Jayan Moodley
بطور Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The مزاحیہ film Kandasamys: The Baby, starring Mariam Bassa, Edeen Bhugeloo, Rushil Juglall, etc., directed by Jayan Moodley, was released on October 20, 2023 in جنوبی افریقہ. It tells the story of Follows two Indian families who must learn to get along despite some amusing mistakes and turmoil along the road. The families are brought together by their children's love for one another. This is a مزاحیہ film with a runtime of 93 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.8/10 from 240 viewers.
Jayan Moodley
بطور Director
Mariam Bassa
بطور Aya
Edeen Bhugeloo
بطور Moothoo
Rushil Juglall
بطور Arsevan
Poonam Jheelan
بطور Anjali
Jayan Moodley
بطور Writer
دستیابی ملک، زبان اور ریلیز ونڈو کے لحاظ سے مختلف ہو سکتی ہے۔ کچھ عنوانات پلیٹ فارم سبسکرپشنز میں شامل ہوتے ہیں، جبکہ دیگر کے لیے کرایہ، خریداری یا ایپ پر مبنی رسائی درکار ہو سکتی ہے۔ اسٹریمنگ کیٹلاگ اور لائسنسنگ معاہدے باقاعدگی سے اپ ڈیٹ ہوتے ہیں، اس لیے پلے بیک کے اختیارات وقت کے ساتھ بدل سکتے ہیں۔ دیکھنے کے سب سے درست تجربے کے لیے اپنی منتخب سروس پر تازہ ترین فہرست دیکھیں اور شروع کرنے سے پہلے علاقائی سپورٹ، سب ٹائٹل کے اختیارات اور ڈیوائس کی مطابقت کی تصدیق کریں۔
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
مجموعی طور پر 21 جیتیں اور 43 نامزدگیاں
موبائل، FM بلڈز اور TV-مطابقت پذیر APK ورژن کے لیے تازہ ترین MovieBox پیکجز ڈاؤن لوڈ کریں۔ اپنے آلے اور علاقے سے مماثل پیکج منتخب کریں، پھر بہترین مطابقت اور سیکیورٹی کے لیے سرکاری انسٹال گائیڈ پر عمل کریں۔
اچھی فلم!
اچھی فلم!
اچھی فلم!
اچھی فلم!
اچھی فلم!
I really do like the cast, the jokes and I just get it. But the horrible horrible treatment to the son and daughter is too much. The audience waits for a proper lesson to be taught or a serious mind altering discussion with them but nothing happens. They silently just gets forgiven and gets buried. The daughter had a very serious mental health issue and it was not even addressed with her parents and discussed openly on what she was going through. It was really hard to watch, I had to fast forward. It can be very triggering. I wish the real issues were addressed in the end but it wasn't......
The Kandasamy movies are geared towards a specific audience and I'm sure that this market will defend it's brand fighting tooth and nail. It's not for everyone though. The shameless attempt to money grab following it's previous three releases is quite evident here. The storyline makes no sense, plenty of missed opportunities to tackle relevant social issues are apparent. The cinematography was well done, with some stunning visuals being the movie's only saving grace. The granny was the only character that I found interesting. Interesting being me sugar coating it. It's predictable and boring, if you've seen any of the previous movies then you would know what to expect here. Same formula that's been cut and pasted over and over, time and time again. No originality and I think they should have stopped after the first movie and held their heads up high. Unfortunately dignity does not pay the bills and they decided to release part 2,3 and now 4. I would not be surprised by these shameless producers if they released part 10. There would still be an audience for these type of movies and you would not need to be a very technical, competent or half decent director to fulfill their needs. Don't be fooled by anything above 5, it's probably the cast or crew members amping this up. Simply awful.
The characters were all relatable in their own ways, the story despite it mainly being a comedy never felt stagnant. It always kept moving showing something new every segment of the movie. You can tell the director really knew what they wanted to put together. The cast, without the cast this movie wouldn't be as golden as it is. Every single cast member added so much to each scene. It really is a breath of fresh air when a family movie comes along that isn't afraid to broach on topics that deserve to have a light shone on them, to show how the modern generation feels about culture and what truly needs to change about it whilst still preserving that heritage. Professional production that's worth your time.
Much as I love the Kandasamys and the films so far, I feel in this film they have lost their way. It doesn't have the brightness, the pizazz, the spark of the previous movies. Worse, they seem to be sticking to a formula: there's a big event involving both families; each mother believes that she and she alone can manage the event properly, and they both get in the way of each other, the event, and in general make a riotous mess of things, until it all gets ironed out neatly at the end to everybody's satisfaction. Along the way the husbands Elvis and Preggie act as foils to their wives, and the redoubtable Aya gets in some excellent one-liners. In this film, it's Prishen and Jody's new baby; both Jennifer and Shanthi are of course insistent that each one will show the new parents how to do it right. So it's off to Mauritius they all go. However, Jennifer's itinerary of how they will spend each hour of each day is neatly binned by Prishen, who not only has the four new grandparents, and Aya, put up at a luxury resort, but has himself planned an itinerary for them, much to Jennifer's annoyance. Preggie and Elvis are even more background figures in this film than in others. Aside from one scene when they instruct Prishen on how to be a new dad (selective deafness, and constipation - thus allowing plenty of alone time) they hardly figure at all. Aya indeed has lots of one-liners, and plenty of having the last word, but it all feels a bit forced and without humour. We were hoping for some brilliant punch-lines, but there are none. There is however, a nice scene where she brilliantly describes the four grandparents to their guide, Moothoo. Throw in some genuine issues: Jody's postnatal depression, and Jennifer's flashback to her own difficult time as a new mother - and there is the potential for real drama. And in different hands this could have been a truly dramatic film. But we don't expect drama from the Kandasamys, we expect humour and a bit of fighting between Jennifer and Shanthi. This drama thus sits a bit oddly in the film, as though the makers weren't quite sure to handle it. Shanthi is having her own difficulties with her second son Desan accused of bullying and being expelled from school; Desan on the other hand feels he can never measure up to the golden son Prishen (as he puts it in a rap: Prishen is a hero; he, Desan, is a zero). With a scene in which Jennifer explodes in furious anger at both Prishen and Jody, the feel-good ending - one year later, at baby Arya's first birthday party - seems a bit contrived and unnatural. Too much has happened in the film for it just to end with a colourful dance and Aya's voice-over. I think this film is for Kandasamy fans only - it's not unwatchable, but it's less than it could have been. And if a fifth film is to be made, they will have to seriously lift their game.
I wish i could give this movie 0 stars but it is what it is. The movie is a huge let down, the scenes don't flow together, randomly put together mess with dialog that that seems like a kid wrote it. The movie was supposed to be about the grandchild but it was only about the parents and grandparents which didn't even make sense. Certain actors were just there for no reason, there was also many plot holes. If anyone gives this movie more than 9 stars then it's probably the production crew and actors themselves Why am I so disappointed? Because I enjoyed the first movie and the second was okay but this was the worse. I believe they should stop at this movie because honestly we expected much more, my whole family could not believe what we watched.
حالیہ قیمتوں میں تبدیلیوں، صارفین اپنے دیکھنے کے سیٹ اپ پر دوبارہ غور کیوں کر رہے ہیں، اور اپنی دریافت کی عادات کھوئے بغیر متبادل طریقہ کار کا جائزہ لینے کا تفصیلی تجزیہ۔
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ایک تفصیلی جائزہ جو بتاتا ہے کہ 2026 میں Project Hail Mary کیوں نمایاں ہے: موافقت کا معیار، سائنسی کہانی، جذباتی گہرائی اور سامعین کے ردعمل۔
کامیڈی کہانیاں مزاح کے ذریعے تفریح فراہم کرنے کے لیے بنائی جاتی ہیں۔ مقبول فارمیٹس میں حالات پر مبنی کامیڈی، خاکہ نما مزاح، دفتری کامیڈی اور رومانوی کامیڈی شامل ہیں۔
ایکشن فلمیں جوش، جسمانی کشمکش، بہادر کرداروں اور تیز رفتار کہانی پر زور دیتی ہیں۔ ایڈونچر فلموں میں اکثر تلاش، بقا یا عظیم سفر دکھائے جاتے ہیں۔
کرائم ڈرامے تفتیش کاروں، جاسوسوں، وکلا یا صحافیوں کی پیروی کرتے ہیں جب وہ مجرمانہ مقدمات حل کرتے ہیں۔ اسرار کہانیاں ناظرین کو کرداروں کے ساتھ سراغ دریافت کرنے کی ترغیب دیتی ہیں۔
سائنس فکشن مستقبل کی ٹیکنالوجی، خلائی سفر، مصنوعی ذہانت، متبادل حقیقتوں اور سائنسی قیاس آرائیوں کی کھوج کرتا ہے۔
ہارر کہانی نفسیاتی تناؤ، مافوق الفطرت واقعات، راکشسوں یا بقا کے منظرناموں کے ذریعے سسپنس پیدا کرتی ہے۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔
اینیمیشن میں بچوں، خاندانوں اور بالغوں کے لیے تعلیمی مواد سے لے کر پیچیدہ ڈرامائی کہانی تک کے کام شامل ہوتے ہیں۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔