maya Misaljevic
بطور Tess Quinn
Brittany Charlotte Smith
بطور Lena
Marcia Bennett
بطور Marian
Rex Hagon
بطور Gordie
Cory Lee
بطور Beth Walsh
Oksana Sirju
بطور Ramona
Stephanie Belding
بطور Martha
Nigel Downer
بطور Theo
Chris Tarpos
بطور Diner Customer
Chris Tarpos
بطور Christmas Festival Townsperson
Kelli Crawford
بطور Writer
دستیابی ملک، زبان اور ریلیز ونڈو کے لحاظ سے مختلف ہو سکتی ہے۔ کچھ عنوانات پلیٹ فارم سبسکرپشنز میں شامل ہوتے ہیں، جبکہ دیگر کے لیے کرایہ، خریداری یا ایپ پر مبنی رسائی درکار ہو سکتی ہے۔ اسٹریمنگ کیٹلاگ اور لائسنسنگ معاہدے باقاعدگی سے اپ ڈیٹ ہوتے ہیں، اس لیے پلے بیک کے اختیارات وقت کے ساتھ بدل سکتے ہیں۔ دیکھنے کے سب سے درست تجربے کے لیے اپنی منتخب سروس پر تازہ ترین فہرست دیکھیں اور شروع کرنے سے پہلے علاقائی سپورٹ، سب ٹائٹل کے اختیارات اور ڈیوائس کی مطابقت کی تصدیق کریں۔
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
مجموعی طور پر 21 جیتیں اور 43 نامزدگیاں
موبائل، FM بلڈز اور TV-مطابقت پذیر APK ورژن کے لیے تازہ ترین MovieBox پیکجز ڈاؤن لوڈ کریں۔ اپنے آلے اور علاقے سے مماثل پیکج منتخب کریں، پھر بہترین مطابقت اور سیکیورٹی کے لیے سرکاری انسٹال گائیڈ پر عمل کریں۔
Although the script was predicable and had the usual snowball fight, cookie baking and misunderstanding it ended with the kiss. I thought the leads had good chemistry. I disagree with a previous reviewer who called them "uggos". When people judge a movie based upon the looks of the main characters, I wonder what the reviewer looks like. He also must be blind. In addition to being good actors, Erin Agostino is very pretty and Dillon Casey is quite the handsome hunk. The supporting cast was very good especially young Maya Misaljevic and Deborah Tennant. I liked the fact that the houses were not decorated too "over the top" ala Hallmark, but I wish these LA set designers would find out what real snow looks like. You don't have to show the dirty snow and slush, but having supposed day old snow look pristine only emphasizes the fact it's fake. FYI, poinsettias are a tropical plant and would never be outdoors in winter and if we have outside events we clear the walkways and festival sites.
Erin Agostino brings pride to all Montrealers for her starring role in this cute romantic Christimas movie. Her character Carly Hayes wants to host her own TV show. In order to clinch the deal she must do a profile on chef Grant Quinn's (Dillon Casey) new diner. The two do not hit it off at the start. Then they get close, followed by the typical misunderstanding. Grant has a young daughter, who adores Carly. Will they end up as a couple? Will they ever kiss? The ending certainly left the door open for a sequel.
This movie is everything you expect from a Christmas movie minus the tired trope of "big city woman must give up career to find love". The dialogue is snappy and clever, the actors have great chemistry, the set design is lush, and both main characters learn valuable life lessons through trial and error. I also really enjoyed how food and recipes are used as story teling devices - a very clever choice by the writer.
Up until the conflict in the story, this movie was totally derivative. It jumbles together the most common plot devices for a Christmas movie based on the premise where a reporter is sent to do an expose on a famous chef. In this case, it is a show producer, rather than a simple reporter, but the idea is totally the same. And there is no chance you can avoid predicting what will create that conflict. The boss calls seemingly every other scene to hurry up the producer and channel her efforts in a certain way. When Carly does it her own way and produces a simple hometown story, the network entirely reworks her production to make it a gossip piece, just exactly as expected. What takes place after that goes a little way towards rescuing the movie, but can only go so far. The ending and reconciliation are stretched out as Grant stubbornly refuses to listen to the facts, but there can't be an unhappy ending so he finally relents. Like so many Christmas movies, the leading lady has more chemistry with the daughter of her opposite lead, in this case Maya Misaljevic. It's hard to find much with Dillon Casey but there are a few good moments between them. I wasn't impressed with the acting of any of these three, but neither was it bad. The dialogue is likewise decent with some good moments but not sparkling. I think they could have improved the appeal of this movie by reducing the amount of nagging by Carly's boss and spending a little more time with Grant loosening up. As I said, the coming conflict was obvious because it was overplayed. Also, I would have liked a little less stubbornness on Grant's part at the end.
Christmas A La Carte (2021)- It's hard to believe that either of the leads could get a partner, they're both horrible people and don't really seem to get any better as the story progresses. I did like his intention to spend more time with his daughter, but it's easy to see that it won't last. To start with, I thought that his quirky look might be attractive, but he really didn't grow on me. In that respect they were perfectly matched, because I didn't like her face either. If I had realised that I didn't like him sooner, I would have turned it off, although it's not the worst I've ever seen. I tend to watch the ones with people that I like in so it keeps my interest and skip the others, as life's too short to watch uggo's! It's not overly Christmassy and could have been set at any time of the year with the same results. With that said, the story in general is nice and the acting is okay too. With nicer actors and better direction I think that they could have had a bigger hit, but this didn't appeal to me and I doubt I'll watch it again in the next 5-10 years. 5ish/10?
اچھی فلم!
Up until the conflict in the story, this movie was totally derivative. It jumbles together the most common plot devices for a Christmas movie based on the premise where a reporter is sent to do an expose on a famous chef. In this case, it is a show producer, rather than a simple reporter, but the idea is totally the same. And there is no chance you can avoid predicting what will create that conflict. The boss calls seemingly every other scene to hurry up the producer and channel her efforts in a certain way. When Carly does it her own way and produces a simple hometown story, the network entirely reworks her production to make it a gossip piece, just exactly as expected. What takes place after that goes a little way towards rescuing the movie, but can only go so far. The ending and reconciliation are stretched out as Grant stubbornly refuses to listen to the facts, but there can't be an unhappy ending so he finally relents. Like so many Christmas movies, the leading lady has more chemistry with the daughter of her opposite lead, in this case Maya Misaljevic. It's hard to find much with Dillon Casey but there are a few good moments between them. I wasn't impressed with the acting of any of these three, but neither was it bad. The dialogue is likewise decent with some good moments but not sparkling. I think they could have improved the appeal of this movie by reducing the amount of nagging by Carly's boss and spending a little more time with Grant loosening up. As I said, the coming conflict was obvious because it was overplayed. Also, I would have liked a little less stubbornness on Grant's part at the end.
source: A Recipe for Joy
source: Christmas à La Carte
Although the script was predicable and had the usual snowball fight, cookie baking and misunderstanding it ended with the kiss. I thought the leads had good chemistry. I disagree with a previous reviewer who called them "uggos". When people judge a movie based upon the looks of the main characters, I wonder what the reviewer looks like. He also must be blind. In addition to being good actors, Erin Agostino is very pretty and Dillon Casey is quite the handsome hunk. The supporting cast was very good especially young Maya Misaljevic and Deborah Tennant. I liked the fact that the houses were not decorated too "over the top" ala Hallmark, but I wish these LA set designers would find out what real snow looks like. You don't have to show the dirty snow and slush, but having supposed day old snow look pristine only emphasizes the fact it's fake. FYI, poinsettias are a tropical plant and would never be outdoors in winter and if we have outside events we clear the walkways and festival sites.
حالیہ قیمتوں میں تبدیلیوں، صارفین اپنے دیکھنے کے سیٹ اپ پر دوبارہ غور کیوں کر رہے ہیں، اور اپنی دریافت کی عادات کھوئے بغیر متبادل طریقہ کار کا جائزہ لینے کا تفصیلی تجزیہ۔
Movie Box APK انسٹال کرنے کا صحیح طریقہ جانیں: پہلے ورژن کی بنیادی باتیں، پھر صاف انسٹالیشن کے مراحل، اور آخر میں TV، iOS، ویب اور ایپ کے استعمال کے راستوں میں سے انتخاب کیسے کریں۔
ایک تفصیلی جائزہ جو بتاتا ہے کہ 2026 میں Project Hail Mary کیوں نمایاں ہے: موافقت کا معیار، سائنسی کہانی، جذباتی گہرائی اور سامعین کے ردعمل۔
کامیڈی کہانیاں مزاح کے ذریعے تفریح فراہم کرنے کے لیے بنائی جاتی ہیں۔ مقبول فارمیٹس میں حالات پر مبنی کامیڈی، خاکہ نما مزاح، دفتری کامیڈی اور رومانوی کامیڈی شامل ہیں۔
ایکشن فلمیں جوش، جسمانی کشمکش، بہادر کرداروں اور تیز رفتار کہانی پر زور دیتی ہیں۔ ایڈونچر فلموں میں اکثر تلاش، بقا یا عظیم سفر دکھائے جاتے ہیں۔
کرائم ڈرامے تفتیش کاروں، جاسوسوں، وکلا یا صحافیوں کی پیروی کرتے ہیں جب وہ مجرمانہ مقدمات حل کرتے ہیں۔ اسرار کہانیاں ناظرین کو کرداروں کے ساتھ سراغ دریافت کرنے کی ترغیب دیتی ہیں۔
سائنس فکشن مستقبل کی ٹیکنالوجی، خلائی سفر، مصنوعی ذہانت، متبادل حقیقتوں اور سائنسی قیاس آرائیوں کی کھوج کرتا ہے۔
ہارر کہانی نفسیاتی تناؤ، مافوق الفطرت واقعات، راکشسوں یا بقا کے منظرناموں کے ذریعے سسپنس پیدا کرتی ہے۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔
اینیمیشن میں بچوں، خاندانوں اور بالغوں کے لیے تعلیمی مواد سے لے کر پیچیدہ ڈرامائی کہانی تک کے کام شامل ہوتے ہیں۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔