Syd Barrett
بطور Self
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The دستاویزی فلم film Pink Floyd: The Story of Wish You Were Here, starring Syd Barrett, Joe Boyd, Venetta Fields, etc., directed by an unlisted director, was released on June 26, 2012 in متحدہ سلطنت یونائیٹڈ کنگڈم. It tells the story of Roger Waters, David Gilmour, Nick Mason, Richard Wright and others tell the story of the creative process of the album "Wish You Were Here", released in September 1975. This is a دستاویزی فلم, موسیقی film with a runtime of 85 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.9/10 from 1,986 viewers.
Syd Barrett
بطور Self
Joe Boyd
بطور Self
Venetta Fields
بطور Self
Jill Furmanovsky
بطور Self
David Gilmour
بطور Self
Roy Harper
بطور Self
Brian Humphries
بطور Self
Peter Jenner
بطور Self
Nick Kent
بطور Self
Nick Mason
بطور Self
Pink Floyd
بطور Themselves
Aubrey Powell
بطور Self
Ronnie Rondell Jr.
بطور Self
Gerald Scarfe
بطور Self
Storm Thorgerson
بطور Self
Roger Waters
بطور Self
Richard Wright
بطور Self
دستیابی ملک، زبان اور ریلیز ونڈو کے لحاظ سے مختلف ہو سکتی ہے۔ کچھ عنوانات پلیٹ فارم سبسکرپشنز میں شامل ہوتے ہیں، جبکہ دیگر کے لیے کرایہ، خریداری یا ایپ پر مبنی رسائی درکار ہو سکتی ہے۔ اسٹریمنگ کیٹلاگ اور لائسنسنگ معاہدے باقاعدگی سے اپ ڈیٹ ہوتے ہیں، اس لیے پلے بیک کے اختیارات وقت کے ساتھ بدل سکتے ہیں۔ دیکھنے کے سب سے درست تجربے کے لیے اپنی منتخب سروس پر تازہ ترین فہرست دیکھیں اور شروع کرنے سے پہلے علاقائی سپورٹ، سب ٹائٹل کے اختیارات اور ڈیوائس کی مطابقت کی تصدیق کریں۔
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source: Pink Floyd: The Story of Wish You Were Here
اچھی فلم!
Honestly, I wanted to watch this one for long time but finally I had a chance to watch it last week just because one of those tracks named 'Have a Cigar' which is my favorite track on this album that I've already knew nearly at the time. All in all, the explanation about its film are worth watching and at the end of film, I've cried, seriously.
This is a melancholy trip inward to a very personal phase of Pink Floyd. More than 15-years on the band had achieved a rare pinnacle of success. That success always had the element of loss hovering. After the blockbuster Dark Side of the Moon record there was an intersection of tremendous pressures and changes. The record company, of course, wanted another bombastic sales juggernaut, but the band was searching for where to go and how to get there. There was a fatigue as well as lack of material. It was Roger Waters who gave the band a path. The sad loss of Sad Barrett had a lasting effect and it was time to explore that angle against the band's growing disillusionment of the entire music business machinery. This was a unifying thing members of Pink Floyd could all feel albeit in their own ways guided largely by Roger's hand and writing. David Gilmour rose up to work together with Roger crafting their best. Richard Wright used his long tenor of experience to underpin the dark atmosphere perfectly with Waters. Nick Mason's percussion was never better underneath it all. This one came from deep inside the members of the band and it had a personal resonance that was very different than DSOTM. In other words, a brilliant follow-up album that stood on it's own unique merits. No let down here and in no way riding on coattails. Brilliant. But this review is about this film and what makes it special is how it brings the viewer into the band's work on this amazing recording. Almost by some unexplainable coincidence Syd Barrett appears in the studio on the final mix day of Wish You Were Here. It provoked a strong coda to exactly what the band had been laboring over in jaw-dropping fashion. The film actually makes the viewer often as uneasy as the music evoking a real emotional response. This was an important album to the band and the fact it achieved such success in the market only strengthens this connection. I think it will be hard to now listen to the record ever again quite the same. Gone will be the casualness an oft listened to record often becomes. That says a lot for this film I'd say.
Like spoken liner notes; the estranged musicians behind one of classic rock's best groups sit down to chat about the moods, conflicts and sounds that went into one of their seminal albums. Less technical than the preceding Making of The Dark Side of the Moon, it's more invested in uncovering the messages and meanings behind each track than the efforts that went into producing the finished sound. It still spends some time unraveling the aural onion skin behind an enormous mixing board, but Waters, Gilmour and company are caught in a more reflective, philosophical mood that delves into the recurring themes of the album, rather than the motions they were making with their hands. As usual, the band is anything but level-headed, but beyond their superficial egotism lies a dense, intellectual shared nature with plenty of wisdom and substantial meaning to share. They're smart, deep guys, but god are they in love with themselves. Nevertheless, it's bittersweet commentary on a bittersweet record, which speaks volumes (both directly and indirectly) about where the band had been and the dark clouds that were already forming on their horizon.
I idolized these musicians as a teenager, and decades later it's nice to see that these guys are indeed bright and sensitive people. We get a good feel for what they went through when Syd Barrett became mentally ill and what happened when he visited Abbey Road Studios 7 years later. The film also gives us insight into how they struggled to link the songs thematically; we learn how a few rifts from Gilmour's imagination inspired the others to finish composing the tracks; and we even get an interpretation of Wish You Were Here's lyrics. Every interview feels unscripted. When the sound manager walks into the studio, I think he really is walking in there for the fist time in a while.
As a big fan of Pink Floyd as soon as I saw the release I was excited; I just finished watching it and I love it. What you will find here is: Recent new interviews with Roger Waters, David Gilmour and Nick Mason and some material from Richard Wright before he past and some pictures and archive footage of the Great Syd Barret. They talk about each song , what it means to them and how it was created ; also Brian Humphries (sound engineer of Wish you were Here) take us through the recording process and Storm Thorgerson talks about the cover and some of the art work. The band talks about the emotional moment in which Syd appear on Abbey road and at first they didn't recognize him and there's some acoustic playing and singing by Roger and Dave in their interviews. For the fans it will a nice experience. I'm Happy :=).
Pink Floyd: The Story of Wish You Were Here
حالیہ قیمتوں میں تبدیلیوں، صارفین اپنے دیکھنے کے سیٹ اپ پر دوبارہ غور کیوں کر رہے ہیں، اور اپنی دریافت کی عادات کھوئے بغیر متبادل طریقہ کار کا جائزہ لینے کا تفصیلی تجزیہ۔
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ایک تفصیلی جائزہ جو بتاتا ہے کہ 2026 میں Project Hail Mary کیوں نمایاں ہے: موافقت کا معیار، سائنسی کہانی، جذباتی گہرائی اور سامعین کے ردعمل۔
کامیڈی کہانیاں مزاح کے ذریعے تفریح فراہم کرنے کے لیے بنائی جاتی ہیں۔ مقبول فارمیٹس میں حالات پر مبنی کامیڈی، خاکہ نما مزاح، دفتری کامیڈی اور رومانوی کامیڈی شامل ہیں۔
ایکشن فلمیں جوش، جسمانی کشمکش، بہادر کرداروں اور تیز رفتار کہانی پر زور دیتی ہیں۔ ایڈونچر فلموں میں اکثر تلاش، بقا یا عظیم سفر دکھائے جاتے ہیں۔
کرائم ڈرامے تفتیش کاروں، جاسوسوں، وکلا یا صحافیوں کی پیروی کرتے ہیں جب وہ مجرمانہ مقدمات حل کرتے ہیں۔ اسرار کہانیاں ناظرین کو کرداروں کے ساتھ سراغ دریافت کرنے کی ترغیب دیتی ہیں۔
سائنس فکشن مستقبل کی ٹیکنالوجی، خلائی سفر، مصنوعی ذہانت، متبادل حقیقتوں اور سائنسی قیاس آرائیوں کی کھوج کرتا ہے۔
ہارر کہانی نفسیاتی تناؤ، مافوق الفطرت واقعات، راکشسوں یا بقا کے منظرناموں کے ذریعے سسپنس پیدا کرتی ہے۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔
اینیمیشن میں بچوں، خاندانوں اور بالغوں کے لیے تعلیمی مواد سے لے کر پیچیدہ ڈرامائی کہانی تک کے کام شامل ہوتے ہیں۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔