Alex Chung
بطور Director
English,Filipino,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The عمل film Contracts, starring Margaryta Soldatova, Kyle Stewart, Christena Gaunce, etc., directed by Alex Chung, was released on October 21, 2019 in کینیڈا. It tells the story of A team of assassins led by an extremist become victims of a superior killer. This is a عمل film with a runtime of 75 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 3.3/10 from 158 viewers.
Alex Chung
بطور Director
Margaryta Soldatova
بطور Malice
Kyle Stewart
بطور Brett Stanton
Christena Gaunce
بطور Rebecca Fields
Dan Sanderson
بطور Senator Blake Morris
Jermaine Carty
بطور Marc Sullivan
Alex Chung
بطور Anthony Lo
Alex Chung
بطور Reaper #3
Neil Bishop
بطور Lazardus Constantine
Michael Carter
بطور Headshot
Jonathan Pang
بطور Arch
Jonathan Pang
بطور Reaper #2
Rufio Luey
بطور Reaper #1
Graham Jezioranski
بطور Billy Morris
Paul Krysinski
بطور Eli Scotton
Giulio Calisse
بطور Ingram
Reuben John Tumanguil
بطور Ballistic
Tim Biemann
بطور Roland Burke
Shahab Pierre
بطور Richards
Wolfgang Max Kaufmann
بطور Floye
Alex Chung
بطور Writer
دستیابی ملک، زبان اور ریلیز ونڈو کے لحاظ سے مختلف ہو سکتی ہے۔ کچھ عنوانات پلیٹ فارم سبسکرپشنز میں شامل ہوتے ہیں، جبکہ دیگر کے لیے کرایہ، خریداری یا ایپ پر مبنی رسائی درکار ہو سکتی ہے۔ اسٹریمنگ کیٹلاگ اور لائسنسنگ معاہدے باقاعدگی سے اپ ڈیٹ ہوتے ہیں، اس لیے پلے بیک کے اختیارات وقت کے ساتھ بدل سکتے ہیں۔ دیکھنے کے سب سے درست تجربے کے لیے اپنی منتخب سروس پر تازہ ترین فہرست دیکھیں اور شروع کرنے سے پہلے علاقائی سپورٹ، سب ٹائٹل کے اختیارات اور ڈیوائس کی مطابقت کی تصدیق کریں۔
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
مجموعی طور پر 21 جیتیں اور 43 نامزدگیاں
موبائل، FM بلڈز اور TV-مطابقت پذیر APK ورژن کے لیے تازہ ترین MovieBox پیکجز ڈاؤن لوڈ کریں۔ اپنے آلے اور علاقے سے مماثل پیکج منتخب کریں، پھر بہترین مطابقت اور سیکیورٹی کے لیے سرکاری انسٹال گائیڈ پر عمل کریں۔
Poor script, poor acting, the fight scenes are ok but they don't save the movie. The movie is another of those bad Canadian movies that Canadians are forced to watch on their TV programming be cause of CANCON rules. Truth be told there is very little Canadian film or tv that is good, and Canadians live right next door to a massive film/tv industry that even at it's worst offering is usually 10 times better than anything CANCON. Granted there are some gems that come out of Canada, but very few. Thanks to the oppressive Canadian gov't and the CRTC, what content Canadians can see is controlled because they think that Canadians will lose their identity if they see too much American film/tv.
Did you ever play with G.I. Joes? Did you ever spend an entire day setting up a gigantic battle with your friends and then wait for the carnage to begin, which soon ends up with nearly every single Joe and Cobra dead except for the two or three favorites of each person playing? Yep. That's this movie. Assassin Anthony Lo (Alex Chung, who also write and directed this) joins hitman Marc Sullivan to battle a rogue gang of killers who are picking off their friends. This was originally going to be a prequel to some of the shorts that Chung has worked on in the past, but it ended up being a standalone feature, which may explain why some of the story makes little to no sense. That said, you're not watching this movie for the story. You're watching it for the fights. And this movie has just as many, if not more, fights than you were looking for. Honestly, I think people are still fighting despite the movie being over.
This film amounts to lots of fighting scenes held together with a plot that could have been written on a back of a receipt: betrayal and revenge. This has been done well in the Rambo films. This is just embarrassing as it seems more like action scenes you may find in video games like Mortal Kombat whereby the player is hitting the kick & punch buttons randomly (disjointed cheographic fight scenes). This is something that does not warrant making a film out of it... This reminds me of the Raid minus the compelling storyline and choreograph fight scenes that flowed smoothly. In this film the fight scenes are like poor imitation of fight scenes you may see in the Jackie Chan's films. This is not even on par with the later kickboxer films... It was a very ambitious debut film but like my enforced pandemic lockdown restaurants it just did not deliver what the viewer had hoped for...
So you didn't have to. You're welcome . Please. Trust me on tis
Director Alex Chung should compare a fight scene from his movie with good movies and learn! I Don't like write bad about somone so Alex Chung is uh, not that good, and many improvements to make in his future films :).
What do you want from a movie? Entertainment? Yes? This movie has some great action scenes, with moves you don't see in other movies, so i really don't understand all the negativity, sometimes people are just stupid i guess... Don't listen to the hate, be your own judge!!!
...you'll barely find one. But if you're looking for some surprisingly awesome choreographed fight and action scenes, you've come to the right place. This is pro-stunt-man-turned-newb-filmmaker Alex Chung's first full length feature film (with only a handful a previous shorts) as writer, producer, director, editor, choreographer and *whew* actor. It's an independent, surprisingly "zero funded", B grade Canadian film. According to the Trivia section, this story was supposed to be a trilogy of shorts, but instead was mended together into a full length film - which perhaps explains the choppy screenplay. The cinematography was decent, the score surprisingly fitting and bearable (unlike most B-grade films where it's too loud, overbearing, unfitting and annoying), but the directing certainly needed improvement. The cast performances for the most part were unconvincing and amateurish, but I'm sure most of it was due to Chung's lack of experience in directing his cast effectively. The conceptual story was creative, but the screenplay was way too choppy and convoluted and could've also been edited better. I'm still confused to what I saw in the first 5 minutes with the convoluted back and forth scenes. So as the story began, I was even more disappointed with pretty much every aspect - even the sound was way off, as if someone forgot to bring the boom mics. But the more I saw the outstandingly choreographed fight and action scenes including some unexpectedly crazy gore, I really started getting into the film and saw it right to the "Patrick Swayze in Roadhouse meets Bruce Lee in Enter The Dragon" crazy ending. I have to say it has some of the best John Wick style fight scenes I've seen in awhile. Clearly this is no Hollywood big budget production, but still a decent effort from a newb filmmaker. And as such, I'm giving this film a very generous 6/10 based on its own merits and low production costs. It is certainly undeserving of any 1's and 2's, considering new filmmaker's have to start somewhere, right? Having said that, I'm gonna go back again to see some of those amazing fight scenes, which imo, make up for at least a some of its flaws. I'm looking forward to Chung improving his filmmaking skills and coming up with some feature films that are well produced and still have these amazing fight choreography, action and stunts. Props and respect for his first attempt. To see my review rating system, and more of my 1000+ reviews, simply click on my username.
source: Contracts
What do you want from a movie? Entertainment? Yes? This movie has some great action scenes, with moves you don't see in other movies, so i really don't understand all the negativity, sometimes people are just stupid i guess... Don't listen to the hate, be your own judge!!!
Did you ever play with G.I. Joes? Did you ever spend an entire day setting up a gigantic battle with your friends and then wait for the carnage to begin, which soon ends up with nearly every single Joe and Cobra dead except for the two or three favorites of each person playing? Yep. That's this movie. Assassin Anthony Lo (Alex Chung, who also write and directed this) joins hitman Marc Sullivan to battle a rogue gang of killers who are picking off their friends. This was originally going to be a prequel to some of the shorts that Chung has worked on in the past, but it ended up being a standalone feature, which may explain why some of the story makes little to no sense. That said, you're not watching this movie for the story. You're watching it for the fights. And this movie has just as many, if not more, fights than you were looking for. Honestly, I think people are still fighting despite the movie being over.
حالیہ قیمتوں میں تبدیلیوں، صارفین اپنے دیکھنے کے سیٹ اپ پر دوبارہ غور کیوں کر رہے ہیں، اور اپنی دریافت کی عادات کھوئے بغیر متبادل طریقہ کار کا جائزہ لینے کا تفصیلی تجزیہ۔
Movie Box APK انسٹال کرنے کا صحیح طریقہ جانیں: پہلے ورژن کی بنیادی باتیں، پھر صاف انسٹالیشن کے مراحل، اور آخر میں TV، iOS، ویب اور ایپ کے استعمال کے راستوں میں سے انتخاب کیسے کریں۔
ایک تفصیلی جائزہ جو بتاتا ہے کہ 2026 میں Project Hail Mary کیوں نمایاں ہے: موافقت کا معیار، سائنسی کہانی، جذباتی گہرائی اور سامعین کے ردعمل۔
کامیڈی کہانیاں مزاح کے ذریعے تفریح فراہم کرنے کے لیے بنائی جاتی ہیں۔ مقبول فارمیٹس میں حالات پر مبنی کامیڈی، خاکہ نما مزاح، دفتری کامیڈی اور رومانوی کامیڈی شامل ہیں۔
ایکشن فلمیں جوش، جسمانی کشمکش، بہادر کرداروں اور تیز رفتار کہانی پر زور دیتی ہیں۔ ایڈونچر فلموں میں اکثر تلاش، بقا یا عظیم سفر دکھائے جاتے ہیں۔
کرائم ڈرامے تفتیش کاروں، جاسوسوں، وکلا یا صحافیوں کی پیروی کرتے ہیں جب وہ مجرمانہ مقدمات حل کرتے ہیں۔ اسرار کہانیاں ناظرین کو کرداروں کے ساتھ سراغ دریافت کرنے کی ترغیب دیتی ہیں۔
سائنس فکشن مستقبل کی ٹیکنالوجی، خلائی سفر، مصنوعی ذہانت، متبادل حقیقتوں اور سائنسی قیاس آرائیوں کی کھوج کرتا ہے۔
ہارر کہانی نفسیاتی تناؤ، مافوق الفطرت واقعات، راکشسوں یا بقا کے منظرناموں کے ذریعے سسپنس پیدا کرتی ہے۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔
اینیمیشن میں بچوں، خاندانوں اور بالغوں کے لیے تعلیمی مواد سے لے کر پیچیدہ ڈرامائی کہانی تک کے کام شامل ہوتے ہیں۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔