Max McGuire
بطور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The ڈرامہ film Dating A Sociopath, starring Jessalyn Gilsig, Jon Cor, Hannah Vandenbygaart, etc., directed by Max McGuire, was released on September 13, 2019 in کینیڈا. It tells the story of Heartbroken over her parents' breakup and recovering from a car accident, Jane becomes increasingly suspicious of her mother's charming new boyfriend. This is a ڈرامہ, سنسنی خیز film with a runtime of 86 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.7/10 from 505 viewers.
Max McGuire
بطور Director
Jessalyn Gilsig
بطور Samantha
Jon Cor
بطور Brian
Hannah Vandenbygaart
بطور Jane
Habree Larratt
بطور Tilly
Scott Gibson
بطور Paul
Taveeta Szymanowicz
بطور Karli
Michael Gordin Shore
بطور Mitch
Stephane Garneau-Monten
بطور Clerk
Richard Nash
بطور ER Doctor
Brittany McGirr
بطور Receptionist
Jodi Larratt
بطور Manager
Sean Tucker
بطور Locksmith
Tyler MacIntyre
بطور Writer
Daniel Weissenberger
بطور Writer
دستیابی ملک، زبان اور ریلیز ونڈو کے لحاظ سے مختلف ہو سکتی ہے۔ کچھ عنوانات پلیٹ فارم سبسکرپشنز میں شامل ہوتے ہیں، جبکہ دیگر کے لیے کرایہ، خریداری یا ایپ پر مبنی رسائی درکار ہو سکتی ہے۔ اسٹریمنگ کیٹلاگ اور لائسنسنگ معاہدے باقاعدگی سے اپ ڈیٹ ہوتے ہیں، اس لیے پلے بیک کے اختیارات وقت کے ساتھ بدل سکتے ہیں۔ دیکھنے کے سب سے درست تجربے کے لیے اپنی منتخب سروس پر تازہ ترین فہرست دیکھیں اور شروع کرنے سے پہلے علاقائی سپورٹ، سب ٹائٹل کے اختیارات اور ڈیوائس کی مطابقت کی تصدیق کریں۔
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
مجموعی طور پر 21 جیتیں اور 43 نامزدگیاں
موبائل، FM بلڈز اور TV-مطابقت پذیر APK ورژن کے لیے تازہ ترین MovieBox پیکجز ڈاؤن لوڈ کریں۔ اپنے آلے اور علاقے سے مماثل پیکج منتخب کریں، پھر بہترین مطابقت اور سیکیورٹی کے لیے سرکاری انسٹال گائیڈ پر عمل کریں۔
source: The Sweetheart
اچھی فلم!
The best scene in "Dating a Sociopath" (a.k.a., "The Sweetheart") took place in a jewelry store where the manager confronts the film's villain Brian McGavin. The jeweler recognizes a returned bracelet as one that he had sold to Brian years ago when Brian was living with an older woman who died under suspicious circumstances. Brian then made a gift of he bracelet to second woman. The jeweler becomes especially concerned when Brian had gifted bracelet to yet third woman, Sam. It was this scene in the jewelry store that first revealed the twisted mind of Brian McGavin. Sam is the mother of young Jane and little Tilly (Till). She had a falling out with her husband Paul after his reckless driving led to a serious leg injury for the older daughter Jane. Paul has now moved into a hotel, and Sam has moved Brian into the family home. The most intriguing character in the film is the quick-thinking Jane, who recognizes right away that Brian is a phony. She eventually catches on as well that Brian has substituted placebos for her painkillers, making her recovery process slow and miserable. The actress playing Jane does a good job moving ambling around on crutches and using a cane, which will figure prominently in the physical action of the film. The filmmakers moved the narrative along at a brisk pace. It was interesting to watch the dissolute father Paul strive to redeem himself after his disgraceful conduct. Jane's bestie Karli added an important tracking device on Brian's car that led to an old hideaway for the grand climax. The bracelet was a useful metaphor for the shallow behavior of Sam, who fell too fast and too hard for a gold digger as a new sweetheart. It was due to the heroics of Jane limping noticeably through the action that put greater focus on greater the genuine family values that triumphed in the end.
Mother of the Year we got here. Bringing a strange man around. Not letting a father see his children. The father's bad choice was not taking the girls when he moved out. The mom was just one bad decision after another. I can't tell if it's meant to be that way but they're trying so hard to make Dad look irresponsible, but all of Mom's terrible decisions are on full display. It was ironic that her bad judgment caused her to need rescuing by him. Doubly ironic that her poor judgment almost got the whole family wiped out. I agree with another reviewer: it did seem like the mom was already dating that guy. Fighting with her husband, a daughter in the hospital, an elementary-aged daughter who she's trying to "keep things normal for," and yet she has time to date. LOL, ok. She was forcing that guy on her daughters, but also pushing their father away from them. Who lets their flavor of the month provide PT for their daughter? Springs it on her, but then yells at their father for bringing her home unannounced? Allowing your new boyfriend who just met your daughter yesterday take her places? Was Mom that desperate? Flimsy motivations for the villain. Unless I wasn't paying attention, it wasn't clear that the family had "money" to begin with. A better movie with similar themes was Her Deadly Groom. The mom was still an idiot, but there was more suspense in that one. Background noise for one watch only. This really isn't going to be one you want to see multiple times. It's just not that good. In re: to my review title? How in the world do those two titles sync with each other? Typically the US title and the Canadian titles at least have a theme. Such as My Father's Other Family aka Deadly DNA. If the image wasn't the same as on my tv, I wouldn't have known this was the same movie.
From a past diet of similar movies, my early conclusions were: "Dad gets murdered" - coz he has, before; "Black friend gets murdered" - coz people of colour die early, right? I was delighted to have my own prejudices demolished, so- I really enjoyed this: stress, strain, fear,, impending horror - but brilliant ending
A very predictable movie with a simple plot.Not any different from many others of the same type.
It was so bad. I didn't even get 10 minutes through and I already knew it was going to be a cheesy movie. The trailer was decent, but gave the whole movie away. I thought the movie would be good based on the trailer, but obviously that was not the case. Should have looked at the reviews before I watched it. Do not recommend!!!!
Pretty idiotic Lifetime type movie except the final knife scene only lasted two minutes. Subplot involving opiate addiction was never resolved.
Ok so straight down to the chase: it was bad because after everything cougar mom did to keep the family broken. Basically an unfit sl-t of a mother, who even let boytoy carry her young daughter to bed! The husband should have filed for divorce and taken the kids with him! He should have let her drown! I seriously despised the irresponsible selfish sl@t Sam! It was only good because of the happy ending, otherwise, it was terrible! Kudos to Jane who was the real adult in all of this! Oh and the dad has a striking resemblance to Colin Firth!
The acting in this movie is so bad it's laughable and the storyline is a lame ass recycled one done 100x previously only with better acting. Total waste of my time, would not recommend unless you wanted to watch your own eyes roll to the back of your head.
حالیہ قیمتوں میں تبدیلیوں، صارفین اپنے دیکھنے کے سیٹ اپ پر دوبارہ غور کیوں کر رہے ہیں، اور اپنی دریافت کی عادات کھوئے بغیر متبادل طریقہ کار کا جائزہ لینے کا تفصیلی تجزیہ۔
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ایک تفصیلی جائزہ جو بتاتا ہے کہ 2026 میں Project Hail Mary کیوں نمایاں ہے: موافقت کا معیار، سائنسی کہانی، جذباتی گہرائی اور سامعین کے ردعمل۔
کامیڈی کہانیاں مزاح کے ذریعے تفریح فراہم کرنے کے لیے بنائی جاتی ہیں۔ مقبول فارمیٹس میں حالات پر مبنی کامیڈی، خاکہ نما مزاح، دفتری کامیڈی اور رومانوی کامیڈی شامل ہیں۔
ایکشن فلمیں جوش، جسمانی کشمکش، بہادر کرداروں اور تیز رفتار کہانی پر زور دیتی ہیں۔ ایڈونچر فلموں میں اکثر تلاش، بقا یا عظیم سفر دکھائے جاتے ہیں۔
کرائم ڈرامے تفتیش کاروں، جاسوسوں، وکلا یا صحافیوں کی پیروی کرتے ہیں جب وہ مجرمانہ مقدمات حل کرتے ہیں۔ اسرار کہانیاں ناظرین کو کرداروں کے ساتھ سراغ دریافت کرنے کی ترغیب دیتی ہیں۔
سائنس فکشن مستقبل کی ٹیکنالوجی، خلائی سفر، مصنوعی ذہانت، متبادل حقیقتوں اور سائنسی قیاس آرائیوں کی کھوج کرتا ہے۔
ہارر کہانی نفسیاتی تناؤ، مافوق الفطرت واقعات، راکشسوں یا بقا کے منظرناموں کے ذریعے سسپنس پیدا کرتی ہے۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔
اینیمیشن میں بچوں، خاندانوں اور بالغوں کے لیے تعلیمی مواد سے لے کر پیچیدہ ڈرامائی کہانی تک کے کام شامل ہوتے ہیں۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔