Murder Is Easy

🎬2024متحدہ سلطنت یونائیٹڈ کنگڈماسرار, سنسنی خیز

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5.8/104,433 لوگوں نے درجہ دیا

ویڈیو دیکھیں

تفصیل

The TV series Murder Is Easy, created by Agatha Christie and produced by an unlisted studio, first premiered on March 1, 2024 in متحدہ سلطنت یونائیٹڈ کنگڈم. The series spans 1 season with 2 episodes, featuring the voices of David Jonsson, Nimra Bucha, Penelope Wilton, and Mathew Baynton. It follows the story of Follows Luke Fitzwilliam, as he finds himself on the trail of a serial killer after meeting Miss Pinkerton on a train to London. Now Fitzwilliam has to find the killer before any more blood will be shed. This is a اسرار, سنسنی خیز series and has received a rating of 5.8/10 from 4,433 viewers.

اہم کاسٹ

Meenu Gaur

بطور Director

David Jonsson

بطور Luke Fitzwilliam

Nimra Bucha

بطور Mrs. Humbleby

Penelope Wilton

بطور Miss Pinkerton

Mathew Baynton

بطور Dr. Thomas

Phoebe Licorish

بطور Rose Humbleby

Morfydd Clark

بطور Bridget Conway

Kevin Mains

بطور Constable Reed

Douglas Henshall

بطور Major Horton

Kathryn Howden

بطور Mrs. Carter

Mark Bonnar

بطور Reverend Humbleby

Sinead Matthews

بطور Honoria Wayneflete

Tamzin Outhwaite

بطور Mrs. Pierce

Jon Pointing

بطور Rivers

Holly Howden Gilchrist

بطور Amy Gibbs

Tom Riley

بطور Lord Whitfield

Christopher McPhillips

بطور Server

Demmy Ladipo

بطور Jimmy Amaike

Gloria Obianyo

بطور Ngozi Ude

Agatha Christie

بطور Writer

Sian Martin

بطور Writer

کہاں دیکھیں

ailok.peDeverias Shipepe

دستیابی ملک، زبان اور ریلیز ونڈو کے لحاظ سے مختلف ہو سکتی ہے۔ کچھ عنوانات پلیٹ فارم سبسکرپشنز میں شامل ہوتے ہیں، جبکہ دیگر کے لیے کرایہ، خریداری یا ایپ پر مبنی رسائی درکار ہو سکتی ہے۔ اسٹریمنگ کیٹلاگ اور لائسنسنگ معاہدے باقاعدگی سے اپ ڈیٹ ہوتے ہیں، اس لیے پلے بیک کے اختیارات وقت کے ساتھ بدل سکتے ہیں۔ دیکھنے کے سب سے درست تجربے کے لیے اپنی منتخب سروس پر تازہ ترین فہرست دیکھیں اور شروع کرنے سے پہلے علاقائی سپورٹ، سب ٹائٹل کے اختیارات اور ڈیوائس کی مطابقت کی تصدیق کریں۔

فلم بندی کا مقام

127A Smithfield Road, Frederiksted, Virgin Islands

پروڈکشن

Castle Rock Entertainment

ایوارڈ

مجموعی طور پر 21 جیتیں اور 43 نامزدگیاں

MovieBox / FM / TV APK حاصل کریں

موبائل، FM بلڈز اور TV-مطابقت پذیر APK ورژن کے لیے تازہ ترین MovieBox پیکجز ڈاؤن لوڈ کریں۔ اپنے آلے اور علاقے سے مماثل پیکج منتخب کریں، پھر بہترین مطابقت اور سیکیورٹی کے لیے سرکاری انسٹال گائیڈ پر عمل کریں۔

صارفین کے جائزے

user30342130/07/24 08:28

اچھی فلم!

FAD30/07/24 08:28

اچھی فلم!

heembeauty30/07/24 08:28

اچھی فلم!

user704702254529730/07/24 08:28

اچھی فلم!

Deverias Shipepe30/07/24 08:28

اچھی فلم!

✨Amal_Jnoox✨👑🇦🇪30/07/24 08:28

اچھی فلم!

Kayavine29/07/24 06:23

This production did not get off to a promising start when, despite being set in 1954, a copy of the Racing Post, a publication not established until 1986, is dropped on the floor of the train. The bizarre scene in the black community centre which focused on the negative aspects of colonialism in an attempt to insert current race politics into the narrative added nothing of value to the plot. In Fact, it only made it seem all the more implausible that in 1954 no-one bats an eyelid when a black man walks into their village and starts poking his nose into their affairs. Ditto the pub scenes. A thin premise is also contrived to shoehorn a couple of Asians in to the cast to tick another diversity box. At one point a red kite is seen swooping on the main character which would have been impossible in the 1950s since these birds were virtually extinct in the UK at that time. Death after death after death occurs in the village and none of the surviving villagers seem particularly bothered at all. In fact, the whole thing had the feel of a rather mediocre low budget amateur dramatic production which, while it lacked any real depth or substance, was certainly not short of garish colours for some reason. The actor playing Lord Whitfield in particular hammed the character up to a ridiculous level. The narrative was slow, tedious, completely lacking in suspense and punctuated with frequent lengthy silences which were presumably necessary to fill out the running time to the required 2 hours rather than the 45 minutes the salient elements of the rather weak script might have filled. It was a real shame that by far the best actor in the whole thing had her character killed off after only 8 minutes. The person who wrote the screenplay for this, who has an almost unreadable foreign name, and the Indian director, clearly do not have any understanding of the sort of traditional English culture and customs that Agatha Christie's novels are steeped in. I am a huge fan of Christie's work but this has to be one of the worst adaptations I have yet seen.

Megha_p129/07/24 06:23

Agatha Christie wrote many dozens of murder mysteries, some famously ingenious; but either 'Murder is Easy' was a dud, or this adapatation is badly screwed up. People start dying in a small English village, but everyone still alive is remarkably unperturbed and several seem not to care if they're suspected to be the killer. Eventually, the real culprit is unearthed, and explains exactly how they've done it, although our amateur detective hero has identified the villain without in fact piecing any of it together for themselves. I've seen Christie adaptations that were fun, preposterous, or anachronistic; but none as anemic as this.

user167464387304429/07/24 06:23

This BBC adaptation of a story by Agatha Christie opens with Luke Fitzwilliam, a recent arrival from Nigeria, heading to London to take up a job in Whitehall. On the train he meets an elderly woman who tells him that she is heading to Scotland Yard to report a series of murders in her home village. She claims local authorities are treating the deaths as accidents and that a prominent member of the local society is behind the deaths. Shortly after getting to London the woman is killed in a hit and run 'accident'. A delay in starting his job leads Fitzwilliam to head to the village to see what he can uncover. Various suspicious characters soon emerge. I have not read the book but am informed by somebody that has that this follows the central ideas fairly well. There are some changes of course; originally Fitzwilliam wasn't Nigerian... this change inevitably led the BBC to shoehorn in some of its own politics but overall I liked the character, mostly due to David Jonsson's performance in the role. The rest of the cast, which includes plenty of familiar faces, is solid. The makers nicely capture the feel of '50s England, or at least that which we are familiar with from other films and series. There are a good number of suspects and the identity of the killer doesn't become obvious too long before the final reveal. A slight quibble that many viewers won't even notice, at one point our protagonist is mobbed by a red kite... a species that one would be highly unlikely to see in '50s England, unlike today. Overall an enjoyably murder mystery.

2008-2020-12ans29/07/24 06:23

I was looking forward to this and really expected to enjoy it as I've liked other BBC TV adaptations of past. However, this one just fell well short of expectations unfortunately. Let's break down why: 1. The acting is not good by and large, even the respectible actors pull in a below than average performance. 2. The budget seems really low, even for the BBC. Everything looks cheap and amateur. 3. The story. It really felt more of a pantomime than a murder mystery and apparent social commentary. There were some scenes that were genuinely laughable for all the wrong reasons. All in all, very disappointing, such a shame as was expecting much better.

ملتی جلتی فلموں کی سفارشات

بلاگ

عام اقسام

کامیڈی

کامیڈی کہانیاں مزاح کے ذریعے تفریح فراہم کرنے کے لیے بنائی جاتی ہیں۔ مقبول فارمیٹس میں حالات پر مبنی کامیڈی، خاکہ نما مزاح، دفتری کامیڈی اور رومانوی کامیڈی شامل ہیں۔

ایکشن اور ایڈونچر

ایکشن فلمیں جوش، جسمانی کشمکش، بہادر کرداروں اور تیز رفتار کہانی پر زور دیتی ہیں۔ ایڈونچر فلموں میں اکثر تلاش، بقا یا عظیم سفر دکھائے جاتے ہیں۔

کرائم اور اسرار

کرائم ڈرامے تفتیش کاروں، جاسوسوں، وکلا یا صحافیوں کی پیروی کرتے ہیں جب وہ مجرمانہ مقدمات حل کرتے ہیں۔ اسرار کہانیاں ناظرین کو کرداروں کے ساتھ سراغ دریافت کرنے کی ترغیب دیتی ہیں۔

سائنس فکشن

سائنس فکشن مستقبل کی ٹیکنالوجی، خلائی سفر، مصنوعی ذہانت، متبادل حقیقتوں اور سائنسی قیاس آرائیوں کی کھوج کرتا ہے۔

ہارر

ہارر کہانی نفسیاتی تناؤ، مافوق الفطرت واقعات، راکشسوں یا بقا کے منظرناموں کے ذریعے سسپنس پیدا کرتی ہے۔

رومانوی

رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔

اینیمیشن

اینیمیشن میں بچوں، خاندانوں اور بالغوں کے لیے تعلیمی مواد سے لے کر پیچیدہ ڈرامائی کہانی تک کے کام شامل ہوتے ہیں۔

رومانوی

رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔