Satyabhama [Telugu]

🎬2024132h 0mبھارتجرم, ڈرامہ

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5.8/101,622 لوگوں نے درجہ دیا

ویڈیو دیکھیں

تفصیل

The جرم film Satyabhama [Telugu], starring Kajal Aggarwal, Naveen Chandra, Prakash Raj, etc., directed by Suman Chikkala, was released on June 7, 2024 in بھارت. It tells the story of ACP Satyabhama investigates a missing person case, uncovering dark secrets across shadowy towns. Her past haunts her as she races to find the truth and redemption amidst the high-stakes investigation. This is a جرم, ڈرامہ, سنسنی خیز film with a runtime of 132 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.8/10 from 1,622 viewers.

اہم کاسٹ

Suman Chikkala

بطور Director

Kajal Aggarwal

بطور Satyabhama 'Satya' IPS

Naveen Chandra

بطور Amarendar - Satya's Husband

Prakash Raj

بطور Joseph Raj IPS

Nagineedu

بطور Narayana Das

Harsha Vardhan

بطور Anand Rao IPS

Ravi Varma

بطور MP K. Ramakanth Reddy

Ankith Koyya

بطور Rishi Reddy

Prajwal Yadma

بطور Iqbal - Haseena's Brother

Kishore Raju Vasistha

بطور Police Officer

Anirudh Pavithran

بطور Yadu

Satya Pradeepti

بطور Hima

Kavya Adimulam

بطور Journalist

Shahrukh Khan

بطور Champesh don

Neha Pathan

بطور Haseena - Iqbal's Sister

Suman Chikkala

بطور Writer

Prashanth Reddy Motadoo

بطور Writer

Sashi Kiran Tikka

بطور Writer

Ramesh Yadma

بطور Writer

کہاں دیکھیں

fzmovies.cmssomali boy

دستیابی ملک، زبان اور ریلیز ونڈو کے لحاظ سے مختلف ہو سکتی ہے۔ کچھ عنوانات پلیٹ فارم سبسکرپشنز میں شامل ہوتے ہیں، جبکہ دیگر کے لیے کرایہ، خریداری یا ایپ پر مبنی رسائی درکار ہو سکتی ہے۔ اسٹریمنگ کیٹلاگ اور لائسنسنگ معاہدے باقاعدگی سے اپ ڈیٹ ہوتے ہیں، اس لیے پلے بیک کے اختیارات وقت کے ساتھ بدل سکتے ہیں۔ دیکھنے کے سب سے درست تجربے کے لیے اپنی منتخب سروس پر تازہ ترین فہرست دیکھیں اور شروع کرنے سے پہلے علاقائی سپورٹ، سب ٹائٹل کے اختیارات اور ڈیوائس کی مطابقت کی تصدیق کریں۔

فلم بندی کا مقام

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پروڈکشن

Castle Rock Entertainment

ایوارڈ

مجموعی طور پر 21 جیتیں اور 43 نامزدگیاں

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صارفین کے جائزے

somali boy02/09/24 05:07

اچھی فلم!

@amiiiiiiiiii💋02/09/24 04:20

اچھی فلم!

KA🧤20/08/24 11:36

اچھی فلم!

Vegas09/08/24 02:03

The story of the movie is quite good but several elements come across as unconvincing. While the screenplay manages to create a few compelling sequences, but few parts are uninteresting. Though there are moments where the suspense works, these are few and far between. Unfortunately, the climax is a letdown. There is a plot twist that comes off as rather silly. Direction in the film is average. Kajal, the leading actress, neither looks her best nor delivers a noteworthy performance despite showing clear effort and dedication. On a brighter note, Naveen Chandra and the supporting cast do a commendable job, bringing some life to their characters. Sampada is cute. The music, however, fails to leave an impression but tries to enhance the viewing experience. The cinematography is merely okay, not particularly memorable but serviceable. Production quality is decent, meeting the basic standards without standing out. In conclusion, this film is not worth the trip to the theater. If you're really interested, you might consider watching it on OTT.

Mofe Duncan09/08/24 02:03

Kajal plays a tough cop in Satyabhama. It's a first for her in the career. At this age it looks like a suitable part...To give credit to Kajal, she does put the best foot forward. She tries her best to look tough and commanding. She also does decently in the action scenes as the screen presence comes in handy with stylish makeover (especially costumes wise). But, when it comes to the psychological aspects of the part, things could have been better... Suman Chikkala writes and directs Satyabhama. It is a typical investigative thriller with twists and turns following the classic narrative... So, the movie begins with establishing the character and world of Satyabhama. It is simple and on predictable lines. In case one is wondering, it is what we see usually with a male star heading such projects. Only here, things are reversed... The movie kicks off when the Haseena's character is introduced & Everything looks fine on paper and is also executed decently until this point. It is despite the whole thing looking formulaic. The background score and editing do the trick here... The problem with Satyabhama starts when another character named Iqbal goes missing. At first, it looks intriguing, but as more characters and subsequently the plot is expanded, the narrative quickly turns convoluted. Satyabhama, the movie doesnt entirely recover from it. The interval bang is alright, but frankly it feels more like a relief to process what all that has been thrown at before it during the pre interval and interval sequences. The second half resumes and the confusion only grows and the narrative moves in multiple directions leaving one scratching the heads. At a point, a character in the movie exclaims - it started as a missing person case, that later turned into an attempted murder investigation, and then a murder investigation. While all this is happening there is a terrorism angle thrown in. The words coming out from him couldn't have been truer regaing the narrative itself. It is all over the place with a gaming angle mixed with augmented reality mixed into it as well... Satyabhama is not entirely a lost cause and the ending half an hour stretch offers some respite after all that's happens. It is the coming together of various pieces when the exposition related to the story happens, that things look to come together and offer some relief. The ending is also decent. But, the problem is one might have lost all the interest by that time... Sricharan Pakala provides the music and background score for the movie. The songs have decent vibe going on musically, but none have a memorable quality. The background score is excellent and it's a major reason that keeps things exciting whether or not exciting things happen on screen. The cinematography is alright for a movie of this scale. The editing is okay in parts. The writing is on predictable lines considering the genre... Overall, Satyabhama is a muddled investigative thriller that mixes too many different ideas simultaneously making one lose interest in the actual core story. Try it if you are a hardcore thriller genre fan, it might offer intermittent engaging bits otherwise stay away as it's torturing the brain...

SA09/08/24 02:03

The story has everything... from drama to suspense to thriller. Nice to see Kajal in the uniform.. she looks stunning. The story also covers some aspects that girls face in today's world and brings awareness of the support system. I like the way the director keeps you engaged with the suspense till the end. The story is tightly knitted, so there isn't enough time to nibble that popcorn. Kajal is at her best and so is Prakash Raj. The debutant who plays the role of Iqbal has done a great job. Conclusion: If you like suspense drama thrillers all in one. The film is a must watch... it will keep you glued.

ملتی جلتی فلموں کی سفارشات

بلاگ

عام اقسام

کامیڈی

کامیڈی کہانیاں مزاح کے ذریعے تفریح فراہم کرنے کے لیے بنائی جاتی ہیں۔ مقبول فارمیٹس میں حالات پر مبنی کامیڈی، خاکہ نما مزاح، دفتری کامیڈی اور رومانوی کامیڈی شامل ہیں۔

ایکشن اور ایڈونچر

ایکشن فلمیں جوش، جسمانی کشمکش، بہادر کرداروں اور تیز رفتار کہانی پر زور دیتی ہیں۔ ایڈونچر فلموں میں اکثر تلاش، بقا یا عظیم سفر دکھائے جاتے ہیں۔

کرائم اور اسرار

کرائم ڈرامے تفتیش کاروں، جاسوسوں، وکلا یا صحافیوں کی پیروی کرتے ہیں جب وہ مجرمانہ مقدمات حل کرتے ہیں۔ اسرار کہانیاں ناظرین کو کرداروں کے ساتھ سراغ دریافت کرنے کی ترغیب دیتی ہیں۔

سائنس فکشن

سائنس فکشن مستقبل کی ٹیکنالوجی، خلائی سفر، مصنوعی ذہانت، متبادل حقیقتوں اور سائنسی قیاس آرائیوں کی کھوج کرتا ہے۔

ہارر

ہارر کہانی نفسیاتی تناؤ، مافوق الفطرت واقعات، راکشسوں یا بقا کے منظرناموں کے ذریعے سسپنس پیدا کرتی ہے۔

رومانوی

رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔

اینیمیشن

اینیمیشن میں بچوں، خاندانوں اور بالغوں کے لیے تعلیمی مواد سے لے کر پیچیدہ ڈرامائی کہانی تک کے کام شامل ہوتے ہیں۔

رومانوی

رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔