Charlie Kaufman
بطور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The ڈرامہ film I'm Thinking of Ending Things, starring Jesse Plemons, Jessie Buckley, Toni Collette, etc., directed by Charlie Kaufman, was released on September 4, 2020 in امریکہ. It tells the story of Full of misgivings, a young woman travels with her new boyfriend to his parents' secluded farm. Upon arriving, she comes to question everything she thought she knew about him, and herself. This is a ڈرامہ, سنسنی خیز film with a runtime of 134 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.5/10 from 108,389 viewers.
Charlie Kaufman
بطور Director
Jesse Plemons
بطور Jake
Jessie Buckley
بطور Young Woman
Toni Collette
بطور Mother
David Thewlis
بطور Father
Guy Boyd
بطور Janitor
Hadley Robinson
بطور Laurey
Hadley Robinson
بطور Tulsey Town Girl 1
Gus Birney
بطور Aunt Eller
Gus Birney
بطور Tulsey Town Girl 2
Abby Quinn
بطور Tulsey Town Girl 3
Colby Minifie
بطور Yvonne
Anthony Robert Grasso
بطور Diner Manager
Teddy Coluca
بطور Diner Customer
Jason Ralph
بطور Yvonne's Boyfriend
Oliver Platt
بطور The Voice
Frederick Wodin
بطور Dancing Janitor
Ryan Steele
بطور Dancing Jake
Unity Phelan
بطور Dancing Young Woman
Norman Aaronson
بطور Diner Patron
Ashlyn Alessi
بطور Audience Member
Charlie Kaufman
بطور Writer
Iain Reid
بطور Writer
دستیابی ملک، زبان اور ریلیز ونڈو کے لحاظ سے مختلف ہو سکتی ہے۔ کچھ عنوانات پلیٹ فارم سبسکرپشنز میں شامل ہوتے ہیں، جبکہ دیگر کے لیے کرایہ، خریداری یا ایپ پر مبنی رسائی درکار ہو سکتی ہے۔ اسٹریمنگ کیٹلاگ اور لائسنسنگ معاہدے باقاعدگی سے اپ ڈیٹ ہوتے ہیں، اس لیے پلے بیک کے اختیارات وقت کے ساتھ بدل سکتے ہیں۔ دیکھنے کے سب سے درست تجربے کے لیے اپنی منتخب سروس پر تازہ ترین فہرست دیکھیں اور شروع کرنے سے پہلے علاقائی سپورٹ، سب ٹائٹل کے اختیارات اور ڈیوائس کی مطابقت کی تصدیق کریں۔
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
مجموعی طور پر 21 جیتیں اور 43 نامزدگیاں
موبائل، FM بلڈز اور TV-مطابقت پذیر APK ورژن کے لیے تازہ ترین MovieBox پیکجز ڈاؤن لوڈ کریں۔ اپنے آلے اور علاقے سے مماثل پیکج منتخب کریں، پھر بہترین مطابقت اور سیکیورٹی کے لیے سرکاری انسٹال گائیڈ پر عمل کریں۔
اچھی فلم!
source: I'm Thinking of Ending Things
I can't even describe it. And I don't care if you need to read the book to understand you shouldn't because you're watching a movie not reading a book. It doesn't explain anything at all from start to end. It just gets more and more confuse and when you think it's something it really isn't. Just a complete waste of time.
I totally didn't get what it was I was watching and It all went straight over my head! So many things were happening and it didn't make any sense to me at all. I kept wondering what it was I was watching? So much of the movie is just them driving in the car in a snowstorm talking about random stuff.
The movie is about a "jake" and his girlfriend which is referred to as "young woman" and have many names throughout the movie. They are going to visit jake's parents for a one day trip and coming back again. First act is the journey to the "farmy" area to jake's parents and how awkward it's between them and we hear the inner thought of the girlfriend wanting to ending things while being interrupted for a random yet confusing topics. I think Jessie Buckley carried that whole first act. Second act is the arrival of them to his parents house and how they are welcoming her yet annoying Jake. And let me say that this act was bizarre and confusing and i think was the most bizarre act i have seen in a while. Third act and after that rollercoaster of thriller and confusion is the journey back home or as we think it is and it does continue the rhythm of you thinking " there is something wrong in this movie i can feel it ". Finally i think the movie is about aging and loneliness and i think that this is all a dying "lonely" man memory trying to collect memories from here and there. Trying to think that he was a quantum physics scientist, poet, "genus", painter and had a loving girlfriend, family that supported him and was there at his biggest moment in life that he would love to have rather than being a janitor and returning to an empty home with no one but himself and his thoughts about what could've been if he wasnt a janitor and worked hard and reached what he hoped he'd be in life. I really liked the cinematography, the acting, the bizarre screenwriting and the thoughts it puts in your head, but i guess it was too bizarre that you'd get lost in the middle, and maybe even lose interest? not in my case but i think it'd be common.
I have been waiting all year for this movie to come out! I am a huge fan of the novel. It was short, it was quick, but it was highly nuanced and it packed a great psychological punch to the gut. I was extreme.y excited to see the novel come to life on the screen, and to have it directed by Charlie Kaufman just makes complete sense. "Kaufman" is an adjective just as much as it is a name. You hear that a movie is "Kaufman-esque" and you know exactly what it means. Something that will require multiple viewings, something that requires your attention to be on the movie at all times, something that demands you to take in every piece of dialogue and symbol and image and interpret it on the fly as the movie comes along. This movie is no different from Kaufman's other films such as "Anomalisa", "Synecdoche, New York", "Eternal Sunshine of the Spotless Mind" and so on. Nothing is wasted, nothing is there for no reason. It is all tightly packed and all comes together. The book may require a few re-reads, just like how this movie will require a few rewatches. I don't want to say a whole lot out of fear that I spoil the movie. But it is everything that I have hoped and more: atmospheric, dream-like, unsettling, glitchy and mind-bending. I am extremely pleased with how this movie turned out.
This is a completely biased review after reading Iain Reid's novel. So the movie adaptation was pretty good. However, I think the ending could have taken a few pointers from the book. The way it ended made the movie seem incomplete. I also think Kaufman made the mistake of completely omitting the plot-twist. It wasn't apparent enough to the audience that Lucy/the Janitor was Jake the entire time; or even that fact that they were a figment of his imagination. I don't know... and the fact that Jake didn't kill himself with the coat hanger completely ruined the double meaning behind "I'm thinking of ending things"; given that throughout the story, the audience was under the impression that the girlfriend was only going to break up with Jake. Last but not least, the mysterious message from The Caller. "There's only one question we need to resolve" was used in the story as a precursor to what should have been Jake's suicide. It was later revealed that the question was: "What are you waiting for?" but that part got left out of the movie. why?? Everything about the movie was FINE, except I was hoping for the much darker ending.
The hardest part about watching this movie was trying to figure out why I was watching it. At the end, I had to look up interpretations, which I think took a lot of the magic and reflection out of what a movie should be. I wish it would've been a little less abstract, for those of us who watched it independently from the book, and aren't abstract minded enough to pull meaning out of thin air. Other than not knowing what the hell was happening, the acting was phenomenal, and so was the dialogue. Now off to the library to try to get something useful out of this story.
Don't get me wrong: I'm a moderate fan of Charlie Kauffman. And I can roll with meta, existential/nihilistic themes, surrealism and general weirdness with the best of them. But this film, good god, is pure dreck. Where do I start? Overwrought dialogue, for starters. So prolix, so studied, so BORING. Bad acting on every actor's part. I've always thought Jesse Plemons was overrated, so I can't say I was surprised to find him punching above his weight here. The actress who played the part of the girlfriend was too "actorly," and I found her difficult to watch. Even Toni Colette turned in what may be her worst performance to date. Poor Toni Colette: part of the problem was the terrible source material, but she still played it way too over-the-top. What's more, I found her recycling some of her previous film/TV personas here. Not a good look for Ms. Colette. Overall this film lacked cohesion, focus and purpose. And somehow Kaufman's (I'm projecting/opining here) sense of arrogance and self-importance coupled with absolutely contrived dialogues/monologues (kind of reminds me of David Mamet in that way), coalesce to form an ego-heavy, pretentious, pointless exercise in futile film making. TRUST ME. You can definitely give this a hard pass. I know most you will watch this anyway, given it's on Netflix during the pandemic, with few new offerings springing up. But remember, you've been warned.
The most slow and boring movie with conversations that last up to 30 minutes, MANY questions unanswered and confusing random parts for no reason at all i was so excited for this one and have never felt so let down, a complete waste of 2 and a half hours without even any reasoning or learning point as all movies have and even theorists can't understand it
حالیہ قیمتوں میں تبدیلیوں، صارفین اپنے دیکھنے کے سیٹ اپ پر دوبارہ غور کیوں کر رہے ہیں، اور اپنی دریافت کی عادات کھوئے بغیر متبادل طریقہ کار کا جائزہ لینے کا تفصیلی تجزیہ۔
Movie Box APK انسٹال کرنے کا صحیح طریقہ جانیں: پہلے ورژن کی بنیادی باتیں، پھر صاف انسٹالیشن کے مراحل، اور آخر میں TV، iOS، ویب اور ایپ کے استعمال کے راستوں میں سے انتخاب کیسے کریں۔
ایک تفصیلی جائزہ جو بتاتا ہے کہ 2026 میں Project Hail Mary کیوں نمایاں ہے: موافقت کا معیار، سائنسی کہانی، جذباتی گہرائی اور سامعین کے ردعمل۔
کامیڈی کہانیاں مزاح کے ذریعے تفریح فراہم کرنے کے لیے بنائی جاتی ہیں۔ مقبول فارمیٹس میں حالات پر مبنی کامیڈی، خاکہ نما مزاح، دفتری کامیڈی اور رومانوی کامیڈی شامل ہیں۔
ایکشن فلمیں جوش، جسمانی کشمکش، بہادر کرداروں اور تیز رفتار کہانی پر زور دیتی ہیں۔ ایڈونچر فلموں میں اکثر تلاش، بقا یا عظیم سفر دکھائے جاتے ہیں۔
کرائم ڈرامے تفتیش کاروں، جاسوسوں، وکلا یا صحافیوں کی پیروی کرتے ہیں جب وہ مجرمانہ مقدمات حل کرتے ہیں۔ اسرار کہانیاں ناظرین کو کرداروں کے ساتھ سراغ دریافت کرنے کی ترغیب دیتی ہیں۔
سائنس فکشن مستقبل کی ٹیکنالوجی، خلائی سفر، مصنوعی ذہانت، متبادل حقیقتوں اور سائنسی قیاس آرائیوں کی کھوج کرتا ہے۔
ہارر کہانی نفسیاتی تناؤ، مافوق الفطرت واقعات، راکشسوں یا بقا کے منظرناموں کے ذریعے سسپنس پیدا کرتی ہے۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔
اینیمیشن میں بچوں، خاندانوں اور بالغوں کے لیے تعلیمی مواد سے لے کر پیچیدہ ڈرامائی کہانی تک کے کام شامل ہوتے ہیں۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔