Peter Landesman
بطور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The سوانح عمری film Mark Felt: The Man Who Brought Down the White House, starring Liam Neeson, Diane Lane, Marton Csokas, etc., directed by Peter Landesman, was released on September 29, 2017 in امریکہ. It tells the story of The story of Mark Felt, who under the name "Deep Throat" helped journalists Bob Woodward and Carl Bernstein uncover the Watergate scandal in 1972. This is a سوانح عمری, ڈرامہ, تاریخ film with a runtime of 103 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.4/10 from 15,801 viewers.
Peter Landesman
بطور Director
Liam Neeson
بطور Mark Felt
Diane Lane
بطور Audrey Felt
Marton Csokas
بطور L. Patrick Gray
Tony Goldwyn
بطور Ed Miller
Ike Barinholtz
بطور Angelo Lano
Josh Lucas
بطور Charlie Bates
Wendi McLendon-Covey
بطور Carol Tschudy
Kate Walsh
بطور Pat Miller
Brian d'Arcy James
بطور Robert Kunkel
Maika Monroe
بطور Joan Felt
Michael C. Hall
بطور John Dean
Tom Sizemore
بطور Bill Sullivan
Julian Morris
بطور Bob Woodward
Bruce Greenwood
بطور Sandy Smith
Noah Wyle
بطور Stan Pottinger
Eddie Marsan
بطور Agency Man
Stephen Michael Ayers
بطور John Mitchell
Wayne Pére
بطور John Ehrlichman
Mark Felt
بطور Writer
John D. O'Connor
بطور Writer
Peter Landesman
بطور Writer
دستیابی ملک، زبان اور ریلیز ونڈو کے لحاظ سے مختلف ہو سکتی ہے۔ کچھ عنوانات پلیٹ فارم سبسکرپشنز میں شامل ہوتے ہیں، جبکہ دیگر کے لیے کرایہ، خریداری یا ایپ پر مبنی رسائی درکار ہو سکتی ہے۔ اسٹریمنگ کیٹلاگ اور لائسنسنگ معاہدے باقاعدگی سے اپ ڈیٹ ہوتے ہیں، اس لیے پلے بیک کے اختیارات وقت کے ساتھ بدل سکتے ہیں۔ دیکھنے کے سب سے درست تجربے کے لیے اپنی منتخب سروس پر تازہ ترین فہرست دیکھیں اور شروع کرنے سے پہلے علاقائی سپورٹ، سب ٹائٹل کے اختیارات اور ڈیوائس کی مطابقت کی تصدیق کریں۔
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
مجموعی طور پر 21 جیتیں اور 43 نامزدگیاں
موبائل، FM بلڈز اور TV-مطابقت پذیر APK ورژن کے لیے تازہ ترین MovieBox پیکجز ڈاؤن لوڈ کریں۔ اپنے آلے اور علاقے سے مماثل پیکج منتخب کریں، پھر بہترین مطابقت اور سیکیورٹی کے لیے سرکاری انسٹال گائیڈ پر عمل کریں۔
pourquoi il n'y a pas une version française???? nous sommes pas anglophone!!!
This is the biopic of Mark Felt also code named "Deep Throat" by the Washington Post. The production concentrates on the internal workings of the FBI during this time as well as Felt's personal struggle to reunite with his daughter who ran away and joined a hippie commune. It starts about the time J. Edgar Hoover died. The film was timely in a sense as it eerily mirrors the Mueller investigation of the White House. You can't help but think about what is happening today. I am a sucker for history films and tend to over rate them. I would say "All the President's Men" was a superior film and an excellent counterpart. Guide: 1 F-word. No sex or nudity.
I was unfamiliar with the Watergate scandal before watching this movie. I am still unfamiliar with it. The storytelling of this movie is beyond awful; its structure is terrible. It was made by writers and a director that clearly lack talent. Furthermore, Liam Neeson's deliberate pitch-shifting was irritating.
Peter Landesman wrote (with the book by Mark Felt) and directed this film that takes a solid look at the manner in which our government has been revealed as corrupt under certain (if not all) presidents. It is interesting that THE POST, covering the same bit of history, is released at present and that he story has been well told before (ALL THE PRESIDENT'S MEN). But where MARK FELT gains credence is in the comparison to our present day governmental scourge from the President through Congress and through all the aspects of the derring-do of Twitter-controlled fake news politics that plays like an endless bad comedy television show daily As has been outlined elsewhere, 'The Watergate scandal, which engulfed the entire American public at large, and the administration of president Richard Nixon, was the single greatest political scandal in U.S. history. But for a long time, one of the great mysteries of that scandal was that of the identity a mysterious informant who gave information about the scandal to writers Carl Bernstein and Bob Woodward of the Washington Post, but was never identified by his real name, only by a code name called Deep Throat. This character was later revealed to be Mark Felt, a former top man inside the FBI dating back to the days when J. Edgar Hoover ruled the roost, and beyond Hoover's death in May 1972. The cast, led by an extraordinary performance by Liam Neeson, is pitch perfect - Diane Lane as Mark's wife, Marton Csokas, Tony Goldwyn, Josh Lucas, Michael C. Hall, Tome Sizemore, Bruce Greenwood, Noah Wylie, Ike Barinholtz, Brian d'Arcy James, Julian Morris, Eddie Marsan, Wayne Pere - each actor captures the essence of the characters they portray and make the movie speed by with finesse. Despite the ugly story of our history and the proximity to the present situation, this film is one that deserves a broad audience. History repeats itself.
Save your money. This is a painful waste of time and celluloid. Factually incorrect with every line. Liam Neeson's accent was laughable. Any good director would have hired a speech expert to work with him. The Razzies has its big winner for this year and possibly infinity! The big question is how a provable hack like Peter Landesman manages to get companies to bankroll his garbage.
اچھی فلم!
source: Mark Felt: The Man Who Brought Down the White House
I watched this at home on DVD from my public library. It is timely as almost the same thing is happening in the Washington today. It complements the 1976 movie "All the President's Men" which focuses on the role of the Washington Post reporters. In 1972 several man were caught breaking into the Democratic party headquarters at the Watergate hotel. As the FBI began to look into it there was evidence that the men had ties to the White House and to Nixon himself. Liam Neeson as Mark Felt, a 30-year FBI man who was the Associate FBI director under Hoover, gets involved. Then Hoover unexpectedly died but Felt was not appointed as interim FBI Director. Maybe that helped him decide to do what he did. Stifled by orders from the White House to complete the Watergate investigation quickly, Felt used the power of the press, purposely leaking information to a reporter he had known for some time, by use of public pay phones or clandestine meetings. Eventually pressure cracked the cases, many of Nixon's staff went to prison, Nixon himself resigned in shame. Neeson is great in this role, some think the movie moves too slowly and is too long but I think it was ideally made. I was a young adult in 1972, I remember Watergate and Nixon's resignation. This movie is welcome to fill in who became known as "*."
Was curious about the story. but this movie was super boring and i couldn't even follow it sometimes. i think you might need to have some knowledge on the subject to understand everything in the movie. if that's the case, that's not a good thing. (1 viewing)
In the bonus track of the DVD of "Mark Felt: The Man Who Brought Down the White House," the film's writer-director Peter Landesman, described enthusiastically how he attempted to depict in the story of lifelong FBI official Mark Felt as "the self-sacrifice of heroism in the face of massive corruption." But for many reasons, Landesman, a talented writer and director, failed to evoke a cinematic superhero in Mark Felt. First, the production values of the film were dark, gloomy, and depressing. Landesman used an antique anamorphic camera lens in the effort to evoke the early 1970s and an aura of suspense. But the results were downright depressing. It was odd that in the bonus track, one of the performers described the 1970s as an exciting time to be alive. But the look of the film resembled a morgue and an ashen-faced Liam Neeson taking on the aura of a galvanized corpse. Second, the overall treatment of the Watergate scandal was superficially treated. The film artists described the environment of the FBI as "black and white" when in fact there were many shades of grey. The men in suits in this film were uniformly depicted as thugs, as opposed to the clean-cut and impeccably dressed men of the Hoover era. The film actually took on the feel of "The Godfather." Third, the film suffered from the subplot of Mark Felt's family, including his marriage to a Lady Macbeth-type wife (Diane Lane) and a daughter who, understandably, had fled home to live in a California commune in Ben Lomand in the wilds of Northern California. Kudos to young Joan for figuring out her parents and making an early exit! Above all, the film failed to probe deeply into the Watergate scandal itself. It was not one man who brought down the president, as the film tried to project. It is likely that after Nixon's trip to China, the intelligence network had had enough of Nixon, and Watergate was the "silent coup" involving multiple participants in the intelligence community, who saw the removal of Nixon from office as being in the best interests of the nation. One of the most important lines in the film was the assertion that "the FBI is an independent body," as opposed to a branch of the federal government that is part of the Department of Justice. The filmmakers missed a golden opportunity to use the story of Mark Felt as an example of how in the years following World War II and continuing to the present, we really have four branches of our government: the executive, the legislative, the judicial, and, as is all too apparent today, the national security network.
حالیہ قیمتوں میں تبدیلیوں، صارفین اپنے دیکھنے کے سیٹ اپ پر دوبارہ غور کیوں کر رہے ہیں، اور اپنی دریافت کی عادات کھوئے بغیر متبادل طریقہ کار کا جائزہ لینے کا تفصیلی تجزیہ۔
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کامیڈی کہانیاں مزاح کے ذریعے تفریح فراہم کرنے کے لیے بنائی جاتی ہیں۔ مقبول فارمیٹس میں حالات پر مبنی کامیڈی، خاکہ نما مزاح، دفتری کامیڈی اور رومانوی کامیڈی شامل ہیں۔
ایکشن فلمیں جوش، جسمانی کشمکش، بہادر کرداروں اور تیز رفتار کہانی پر زور دیتی ہیں۔ ایڈونچر فلموں میں اکثر تلاش، بقا یا عظیم سفر دکھائے جاتے ہیں۔
کرائم ڈرامے تفتیش کاروں، جاسوسوں، وکلا یا صحافیوں کی پیروی کرتے ہیں جب وہ مجرمانہ مقدمات حل کرتے ہیں۔ اسرار کہانیاں ناظرین کو کرداروں کے ساتھ سراغ دریافت کرنے کی ترغیب دیتی ہیں۔
سائنس فکشن مستقبل کی ٹیکنالوجی، خلائی سفر، مصنوعی ذہانت، متبادل حقیقتوں اور سائنسی قیاس آرائیوں کی کھوج کرتا ہے۔
ہارر کہانی نفسیاتی تناؤ، مافوق الفطرت واقعات، راکشسوں یا بقا کے منظرناموں کے ذریعے سسپنس پیدا کرتی ہے۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔
اینیمیشن میں بچوں، خاندانوں اور بالغوں کے لیے تعلیمی مواد سے لے کر پیچیدہ ڈرامائی کہانی تک کے کام شامل ہوتے ہیں۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔