Kidnapped: The Abduction of Edgardo Mortara

🎬2024134h 0mاٹلیڈرامہ, تاریخ
7.0/104,513 لوگوں نے درجہ دیا

ویڈیو دیکھیں

تفصیل

The ڈرامہ film Kidnapped: The Abduction of Edgardo Mortara, starring Paolo Pierobon, Fausto Russo Alesi, Barbara Ronchi, etc., directed by Marco Bellocchio, was released on May 24, 2024 in اٹلی. It tells the story of A Jewish boy is kidnapped and converted to Catholicism in 1858. This is a ڈرامہ, تاریخ film with a runtime of 134 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.0/10 from 4,513 viewers.

اہم کاسٹ

Marco Bellocchio

بطور Director

Paolo Pierobon

بطور Papa Pio IX

Fausto Russo Alesi

بطور Salomone Mortara

Barbara Ronchi

بطور Marianna Padovani Mortara

Enea Sala

بطور Edgardo Mortara da bambino

Leonardo Maltese

بطور Edgardo Mortara da ragazzo

Filippo Timi

بطور Cardinal Giacomo Antonelli

Fabrizio Gifuni

بطور Pier Gaetano Feletti

Andrea Gherpelli

بطور Angelo Padovani

Samuele Teneggi

بطور Riccardo Mortara

Corrado Invernizzi

بطور Giudice Carboni

Aurora Camatti

بطور Anna Morisi

Paolo Calabresi

بطور Sabatino Scazzocchio

Bruno Cariello

بطور Maresciallo Lucidi

Walter Lippa

بطور Angelo Moscati

Alessandro Bandini

بطور Padre Mariano

Leonardo Bianconi

بطور Brigadiere Agostini

Daniele Aldrovandi

بطور Bonaiuto Sanguinetti

Fabrizio Contri

بطور Avvocado Jussi

Marco Bellocchio

بطور Writer

Susanna Nicchiarelli

بطور Writer

Edoardo Albinati

بطور Writer

Daniela Ceselli

بطور Writer

Daniele Scalise

بطور Writer

کہاں دیکھیں

kickasstorrents.toوائل شحمه

دستیابی ملک، زبان اور ریلیز ونڈو کے لحاظ سے مختلف ہو سکتی ہے۔ کچھ عنوانات پلیٹ فارم سبسکرپشنز میں شامل ہوتے ہیں، جبکہ دیگر کے لیے کرایہ، خریداری یا ایپ پر مبنی رسائی درکار ہو سکتی ہے۔ اسٹریمنگ کیٹلاگ اور لائسنسنگ معاہدے باقاعدگی سے اپ ڈیٹ ہوتے ہیں، اس لیے پلے بیک کے اختیارات وقت کے ساتھ بدل سکتے ہیں۔ دیکھنے کے سب سے درست تجربے کے لیے اپنی منتخب سروس پر تازہ ترین فہرست دیکھیں اور شروع کرنے سے پہلے علاقائی سپورٹ، سب ٹائٹل کے اختیارات اور ڈیوائس کی مطابقت کی تصدیق کریں۔

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صارفین کے جائزے

user51 towie28/11/25 18:39

اچھی فلم!

وائل شحمه28/11/25 18:39

اچھی فلم!

Leyluh_28/11/25 18:39

اچھی فلم!

Mr Yuz😎🇬🇲29/07/24 06:24

Marco Bellocchio has made some interesting movies in the past like "Fists in the Pockets" and "The Traitor" which I have enjoyed. This movie focuses on the Mortara case and the controversial aspects behind the Catholic Church which are complex yet interesting subjects to learn about. Unfortunately, the movie doesn't really do justice to it's concept and it was underwhelming. Throughout, the production and costumes are pretty good as they help to capture the environment and time period of the old times. Bellocchio's direction is pretty solid as Bellocchio does offer his talents on showing the themes of political power, religion corruption, and secularism within the historical context. The narrative, unfortunately, does feel as impactful as Bellocchio hoped for as the narrative, while does have some interesting ideas, it felt mostly too standard and too bland that it made the movie pretty difficult to fully connect with emotionally. Around the first 35 minutes of the movie was pretty interesting but then the movie struggles to keep heads up high which creates the narrative further dull. The performances from the cast members were a mix of good and bad with some of the performances like Barbara Ronchi were good but the others were either bland or pretty wooden as it felt like some kind of poor television movie at times. The child performance wasn't great either. Some of the dialogue moments were pretty bad and the characters weren't interesting which I struggled to fully connect with them. There are some good soundtrack moments, some of the pacing could improve and some of the editing was pretty bad. There were some serious moments that were meant to be emotional, gut-wrenching and sad but it ended up accidentally being unintentionally hilarious at times. Good atmosphere at least. Undeniably, Bellocchio is definitely offering some of his talents within this movie but as a whole, it was mostly really mid and not something I would see again from his works.

Ninhoette ❤️🦍29/07/24 06:24

Now here's a story that's set some time in the past, although it's not that long ago and it might leave you quite aghast, as a child is abducted by a dogma in sheep's clothing, it will leave you disenfranchised with feelings of hate and loathing; now the outcome isn't pretty but you may learn something new, about conditioning by others that impacted how you grew, the brainwashing and persuasion - indoctrination, education, that was planted in your mind before you fledged, matured and grew; but there's one thing that won't come as a surprise or revelation, that there's masons, cults and cliques that will lead you to damnation, they control the lives of others, keep their secrets under covers, once their hooks have found their mark, you'll get accustomed to prostration.

Désir Moassa@yahoo.de29/07/24 06:24

As a film movie lover, depending on what city I am living in, I broaden my horizons by going to watch films at any festival. Since moving to Vancouver to pursue an education in film production at UBC, I have been excited to visit VIFF and watch a film. After scrolling through the website, I decided to see 'Kidnapped,' an Italian film by Marco Bellocchio. I haven't seen his films before, but I was excited to see this one. The film includes an intense historical drama of a Jewish toddler kidnapped by Pope Pius IX in 1865 because it was believed he had received a secret baptism. It was one of the best films I have seen and deserves more recognition. This rich, operatic film resonates strongly with the audience through the director's storytelling and the emotions portrayed by the actors in the movie.

🌬️ Sonya29/07/24 06:24

It's been presented as one of the movie of the year but despite the premises it doesn't fly. The founding idea is good, it's an historical movie about changes, political power and secularism. Cast is great but I couldn't keep away from my nose the scent of Italian bad tv. Despite all to me these are not the major flaws, the main problem is I was not hooked by the subject and therefore this was not interesting to me. Probably 20 years ago this would have been way controversial showing a Pope in crisis of conscience during the making of the Republic of Italy and the atomization of Church. I need to add that it was quite inflated by media as well therefore my expectations were high. It's still a well made movie just not for me. But you should give it a try especially if you are a parent.

Pedro Sebastião29/07/24 06:24

Based on a bizarre true story, this follows the tale of the young Edgardo Sala who was living quite happily with his Jewish parents and siblings in Bologna until an official arrives one evening to tell them he is to be removed from their care. Why? It appears that many years earlier when he was in his cradle, he has been baptised and so must therefore be looked after by the church. Despite their appeals and protestations, he is swiftly taken to Rome where he is enrolled in a Catholic school where his is pretty thoroughly indoctrinated into the ways of his new Church - even becoming of special interest to Pope Pius IX (Paolo Pierobon). The story really centres around the trial many year later of the Papal Officer Feletti (Fabrizio Gifuni) after the city had become part of the Italian Kingdom, and those proceedings are used to fill in some of the backstory and to test the theories of responsibility of actions done in the name of the State. Perhaps unsurprisingly, the young man grows up to become conflicted - his love of Jesus struggles with his love of family and of the Talmud that was so important to him as a child. What I didn't really understand was just why the Pope would ever been at all interested in the fate of a small Jewish lad when the Papal States were in permanent decline, but Marco Bellochio uses a solid cast and a sparing, but frequently impassioned, amount of dialogue to deliver a stylishly made intrigue that show the last vestiges of the once all-powerful Papacy and of the inconsequential hopes of a family and a small boy.

omonioboli29/07/24 06:24

Kidnapping is a crime, and so is "Kidnapped". Truly astonishing how a truly astonishing story translates into a truly astonishing piece of passable cinema on the big screen. A young Jewish boy, secretly baptized into the Catholic faith by his babysitter, is abducted from his family under religious rule. Crazy, but this is 1857 Bologna, 1857 Italy, and 1857 Pope. The film is presented in grand oil painting style, with golden lighting, velvety robes a flowing, and evil lurking in the shadows. Looks great. Plays, not so much. Hard to imagine a juicier topic handled with such a soft touch. Everyone involved seems detached of real emotion, instead relying on business like restraint, especially in what should be an inflammatory kidnapping scene. Weird. The set up is tantalizing enough to give hope, but steam is lost quickly as "Kidnapped" starts to spin its wheels while going nowhere slow. A tale as such, and it is a true one, begs for a grand, epic treatment, where religion, country and family come together in a clash of Biblical proportions. Instead we get an educational history lesson with easily forgettable characters. hipCRANK.

Mylène29/07/24 06:24

I like every part of the movie and everyone really got into their roles, because basically it is a very sensitive topic and a part of the history of a people and the influence of religious divisions. It is known that the Vatican is responsible for many evils, which are not talked about, and this story is just one of the details in all of that. It's not an ordinary story either, but something that happened in the second half of the nineteenth century to many families and it known that the influence of the Inquisition was strong also centuries before that. It is good to be. It is good to watch, even if it is for the sake of some knowledge about the history of the Catholic Church.

ملتی جلتی فلموں کی سفارشات

بلاگ

عام اقسام

کامیڈی

کامیڈی کہانیاں مزاح کے ذریعے تفریح فراہم کرنے کے لیے بنائی جاتی ہیں۔ مقبول فارمیٹس میں حالات پر مبنی کامیڈی، خاکہ نما مزاح، دفتری کامیڈی اور رومانوی کامیڈی شامل ہیں۔

ایکشن اور ایڈونچر

ایکشن فلمیں جوش، جسمانی کشمکش، بہادر کرداروں اور تیز رفتار کہانی پر زور دیتی ہیں۔ ایڈونچر فلموں میں اکثر تلاش، بقا یا عظیم سفر دکھائے جاتے ہیں۔

کرائم اور اسرار

کرائم ڈرامے تفتیش کاروں، جاسوسوں، وکلا یا صحافیوں کی پیروی کرتے ہیں جب وہ مجرمانہ مقدمات حل کرتے ہیں۔ اسرار کہانیاں ناظرین کو کرداروں کے ساتھ سراغ دریافت کرنے کی ترغیب دیتی ہیں۔

سائنس فکشن

سائنس فکشن مستقبل کی ٹیکنالوجی، خلائی سفر، مصنوعی ذہانت، متبادل حقیقتوں اور سائنسی قیاس آرائیوں کی کھوج کرتا ہے۔

ہارر

ہارر کہانی نفسیاتی تناؤ، مافوق الفطرت واقعات، راکشسوں یا بقا کے منظرناموں کے ذریعے سسپنس پیدا کرتی ہے۔

رومانوی

رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔

اینیمیشن

اینیمیشن میں بچوں، خاندانوں اور بالغوں کے لیے تعلیمی مواد سے لے کر پیچیدہ ڈرامائی کہانی تک کے کام شامل ہوتے ہیں۔

رومانوی

رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔