Kennedy Brice
بطور June
English,Filipino,Français,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The تصور film June, starring Kennedy Brice, Victoria Pratt, Eddie Jemison, etc., directed by an unlisted director, was released on October 13, 2015 in امریکہ. It tells the story of JUNE is a 9-year-old orphan girl who shares her body with an ancient supernatural being whose mission is to destroy mankind to allow nature to prevail on earth. This is a تصور, خوفناکی film with a runtime of 84 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.2/10 from 1,882 viewers.
Kennedy Brice
بطور June
Victoria Pratt
بطور Lily Anderson
Eddie Jemison
بطور Victor Emmanuel
Lance E. Nichols
بطور Dr. Wynstrom
Casper Van Dien
بطور Dave Anderson
Cindy Hogan
بطور Candy
Kevin Will
بطور Tic Tac Tim
Theodora Greece
بطور Ms. Wapos
Chad Graham
بطور Hughes
Juliette Beavan
بطور Priestess
Juliette Beavan
بطور Voice of Aer
Rachel Whitman Groves
بطور June's Biological Mother
Thomas R. Martin
بطور June's Biological Father
Addy Miller
بطور Lily as Teenager
Anderson Dalbom
بطور Baby June
Towns W. Sanford
بطور Jimbo
Joshua R. Todd
بطور Ronnie
Walter Colson
بطور DCF Co-Worker
Ronnie Hooks
بطور Nurse
Ronnie Hooks
بطور Cult Member
دستیابی ملک، زبان اور ریلیز ونڈو کے لحاظ سے مختلف ہو سکتی ہے۔ کچھ عنوانات پلیٹ فارم سبسکرپشنز میں شامل ہوتے ہیں، جبکہ دیگر کے لیے کرایہ، خریداری یا ایپ پر مبنی رسائی درکار ہو سکتی ہے۔ اسٹریمنگ کیٹلاگ اور لائسنسنگ معاہدے باقاعدگی سے اپ ڈیٹ ہوتے ہیں، اس لیے پلے بیک کے اختیارات وقت کے ساتھ بدل سکتے ہیں۔ دیکھنے کے سب سے درست تجربے کے لیے اپنی منتخب سروس پر تازہ ترین فہرست دیکھیں اور شروع کرنے سے پہلے علاقائی سپورٹ، سب ٹائٹل کے اختیارات اور ڈیوائس کی مطابقت کی تصدیق کریں۔
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
مجموعی طور پر 21 جیتیں اور 43 نامزدگیاں
موبائل، FM بلڈز اور TV-مطابقت پذیر APK ورژن کے لیے تازہ ترین MovieBox پیکجز ڈاؤن لوڈ کریں۔ اپنے آلے اور علاقے سے مماثل پیکج منتخب کریں، پھر بہترین مطابقت اور سیکیورٹی کے لیے سرکاری انسٹال گائیڈ پر عمل کریں۔
bv
اچھی فلم!
source: June
A total pile of junk. Why even bother making this film. Waste of time. A tyipcal not scary film at all. The stroy is everywhere but yet there is no clues on what this film is about!
Don't upset June. Really? I've seen more consequences to being asked to wear a mask in a supermarket. The acting is mainly good, so that's why it has any stars. I suppose it gets better towards the end...but I didn't get that far the second time, I think I fell asleep...or maybe had another stroke.
The film opens with the cult sacrifice of a baby that isn't sacrificed. We then jump to 9 years later when our infant is now a moody kid with a demon friend in foster care. Eventually she (Kennedy Brice) comes under the care of Lily (Victoria Pratt) and her husband Dave (Casper Van Dien). Dave has trouble adjusting to things breaking around him. To quote a Christian Slater film (Way of the Wicked) it was "some kind of omen kid." This one wasn't any better or worse than the lot of also ran films out there. A decent rental and a film you will soon forget. Casper Van Dien doesn't save the world in this one. Guide: F-bomb. No sex or nudity.
More a dark supernatural thriller than a horror, this is not an annoying movie when so many real horrors are. It is somewhat forgettable though, enlivened by what is actually a very poignant and charming depiction of a child without a place to call home. Fairly effective as propaganda for making the adoption process much easier.
Host to a demonic entity called Aer, June (Kennedy Brice) is a pre-teen Carrie/female Damien who unleashes her telekinetic powers whenever she gets angry. After being fostered by an abusive white trash family on a trailer park, June is eventually adopted by married childless couple Dave and Lily Anderson (Casper Van Dien and Victoria Pratt), but June's 'invisible friend' Aer prevents her from leading a normal family life, much to the dismay of her new parents. Extremely derivative (June is bullied and even has her first period in front of her classmates, just like Carrie), and completely devoid of scares, this weak supernatural chiller also suffers from unnecessarily pretentious artsy direction and lapses in logic. The pre-credits scene, in which cultists offer up the infant June to the malevolent spirit Aer, is clumsy and confusing; the idea that uncaring trailer park trash would ever be allowed to foster children is ludicrous; and the revelation that certain adults aren't quite who they seem is predictable. Youngster Brice isn't at all bad as the titular character, but the film itself is completely forgettable. Let's hope that the sequel/series that the ending is clearly setting itself up for never happens.
Crucial, with a film concerning a deeply troubled child, is the casting of the titular character. It is with relief to note that 9 year-old June is played by Kennedy Brice with all the awkwardness and sense of isolation required of an 'outsider', but she never slides into petulance or brattishness. After a difficult early life on a trailer park, she is adopted by Dave Anderson (mightily-jawed 'Starship Troopers' and 'Sleepy Hollow' actor Casper Van Dien) and his wife Lily (Victoria Pratt). The way their wholesome veneer of eager goodwill slowly becomes fragmented by June's strange behaviour is well played. And yet June is as much the victim of her 'possession' as anyone. Rather like early onset Alzheimer's disease, her moments of clarity are very appealing and heart-breaking, merged as they are by the bewilderment she feels as to her condition: she shares her body with an ancient supernatural being, of course. "She's a very special girl," we are told. Rather like a pre-teen 'Carrie (1976)', this tells the tale of one person's frightening possession very well, but where it doesn't deliver is ramping up the actual scares. The usually effective blackening-of-eyes effect used to signify inner darkness is creepy enough, but around the midway mark, it becomes apparent that this is as frightening as things are going to get. Ultimately, 'June' starts with a lot of promise, but finds itself constricted by its approach to the story of demonic possession and goes more than a bit 'sci-fi' towards the end. This nullifies any ability to scare and loses the connection with the audience in its carefully built-up first half. It is well done, but emerges somewhat tamer than I would have liked.
This is enjoyable horror. It's very well acted, the script is good and the plot plausible for modern horror. It's true there are no real surprises once the piece is up and running, but it has good similarities to Carrie (relationship development with parents and others), and a couple of points that work better, such as the cuteness and extra youth of June and her peers, and the less over-the-top special effects, which are good. That the budget went for good special effects at perhaps the expense of a larger cast was an intelligent stroke, and I'm almost inclined to give this an 8. There is a a welcome spread here of tension leading to moments of horror frenzy, and enough clever mystery to keep one interested. I'd not be surprised if future opinion will regard this sincerely professional production as one that should have enjoyed more credibility and ratings than current.
حالیہ قیمتوں میں تبدیلیوں، صارفین اپنے دیکھنے کے سیٹ اپ پر دوبارہ غور کیوں کر رہے ہیں، اور اپنی دریافت کی عادات کھوئے بغیر متبادل طریقہ کار کا جائزہ لینے کا تفصیلی تجزیہ۔
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ایک تفصیلی جائزہ جو بتاتا ہے کہ 2026 میں Project Hail Mary کیوں نمایاں ہے: موافقت کا معیار، سائنسی کہانی، جذباتی گہرائی اور سامعین کے ردعمل۔
کامیڈی کہانیاں مزاح کے ذریعے تفریح فراہم کرنے کے لیے بنائی جاتی ہیں۔ مقبول فارمیٹس میں حالات پر مبنی کامیڈی، خاکہ نما مزاح، دفتری کامیڈی اور رومانوی کامیڈی شامل ہیں۔
ایکشن فلمیں جوش، جسمانی کشمکش، بہادر کرداروں اور تیز رفتار کہانی پر زور دیتی ہیں۔ ایڈونچر فلموں میں اکثر تلاش، بقا یا عظیم سفر دکھائے جاتے ہیں۔
کرائم ڈرامے تفتیش کاروں، جاسوسوں، وکلا یا صحافیوں کی پیروی کرتے ہیں جب وہ مجرمانہ مقدمات حل کرتے ہیں۔ اسرار کہانیاں ناظرین کو کرداروں کے ساتھ سراغ دریافت کرنے کی ترغیب دیتی ہیں۔
سائنس فکشن مستقبل کی ٹیکنالوجی، خلائی سفر، مصنوعی ذہانت، متبادل حقیقتوں اور سائنسی قیاس آرائیوں کی کھوج کرتا ہے۔
ہارر کہانی نفسیاتی تناؤ، مافوق الفطرت واقعات، راکشسوں یا بقا کے منظرناموں کے ذریعے سسپنس پیدا کرتی ہے۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔
اینیمیشن میں بچوں، خاندانوں اور بالغوں کے لیے تعلیمی مواد سے لے کر پیچیدہ ڈرامائی کہانی تک کے کام شامل ہوتے ہیں۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔