Sofia Coppola
بطور Director
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The سوانح عمری film Priscilla, starring Cailee Spaeny, Jacob Elordi, Ari Cohen, etc., directed by Sofia Coppola, was released on November 3, 2023 in اٹلی. It tells the story of جب نوعمر پرسکیلا بیولیو ایلوس پریسلے سے ملتی ہے، تو وہ شخص جو پہلے سے ہی ایک میٹیورک راک اینڈ رول سپر اسٹار ہے نجی لمحات میں مکمل طور پر غیر متوقع شخص بن جاتا ہے: ایک سنسنی خیز چاہنے والا، تنہائی میں ایک اتحادی، ایک کمزور بہترین دوست۔. This is a سوانح عمری, ڈرامہ, موسیقی film with a runtime of 113 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.4/10 from 52,613 viewers.
Sofia Coppola
بطور Director
Cailee Spaeny
بطور Priscilla
Jacob Elordi
بطور Elvis
Ari Cohen
بطور Captain Beaulieu
Dagmara Dominczyk
بطور Ann Beaulieu
Tim Post
بطور Vernon Presley
Lynne Griffin
بطور Grandma 'Dodger'
Dan Beirne
بطور Joe
Rodrigo Fernandez-Stoll
بطور Alan 'Hog Ears'
Dan Abramovici
بطور Jerry
Matthew Shaw
بطور Charlie
Tim Dowler-Coltman
بطور Red
R Austin Ball
بطور Larry
Olivia Barrett
بطور Alberta
Stephanie Moore
بطور Dee
Luke Humphrey
بطور Terry West
Deanna Jarvis
بطور Carol West
Jorja Cadence
بطور Patsy
Josette Halpert
بطور Becky
Priscilla Presley
بطور Writer
Sandra Harmon
بطور Writer
Sofia Coppola
بطور Writer
دستیابی ملک، زبان اور ریلیز ونڈو کے لحاظ سے مختلف ہو سکتی ہے۔ کچھ عنوانات پلیٹ فارم سبسکرپشنز میں شامل ہوتے ہیں، جبکہ دیگر کے لیے کرایہ، خریداری یا ایپ پر مبنی رسائی درکار ہو سکتی ہے۔ اسٹریمنگ کیٹلاگ اور لائسنسنگ معاہدے باقاعدگی سے اپ ڈیٹ ہوتے ہیں، اس لیے پلے بیک کے اختیارات وقت کے ساتھ بدل سکتے ہیں۔ دیکھنے کے سب سے درست تجربے کے لیے اپنی منتخب سروس پر تازہ ترین فہرست دیکھیں اور شروع کرنے سے پہلے علاقائی سپورٹ، سب ٹائٹل کے اختیارات اور ڈیوائس کی مطابقت کی تصدیق کریں۔
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مجموعی طور پر 21 جیتیں اور 43 نامزدگیاں
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اچھی فلم!
Some super famous celebrities ruining their career over addiction and anger issues. 😟
She is just a teenager, when Elvis entered her life - as young as she was, she must have had hopes, fears and dreams. We learn nothing of those or what else is going on inside of her. She remains the empty piece of paper, the unwritten human being, the entire world assumed she must have been... Unforgivable from a woman's perspective. As other mentioned: the height-difference is off-putting since it's pushing the narrative towards an even bigger difference of power as it might have been in reality, almost scratching the topic of abuse. I'm sure the real Priscilla had dreams and ambitions and was not the flat and willingless object as she's portraited here.
اچھی فلم!
I saw "Priscilla" yesterday. "Priscilla" is a 2023 American biographical drama film written, directed, and produced by Sofia Coppola, based on the 1985 memoir "Elvis and Me" by Priscilla Presley (who served as an executive producer) and Sandra Harmon. It stars Cailee Spaeny in the titular role and Jacob Elordi as Elvis Presley. I looked forward to seeing this film based on the rave reviews it has received. However, I must say that I was disappointed by the film. Some critics say that the movie was "understated" - that is an understatement! I found it to be tedious and slow. I just couldn't get invested in Cailee Spaeny's performance - it didn't grab me as authentic. She has limited range as actress - which seems to be all the way from A to B. Jacob Elordi is strikingly handsome (as Elvis was) but he doesn't seem right for the role - he is 6' 5" and Elvis was 5' 11"! More importantly, his performance is annoying, especially when he mumbles (of course, he could be a victim of Coppola's script and direction). Speaking of writing and direction, Coppola speeds through parts of Priscilla's life towards the end whereas she spends too much in the initial buildup to the marriage. Therefore, I cannot recommend this film. As Elvis sang - "return to sender". 4/10.
How can they make such an interesting story into such an uniteresting movie? Well, that's a good question. Some of the reasons as follows. No chemistry. No emotions. No sensuality or sex. Nothing interesting happens. No new insights. No real suspense, tension, happiness, joy or emotions. Just actors trying to act without any real feeling getting through to the viewer. And the actor that plays Elvis are to tall for the role. He doesn't come through as someone that millions of girls and guys would love. And what about the music? Just a collection of songs that have no relation to Elvis. Nope, this is just a bland and boring try to tell the Priscilla - Elvis story, without actually telling us more than a short written article could do as good, or bad.
Okay, so that abortion which was Baz Luhrman's Elvis flick didn't kill the king, it took his own wife to put the final nail on the idea that Elvis has not only left the building but they keep flogging him in the grave. The entire thing is one giant uncomfortable groomer flick. Yes, I paid to watch this movie so this site better let me vent on it. Yes, it was the late 50s and he WAS Elvis but the idea that a 14 year old could convince their parents that Elvis's intentions were noble is painful. This is obviously taken from the disgustingly unreliable narrator which is Priscilla herself. Made an executive producer so as to paint this entire budding relationship as wholesome. Was it to make excuses for him? Who knows. It's gross. But that is reality. I do not ever buy this Cailee Spaeny as Priscilla. She looks and sounds like Natalie Portman doing an impression of Priscilla. And Jacob Elordi doesn't embody Elvis in the least. He mumbles here and there. But there was a gravity to the way Elvis conducted himself that seemed to have a deeper presence. No one has captured this yet, and the rest are cheap Vegas imitators. Throw this one on the pile too. This movie glosses over the major moments of Elvis's life which should have notably effected Priscilla. Sure, the movie is named "Priscilla" but what was going on with her life as he was making flicks. If she wasn't watching over her poodle, she was reading articles of Elvis's movie trysts. It is a MASSIVE drag. She...has...no...life! His return to greatness in the early 70s should have held more heft. Instead, it's a quick scene of them watching it on television and getting phone calls (budgetary reasons, perhaps). Coming from someone whose entire life and personality came from Elvis, Priscilla seems to be ungrateful to someone who provided her with this level of stardom. Was it worth it? They do add strange moments of fury from him. Nothing of which I could see as threatening in the least. This is something director Sofia Coppola has a blindspot to. It's okay to show terrible people doing terrible things. And it's okay to show women as less than perfect. Having the real Priscilla be part of the production hogtied you into this sanitized Movie Of The Week dreck. They don't even make Elvis bloated. Are we to assume Priscilla never saw him as a degenerate drug addicted blimp of a man? That she continued to see him in a dreamy light? Give me a break. Sofia Coppola has lived off the name for so long, it's an insult to continue pretending she has the chops Dad or even brother Roman have. Her career predicated on casually selecting story lines no one cares about. I sat through "On The Rocks" and I was cheering for her only to be greatly disappointed there. But here we are with something much more terrible. I think what bothers me most about this is that there isn't anything real juicy that should have come from the real Priscilla's mouth. She chose, and most likely leveraged, Sofia to keep the true dirt to her grave. The timeline on this movie is so wild. And nothing really feels like there's a point. Horrible time wasted.
حالیہ قیمتوں میں تبدیلیوں، صارفین اپنے دیکھنے کے سیٹ اپ پر دوبارہ غور کیوں کر رہے ہیں، اور اپنی دریافت کی عادات کھوئے بغیر متبادل طریقہ کار کا جائزہ لینے کا تفصیلی تجزیہ۔
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ایک تفصیلی جائزہ جو بتاتا ہے کہ 2026 میں Project Hail Mary کیوں نمایاں ہے: موافقت کا معیار، سائنسی کہانی، جذباتی گہرائی اور سامعین کے ردعمل۔
کامیڈی کہانیاں مزاح کے ذریعے تفریح فراہم کرنے کے لیے بنائی جاتی ہیں۔ مقبول فارمیٹس میں حالات پر مبنی کامیڈی، خاکہ نما مزاح، دفتری کامیڈی اور رومانوی کامیڈی شامل ہیں۔
ایکشن فلمیں جوش، جسمانی کشمکش، بہادر کرداروں اور تیز رفتار کہانی پر زور دیتی ہیں۔ ایڈونچر فلموں میں اکثر تلاش، بقا یا عظیم سفر دکھائے جاتے ہیں۔
کرائم ڈرامے تفتیش کاروں، جاسوسوں، وکلا یا صحافیوں کی پیروی کرتے ہیں جب وہ مجرمانہ مقدمات حل کرتے ہیں۔ اسرار کہانیاں ناظرین کو کرداروں کے ساتھ سراغ دریافت کرنے کی ترغیب دیتی ہیں۔
سائنس فکشن مستقبل کی ٹیکنالوجی، خلائی سفر، مصنوعی ذہانت، متبادل حقیقتوں اور سائنسی قیاس آرائیوں کی کھوج کرتا ہے۔
ہارر کہانی نفسیاتی تناؤ، مافوق الفطرت واقعات، راکشسوں یا بقا کے منظرناموں کے ذریعے سسپنس پیدا کرتی ہے۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔
اینیمیشن میں بچوں، خاندانوں اور بالغوں کے لیے تعلیمی مواد سے لے کر پیچیدہ ڈرامائی کہانی تک کے کام شامل ہوتے ہیں۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔