Peter Wellington
بطور Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The مزاحیہ film Paging Mr. Darcy, starring Mallory Jansen, Will Kemp, Lillian Doucet-Roche, etc., directed by Peter Wellington, was released on February 3, 2024 in امریکہ. It tells the story of A love of Jane Austen's stories helps two people to overcome their pride and admit to their belief in love. This is a مزاحیہ, رومانی film with a runtime of 84 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.6/10 from 1,273 viewers.
Peter Wellington
بطور Director
Mallory Jansen
بطور Eloise Cavendish
Will Kemp
بطور Sam Lee
Lillian Doucet-Roche
بطور Mia Cavendish
Carolyn Scott
بطور Dr. Victoria Jennings
Maia Alvina
بطور Kelsey Shelton
Benjamin Ayres
بطور Golfer Bro
J.D. Leslie
بطور Jenny
Jinny Wong
بطور Annabelle
Robert Notman
بطور Rob
David Rosser
بطور Crispin Crane
David Pinard
بطور Charming Man
Steven Vlahos
بطور Tanner
Nick Piers
بطور Sub Shop Employee
Adanma Adah
بطور Librarian
Brianna Gorgerat
بطور Self - Cosplayer
Reina Hardy
بطور Writer
دستیابی ملک، زبان اور ریلیز ونڈو کے لحاظ سے مختلف ہو سکتی ہے۔ کچھ عنوانات پلیٹ فارم سبسکرپشنز میں شامل ہوتے ہیں، جبکہ دیگر کے لیے کرایہ، خریداری یا ایپ پر مبنی رسائی درکار ہو سکتی ہے۔ اسٹریمنگ کیٹلاگ اور لائسنسنگ معاہدے باقاعدگی سے اپ ڈیٹ ہوتے ہیں، اس لیے پلے بیک کے اختیارات وقت کے ساتھ بدل سکتے ہیں۔ دیکھنے کے سب سے درست تجربے کے لیے اپنی منتخب سروس پر تازہ ترین فہرست دیکھیں اور شروع کرنے سے پہلے علاقائی سپورٹ، سب ٹائٹل کے اختیارات اور ڈیوائس کی مطابقت کی تصدیق کریں۔
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
مجموعی طور پر 21 جیتیں اور 43 نامزدگیاں
موبائل، FM بلڈز اور TV-مطابقت پذیر APK ورژن کے لیے تازہ ترین MovieBox پیکجز ڈاؤن لوڈ کریں۔ اپنے آلے اور علاقے سے مماثل پیکج منتخب کریں، پھر بہترین مطابقت اور سیکیورٹی کے لیے سرکاری انسٹال گائیڈ پر عمل کریں۔
اچھی فلم!
I rated this low for one reason only - I hate the sister (the character). She is immature, self-absorbed, selfish, and extremely annoying. Unfortunately, the actress went over the top in accentuating the character's very negative characteristics. When the sister was onscreen, she took the attention away from the other actors? Including the excellent Will Kemp & Mallory Jansen. Like all narcissists, the sister sucks the air out of the room. We see enough of that in the real world, in a movie I'd prefer a little more subtlety. The story line, the scenes between the two main actors are engaging & interesting. Will Kemp can mix a sense of regalness (ftom his dance training) with a command of both comedy & drama. There was real chemistry between him & Mallory Jansen.
Though Will Kemp might not fit the role of Jane Austen's Fitzwilliam Darcy as well as Colin Firth or Matthew Macfadyen, he certainly fits the role of Sam Lee to a tee, a shy, financially independent nerd who turns into the Jane Austen Lovers of America (JALA) Conference's Darcy once a year---well done! Mallory Jansen's transformation from a pompous Ph. D. who looks down on people like Sam Lee who attend JALA-type gatherings to someone who, in the end, could enjoy dancing in a batiste evening dress with the JALA crowd seems to have been too abrupt. (I know character transformations can be tricky, so this is not entirely her fault.) Her Doctor Eloise Cavendish (emphasis on the "Doctor") reminds me of Anna Chancellor's villainous Caroline Bingley (in the 1995 Pride and Prejudice miniseries).
This movie is borderline for me. I think that is mostly because of Will Kemp and Mallory Jansen. They had decent chemistry and watching them together was about the only good thing in the movie. Lillian Doucet-Roche was only irritating as Mia. The movie is filled with cliches like all the women going gaga at Sam. But also many of the usual formula tropes. Seriously? Eloise could suddenly cook just so the writer could put her and Sam together. Another common trope is one of the leads helping the other overcome her neurosis. Acting was mixed with some of the supporting cast being questionable. There was some decent dialogue.
The best part about this movie is Will Kemp acting as a Mr Darcy for a Jane Austen convention. That is really charming and he pulls off the aloofness, the outfit, and is so believable as a guy playing Mr Darcy. The rest is cringe. Mallory's character is so unlikable and rude, to the point where you don't care about her. The sister side plot: super annoying. The actress playing the sister, she played her so over the top, and irritating!! While Mallory and Will COULD have been a great screen couple, the writing is unfortunately terrible. Plus, she's just so nasty to him. When they kiss at the end, you don't even believe it, nor are you wanting for it to happen. I hate it when Hallmark tries to re-do something classic, or put their own spin on something that's already perfect. This is another example of that. Just don't waste your time.
اچھی فلم!
source: Paging Mr. Darcy
This is your usual Hallmark fare, with downgraded food intended as a humorous, but poorly conceived, plot point, inadequate and inconsistent costume work for an Austen conference, and little to no research as to the type of women or vendors that might actually be at such an event invested, prior to the writing phase of the script. Some Austen quotes and character references are peppered throughout, for good measure, but the characters are as one-note and predictable as those of any Hallmark show, and not worthy of a Jane Austen tribute. There were a few redeeming moments: the field trip to the exhibit of Austen correspondence and the preparation of somewhat accurate period piece deserts (which could/should have been brought in on silver platters to cooing of the attendees, but NO) by the leads, but there was no need to devolve all the way to off-brand-Subway deli meats for an elegant garden party just for humor - when trays like that could have easily been arranged at Whole Foods or any local gourmet market. It didn't add humor - it just emphasized the lack of class and substance in the film production itself. I'm still planning to watch the other Jane Austen movies this month, and I really, genuinely hope they hired a real film writer for at least one of them - I'm a big Austen fan and it would be such a shame if all the films are this much of a missed opportunity. Alternately, if the budget doesn't allow for "Hollywood" writers, hire an Indie writer - someone up and coming, but out of work, just like they do with actors, and tell the writer the script does NOT need to fit the Hallmark tropes, formula and mold to a T. My advice to Hallmark, for any future female author tribute: show RESPECT, ala Aretha Franklin, and put a little more legwork into the script by also hiring outside costumers, outside hair stylists, caterers. Make a bit of an effort. They know how - some Hallmark productions are better than the formula; Hallmark: we can see how your films are all the same and we welcome a bit of creativity. Put in some effort instead of churning them out, particularly when it doth seem of great import to your guests.
The best part about this movie is Will Kemp acting as a Mr Darcy for a Jane Austen convention. That is the best part, he pulls off the charm, the outfit, and is so believable as a guy playing Mr Darcy. The rest is cringe. Mallory's character is so unlikable and rude, to the point where you don't care about her. The sister side plot: super annoying. The actress playing the sister, she played her so over the top, and irritating!! While Mallory and Will COULD have been a great screen couple, the writing is unfortunately terrible. Plus, she's just so nasty to him. When they kiss at the end, you don't even believe it, nor are you wanting for it to happen. I hate it when Hallmark tries to re-do something classic, or put their own spin on something that's already perfect. This is another example of that. Just don't waste your time.
Eloise Cavendish (Mallory Jansen) is a Jane Austen expert and a really big fan. Only she's not a romantic and doesn't see Austen as a romance novelist. She is doing a speech at a Jane Austen conference in order to please organizer Dr. Victoria Jennings (Carolyn Scott) to get a Princeton professorship. Sam Lee (Will Kemp) is playing Mr. Darcy for the conference and is Victoria's nephew. Mia Cavendish (Lillian Doucet-Roche) is Eloise's heart-broken little sister. At first, I thought they might use the plane passenger to form a love triangle. At last, a triangle is too complicated as a shape for Hallmark. I do like the chemistry and the characters. It's not high drama and Mia is not changing that in the slightest. It's low intensity sweetness. It's perfectly fine for Hallmark.
حالیہ قیمتوں میں تبدیلیوں، صارفین اپنے دیکھنے کے سیٹ اپ پر دوبارہ غور کیوں کر رہے ہیں، اور اپنی دریافت کی عادات کھوئے بغیر متبادل طریقہ کار کا جائزہ لینے کا تفصیلی تجزیہ۔
Movie Box APK انسٹال کرنے کا صحیح طریقہ جانیں: پہلے ورژن کی بنیادی باتیں، پھر صاف انسٹالیشن کے مراحل، اور آخر میں TV، iOS، ویب اور ایپ کے استعمال کے راستوں میں سے انتخاب کیسے کریں۔
ایک تفصیلی جائزہ جو بتاتا ہے کہ 2026 میں Project Hail Mary کیوں نمایاں ہے: موافقت کا معیار، سائنسی کہانی، جذباتی گہرائی اور سامعین کے ردعمل۔
کامیڈی کہانیاں مزاح کے ذریعے تفریح فراہم کرنے کے لیے بنائی جاتی ہیں۔ مقبول فارمیٹس میں حالات پر مبنی کامیڈی، خاکہ نما مزاح، دفتری کامیڈی اور رومانوی کامیڈی شامل ہیں۔
ایکشن فلمیں جوش، جسمانی کشمکش، بہادر کرداروں اور تیز رفتار کہانی پر زور دیتی ہیں۔ ایڈونچر فلموں میں اکثر تلاش، بقا یا عظیم سفر دکھائے جاتے ہیں۔
کرائم ڈرامے تفتیش کاروں، جاسوسوں، وکلا یا صحافیوں کی پیروی کرتے ہیں جب وہ مجرمانہ مقدمات حل کرتے ہیں۔ اسرار کہانیاں ناظرین کو کرداروں کے ساتھ سراغ دریافت کرنے کی ترغیب دیتی ہیں۔
سائنس فکشن مستقبل کی ٹیکنالوجی، خلائی سفر، مصنوعی ذہانت، متبادل حقیقتوں اور سائنسی قیاس آرائیوں کی کھوج کرتا ہے۔
ہارر کہانی نفسیاتی تناؤ، مافوق الفطرت واقعات، راکشسوں یا بقا کے منظرناموں کے ذریعے سسپنس پیدا کرتی ہے۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔
اینیمیشن میں بچوں، خاندانوں اور بالغوں کے لیے تعلیمی مواد سے لے کر پیچیدہ ڈرامائی کہانی تک کے کام شامل ہوتے ہیں۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔