Sandra L. Martin
بطور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The رومانی film Finding Love in Big Sky, Montana, starring Hedy Nasser, Jonathan Stoddard, Nathan Kehn, etc., directed by Sandra L. Martin, was released on November 1, 2021 in امریکہ. It tells the story of An independent country girl, Paisley (Hedy Nasser), takes on the task of upholding her adored grandfather's ranch. After being denied the funding needed to refurbish the ranch, she is reintroduced to her ex-boyfriend Josh (Johnathan Stoddard), a big-time marketing executive stationed in Denver who has been suspended from his current position at his company. Admitting to herself that she needs the help, Paisley agrees to work with Josh while he is town to come up with ideas on how to raise money for the farm. An extra set of hands comes along when Josh's brother and Paisley's good friend Sam comes back into town to visit the pair. After 15 years and in the midst of their fund raising efforts, Paisley and Josh are finally able to reconnect and find the love in each other that seemed to have been there all along. This is a رومانی film with a runtime of 87 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.0/10 from 465 viewers.
Sandra L. Martin
بطور Director
Hedy Nasser
بطور Paisley Sheridan
Jonathan Stoddard
بطور Joshua Lake
Nathan Kehn
بطور Sam Lake
Raechel Wong
بطور Charlie Kwan
Kris Ann Russell
بطور Annabel
Kay-Megan Washington
بطور Dot
Joseph Curtis Callender
بطور Allen Marshall 'Banker'
Wilson Hammond
بطور Marcus
Colleen O'Quinn
بطور Laura
Kimberly Strachan
بطور Anna
Jackie Vetter
بطور Cindy
Phaedra Nielson
بطور Marianne 'Mom'
Tim Gram
بطور Tim 'Dad'
John Budge
بطور Tracen
Tinesha Ersland
بطور Emily
Steven Harris-Weiel
بطور Kyle Gray 'Reporter'
Teri Jo Rask
بطور Receptionist
Erin Day
بطور Jewelry Maker
Sandra L. Martin
بطور Writer
Angela Ruth Strong
بطور Writer
دستیابی ملک، زبان اور ریلیز ونڈو کے لحاظ سے مختلف ہو سکتی ہے۔ کچھ عنوانات پلیٹ فارم سبسکرپشنز میں شامل ہوتے ہیں، جبکہ دیگر کے لیے کرایہ، خریداری یا ایپ پر مبنی رسائی درکار ہو سکتی ہے۔ اسٹریمنگ کیٹلاگ اور لائسنسنگ معاہدے باقاعدگی سے اپ ڈیٹ ہوتے ہیں، اس لیے پلے بیک کے اختیارات وقت کے ساتھ بدل سکتے ہیں۔ دیکھنے کے سب سے درست تجربے کے لیے اپنی منتخب سروس پر تازہ ترین فہرست دیکھیں اور شروع کرنے سے پہلے علاقائی سپورٹ، سب ٹائٹل کے اختیارات اور ڈیوائس کی مطابقت کی تصدیق کریں۔
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
مجموعی طور پر 21 جیتیں اور 43 نامزدگیاں
موبائل، FM بلڈز اور TV-مطابقت پذیر APK ورژن کے لیے تازہ ترین MovieBox پیکجز ڈاؤن لوڈ کریں۔ اپنے آلے اور علاقے سے مماثل پیکج منتخب کریں، پھر بہترین مطابقت اور سیکیورٹی کے لیے سرکاری انسٹال گائیڈ پر عمل کریں۔
source: Finding Love in Big Sky, Montana
source: Finding Love in Big Sky, Montana
Two overused premises. Paisley needs to save the ranch she inherited from beloved grandpa. Josh flees LA to lay low while scandal threatens his job. The two old flames reunite and what do they do? Well lets just say it's the same thing they do in similar circumstances in hundreds of these movies. Beyond that, there isn't much story and certainly no highs or lows. As for a predictable conflict, when the phone rang just before the last commercial I said to myself, No. Please don't use that plot device Again. The acting is fair. There's little chemistry. The dialogue is just OK. I kind of liked Hedy Nasser for her cute sweetness, but that also sapped some of the intended strong woman vibe. It's supposed to be a bad thing to use an "info dump" especially in a movie. My thoughts were - good, let's get all that over and settled. But then the story dragged anyway. And the voice is that opening narration was slightly grating. There is some nice scenery but there is only so much appeal to looking at snowcapped mountains on the horizon with a bright blue sky. It isn't really that this movie has anything great wrong with it. The problem is that it is just totally bland with the same story lines as so many other movies.
Hedy Nasser and Jonathan Stoddard Nathan Kehn and Raechel Wong Made this movie come alive they were so great as couples there were so much chemistry between Paisley and Josh in this movie you get your very handsome guys you're beautiful scenery the most majestic horses it's just an all-around wonderful family movie and it is also based on a book by the same name it was also filmed in Montana this is definitely a movie I would watch more than once I'm giving this movie, five stars it was definitely a very original movie don't think I've ever seen a movie out there like this one definitely not your run of the mill Hallmark movie was not boring it did keep your attention I did have one little problem with the fact that she is alone on a ranch with horses how long comes a guy and sure they were friends 15 years ago she lets him stay there and then she picks his brother up and she lets his brother stay there and would have been nice if we got to see that ranch open up to the kids but she was wanting to come but that's okay I don't know if there is a sequel to the book to make a movie.
This is a rom-com from UPTV, it's an evangelical broadcaster. The plot is at least believable and most of the the dialog is ok. I agree the two leads Nasser and Stoddard are miscast, they don't seem at ease with their roles. Nathan Kehn (Sam) and Raechel Wong (Charlie) should have been cast as the leads, they can act especially Kehn. The location is beautiful with the snow capped hills and mountains, it reminds me of Montana and Alberta, more likely it was filmed in Canada - British Columbia or Alberta. Filming in winter with overcast skies does darken scenes, a production and cinematography problem. Limited budget so there are few characters and this may have been filmed during COVID restrictions.
I wanted to like this movie. Horses, Big Sky country, horses -- it had great potential. Disappointedly, the "star" who plays Paisley was flat, unemotional, and acted like this was her first acting gig, which ruined the show for me. The scene with her tryingvto split wood was laughable. No way she was coached to rest an axe on her shoulder and swing from there. Stoddard was okay as leading man but marginally so. Honestly, Nathan Kehn would have been a Much better choice. The audio was muddy, voices hard to understand unless turned very loud, background noises too pronounced. As a native Montanan, I found it hard to believe ranchers using seat belts. Really? Too bad, this could have been a nice rom-com.
The first two minutes of this movie already took me off guard. Probably the most atrocious voice-over work I have ever heard in professionally made films. Hedy Nasser lacks the basic ability to emote in her narration. It is so bad that I was genuinely amused for a moment. Fortunately the movie picks up a bit afterwards (I mean how can it not but still). It is a sweet little story about rekindled love and finding roots. I also quite enjoyed Jonathan Stoddard's performance. Supporting characters are fun to watch and provide some much needed levity. For some scenes the dialogues are obviously re-recorded afterwards, which sounds too whispery and stands out like a sore thumb. I really wanted to like it. But the production just screams amateurish. Awful sound quality and a weak female lead let this movie down.
The story was okay. The pretty actress, while her acting was okay, had an emotionless voice, monotone, no feeling. There was no personality to speak of. The story starts with her narrating. There was no chemistry between the two leads. The basic story was similar to many others, but the scenery was nice. I gave it a 6. No misunderstandings or big conflict, which was fine. Just nothing worth watching again. I have to write 600 characters for this review to be published. So, hmm, did I say it was boring? There were horses, trail riding, kids. No empty coffee cups that I remember. I don't remember seeing any of the actors before. There was money needed, and a loan was applied for. It was an extreme amount, which I thought was unlikely to be approved. And there was subsequent fundraising which of course came no where close to the large amount of money requested. There were two couples who found romance. I appears that we will be seeing fewer reviews here. I enjoy the short reviews, and rarely read a long one all the way through. If you got this far, you know I am trying to fill a character quota. Omg.
اچھی فلم!
I wanted to like this movie. Horses, Big Sky country, horses -- it had great potential. Disappointedly, the "star" who plays Paisley was flat, unemotional, and acted like this was her first acting gig, which ruined the show for me. The scene with her tryingvto split wood was laughable. No way she was coached to rest an axe on her shoulder and swing from there. Stoddard was okay as leading man but marginally so. Honestly, Nathan Kehn would have been a Much better choice. The audio was muddy, voices hard to understand unless turned very loud, background noises too pronounced. As a native Montanan, I found it hard to believe ranchers using seat belts. Really? Too bad, this could have been a nice rom-com.
حالیہ قیمتوں میں تبدیلیوں، صارفین اپنے دیکھنے کے سیٹ اپ پر دوبارہ غور کیوں کر رہے ہیں، اور اپنی دریافت کی عادات کھوئے بغیر متبادل طریقہ کار کا جائزہ لینے کا تفصیلی تجزیہ۔
Movie Box APK انسٹال کرنے کا صحیح طریقہ جانیں: پہلے ورژن کی بنیادی باتیں، پھر صاف انسٹالیشن کے مراحل، اور آخر میں TV، iOS، ویب اور ایپ کے استعمال کے راستوں میں سے انتخاب کیسے کریں۔
ایک تفصیلی جائزہ جو بتاتا ہے کہ 2026 میں Project Hail Mary کیوں نمایاں ہے: موافقت کا معیار، سائنسی کہانی، جذباتی گہرائی اور سامعین کے ردعمل۔
کامیڈی کہانیاں مزاح کے ذریعے تفریح فراہم کرنے کے لیے بنائی جاتی ہیں۔ مقبول فارمیٹس میں حالات پر مبنی کامیڈی، خاکہ نما مزاح، دفتری کامیڈی اور رومانوی کامیڈی شامل ہیں۔
ایکشن فلمیں جوش، جسمانی کشمکش، بہادر کرداروں اور تیز رفتار کہانی پر زور دیتی ہیں۔ ایڈونچر فلموں میں اکثر تلاش، بقا یا عظیم سفر دکھائے جاتے ہیں۔
کرائم ڈرامے تفتیش کاروں، جاسوسوں، وکلا یا صحافیوں کی پیروی کرتے ہیں جب وہ مجرمانہ مقدمات حل کرتے ہیں۔ اسرار کہانیاں ناظرین کو کرداروں کے ساتھ سراغ دریافت کرنے کی ترغیب دیتی ہیں۔
سائنس فکشن مستقبل کی ٹیکنالوجی، خلائی سفر، مصنوعی ذہانت، متبادل حقیقتوں اور سائنسی قیاس آرائیوں کی کھوج کرتا ہے۔
ہارر کہانی نفسیاتی تناؤ، مافوق الفطرت واقعات، راکشسوں یا بقا کے منظرناموں کے ذریعے سسپنس پیدا کرتی ہے۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔
اینیمیشن میں بچوں، خاندانوں اور بالغوں کے لیے تعلیمی مواد سے لے کر پیچیدہ ڈرامائی کہانی تک کے کام شامل ہوتے ہیں۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔