Egor Abramenko
بطور Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The ڈرامہ film Sputnik, starring Oksana Akinshina, Fedor Bondarchuk, Pyotr Fyodorov, etc., directed by Egor Abramenko, was released on July 24, 2020 in Russian Federation. It tells the story of The lone survivor of an enigmatic spaceship incident hasn't returned home alone - hiding inside his body is a dangerous creature. This is a ڈرامہ, خوفناکی, اسرار film with a runtime of 113 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.4/10 from 26,579 viewers.
Egor Abramenko
بطور Director
Oksana Akinshina
بطور Tatyana Klimova
Fedor Bondarchuk
بطور Colonel Semiradov
Pyotr Fyodorov
بطور Konstantin Veshnyakov
Anton Vasilev
بطور Yan Rigel
Aleksey Demidov
بطور Kirill Averchenko
Anna Nazarova
بطور Nurse
Aleksandr Marushev
بطور Convict Ruben
Albrecht Zander
بطور Convict Seryj
Vitaliya Kornienko
بطور Child in Orphanage
Vasiliy Zotov
بطور Biologist
Pavel Ustinov
بطور Convoy
Oleg Malovichko
بطور Writer
Andrey Zolotarev
بطور Writer
دستیابی ملک، زبان اور ریلیز ونڈو کے لحاظ سے مختلف ہو سکتی ہے۔ کچھ عنوانات پلیٹ فارم سبسکرپشنز میں شامل ہوتے ہیں، جبکہ دیگر کے لیے کرایہ، خریداری یا ایپ پر مبنی رسائی درکار ہو سکتی ہے۔ اسٹریمنگ کیٹلاگ اور لائسنسنگ معاہدے باقاعدگی سے اپ ڈیٹ ہوتے ہیں، اس لیے پلے بیک کے اختیارات وقت کے ساتھ بدل سکتے ہیں۔ دیکھنے کے سب سے درست تجربے کے لیے اپنی منتخب سروس پر تازہ ترین فہرست دیکھیں اور شروع کرنے سے پہلے علاقائی سپورٹ، سب ٹائٹل کے اختیارات اور ڈیوائس کی مطابقت کی تصدیق کریں۔
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
مجموعی طور پر 21 جیتیں اور 43 نامزدگیاں
موبائل، FM بلڈز اور TV-مطابقت پذیر APK ورژن کے لیے تازہ ترین MovieBox پیکجز ڈاؤن لوڈ کریں۔ اپنے آلے اور علاقے سے مماثل پیکج منتخب کریں، پھر بہترین مطابقت اور سیکیورٹی کے لیے سرکاری انسٹال گائیڈ پر عمل کریں۔
اچھی فلم!
اچھی فلم!
اچھی فلم!
اچھی فلم!
source: Sputnik
This movie starts off well enough with an intriguing, if a little slow account of the aftermath of a Russian space craft's return to earth. There is a good deal of suspense throughout the movie and its well acted and reasonably well directed. The problems stem from the failing plot that surfaces about an hour into the screenplay where the focus shifts from the extra-terrestrial and scientific aspect of the events, to one of inter-Soviet self interest, coupled with professional ambition, deceit and posturing. This is all done fairly badly and is incongruous with the preceding story line. The result is a sudden and very disjointed feeling from what was a quite immersive film experience. I'm not sure why this was done, but I suspect it was a foolish attempt to add depth and dimension to a plot that really needed something quite spectacular to successfully bring it to conclusion given the topic at hand. Though this isn't Alien, or anything like a number of other titles involving extraordinary beings unwittingly being present normal life, It is s subject that has been breached numerous occasions. Finding a unique path for development which is successful isn't always easy. Here, the plot becomes messy, the scenes and dialog delusive, and progression of the story becomes dependant on the characters making unrealistic decisions, poor choices, and atypical behaviour. I definitely liked it initially, but sadly I began rolling my eyes with the later developments and by the end I was fairly disappointed with what really should have been a good film. Old Hollywood movies always had romance in them. It didn't matter if it was a Spy film, Sci-Fi, Comedy, Thriller or some other genre. There was always some romantic subplot thrown in for good measure. Bollywood films necessitate scenes where the cast dance around in the street like some enactment of national pride. This movie had aspects of this dated approach included for reasons I can only guess; the Soviet posturing, the vying for prominence and position why engaging in political skulduggery. The results made it feel stilted and hackneyed, especially because it was done so obtusely. It really spoils the film. I can't recommend it in all honesty, though I think a six is a fair enough score given it did have some good aspects.
Sputnik delivered a authentic picture of the post cold war era with its attention to location, set up etc. I felt like traveling back in time. So great Job on building the right atmosphere & production design. Talking about design, aka the creature, I also liked it. Of course the Oscar crowned H. R. Giger Alien is and will be unmatched but they're found an interesting aspect of parasite vs symbiotic which was a fairly new aspect in this genre. Overall Sputnik is not your usual crash boom bang flick but more on the slow paced side (this said, there are still some intense moments). So if u re up for a well told sci-fi story without fancy effects every two minutes u might enjoy it.
A wholeheartedly agree with the Wall Street journal's review of Sputnik, which describes it as "a creature feature with flare." It is essentially a combination of The Quatermass Experiment and Alien. Production values are high, the actors give very solid performances, and there is more character development than you might expect from this kind of movie, but not the kind of melodramatic character development that can bog down an action movie. I found the very ending to be a bit confusing and am a little embarrassed to admit that I had to turn to the Wikipedia plot description to understand what happened in the closing moments. In any case, far, far above average for sci-fi horror direct to video, and an entertaining genre flick by any reasonable standard.
Usually you don't expect much from non American sci fi movies. But this one is a good find. It's like seeing those movies of the 80's or 90's that still weren't that formulaic and doesn't try either to lecture you on morals or is totally devoid of any moral standing. The pace is slow but not boring (something American movies have lost the ability to keep) and the story evolves naturally and never fails to its own logic (there is no "you gotta be kidding me" moment as it all matches and fits without foolishness or absurdity, given the preset premises). Maybe it needed a little more or a little else to excel but it's quite a good product and the special effects are perfect (on par or even surparssing the American CGI's).
Home invasion, but a different kind. And "home" being something different than what the original thought was behind the saying. Then again, while we have some cliches here, we also have certainly interesting characters. At least to a degree. Especially the female lead is very interesting (not just because of her looks), the way she acts and how she holds herself up against a male driven force. But later on in the movie she gets a bit two dimensional, almost irratically "helpful". While there is an explanation to that at the end of the movie (with a "twist"), it does not warrant all the things she does. Good deeds never go unpunished? For whom you may ask ... and that would a valid question. But that is nitpicking and would be a bit of disservice to the movie. A movie that is visually also stunning (talking effects here) and does turn it up a notch when it comes to violence, so not for the faint of hearted. Science Fiction friends will love this ...
حالیہ قیمتوں میں تبدیلیوں، صارفین اپنے دیکھنے کے سیٹ اپ پر دوبارہ غور کیوں کر رہے ہیں، اور اپنی دریافت کی عادات کھوئے بغیر متبادل طریقہ کار کا جائزہ لینے کا تفصیلی تجزیہ۔
Movie Box APK انسٹال کرنے کا صحیح طریقہ جانیں: پہلے ورژن کی بنیادی باتیں، پھر صاف انسٹالیشن کے مراحل، اور آخر میں TV، iOS، ویب اور ایپ کے استعمال کے راستوں میں سے انتخاب کیسے کریں۔
ایک تفصیلی جائزہ جو بتاتا ہے کہ 2026 میں Project Hail Mary کیوں نمایاں ہے: موافقت کا معیار، سائنسی کہانی، جذباتی گہرائی اور سامعین کے ردعمل۔
کامیڈی کہانیاں مزاح کے ذریعے تفریح فراہم کرنے کے لیے بنائی جاتی ہیں۔ مقبول فارمیٹس میں حالات پر مبنی کامیڈی، خاکہ نما مزاح، دفتری کامیڈی اور رومانوی کامیڈی شامل ہیں۔
ایکشن فلمیں جوش، جسمانی کشمکش، بہادر کرداروں اور تیز رفتار کہانی پر زور دیتی ہیں۔ ایڈونچر فلموں میں اکثر تلاش، بقا یا عظیم سفر دکھائے جاتے ہیں۔
کرائم ڈرامے تفتیش کاروں، جاسوسوں، وکلا یا صحافیوں کی پیروی کرتے ہیں جب وہ مجرمانہ مقدمات حل کرتے ہیں۔ اسرار کہانیاں ناظرین کو کرداروں کے ساتھ سراغ دریافت کرنے کی ترغیب دیتی ہیں۔
سائنس فکشن مستقبل کی ٹیکنالوجی، خلائی سفر، مصنوعی ذہانت، متبادل حقیقتوں اور سائنسی قیاس آرائیوں کی کھوج کرتا ہے۔
ہارر کہانی نفسیاتی تناؤ، مافوق الفطرت واقعات، راکشسوں یا بقا کے منظرناموں کے ذریعے سسپنس پیدا کرتی ہے۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔
اینیمیشن میں بچوں، خاندانوں اور بالغوں کے لیے تعلیمی مواد سے لے کر پیچیدہ ڈرامائی کہانی تک کے کام شامل ہوتے ہیں۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔