Mark Pellington
بطور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The مہم جوئی film Survive, starring Sophie Turner, Corey Hawkins, Dane Foxx, etc., directed by Mark Pellington, was released on May 12, 2022 in امریکہ. It tells the story of when their plane crashes on a remote snow-covered mountain, Jane and Paul have to fight for their lives as the only remaining survivors. Together they embark on a harrowing journey out of the wilderness. This is a مہم جوئی, ڈرامہ, سنسنی خیز film with a runtime of 108 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.5/10 from 1,144 viewers.
Mark Pellington
بطور Director
Sophie Turner
بطور Jane
Corey Hawkins
بطور Paul
Dane Foxx
بطور TSA Officer
Caroline Goodall
بطور Jane's mother
Lewis Hayes
بطور Chad
Makgotso M
بطور New Girl
Laurel Marsden
بطور Kara
Terence Maynard
بطور Dr. M
Jo Stone-Fewings
بطور Jane's father
Marta Timofeeva
بطور Young Jane
Elliott Wooster
بطور Phil
Thomas Flynn
بطور Triage Doctor
Alex Morel
بطور Writer
Richard Abate
بطور Writer
Jeremy Ungar
بطور Writer
دستیابی ملک، زبان اور ریلیز ونڈو کے لحاظ سے مختلف ہو سکتی ہے۔ کچھ عنوانات پلیٹ فارم سبسکرپشنز میں شامل ہوتے ہیں، جبکہ دیگر کے لیے کرایہ، خریداری یا ایپ پر مبنی رسائی درکار ہو سکتی ہے۔ اسٹریمنگ کیٹلاگ اور لائسنسنگ معاہدے باقاعدگی سے اپ ڈیٹ ہوتے ہیں، اس لیے پلے بیک کے اختیارات وقت کے ساتھ بدل سکتے ہیں۔ دیکھنے کے سب سے درست تجربے کے لیے اپنی منتخب سروس پر تازہ ترین فہرست دیکھیں اور شروع کرنے سے پہلے علاقائی سپورٹ، سب ٹائٹل کے اختیارات اور ڈیوائس کی مطابقت کی تصدیق کریں۔
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
مجموعی طور پر 21 جیتیں اور 43 نامزدگیاں
موبائل، FM بلڈز اور TV-مطابقت پذیر APK ورژن کے لیے تازہ ترین MovieBox پیکجز ڈاؤن لوڈ کریں۔ اپنے آلے اور علاقے سے مماثل پیکج منتخب کریں، پھر بہترین مطابقت اور سیکیورٹی کے لیے سرکاری انسٹال گائیڈ پر عمل کریں۔
source: Survive
I survived watching it...but none of the characters really deserved too.... Not really an enjoyable story to watch. They've tried to paste a backstory onto it which doesn't fit the movie, the acting is pretty awful, and the characters make the stupidest errors every step along the way. The sentimental emotional story is probably not what fans of this genre of movie are really after. They could have invested that effort into a more engrossing and exciting survival experience. Both the cringe factor and the smh factor are high with this one I'm afraid. Scenery was OK and some effects were decent enough though.
In the real world this blonde girl would be saying 'Get away from me!' 'Don't come near me!'. She'd rather freeze to death than cozy up to that guy to stay warm. It's also so obvious that it wasn't even cold. You couldn't even see their breaths. The mountain climbing shots were ridiculous & impossible. Overall this movie comes across as a lame music video for the lifetime network.
You'd think they would take bits and pieces from the ten episode series (which I never saw or knew existed) to fill in the 108 min runtime, but instead, you get 80% NatGeo repetitive scenic shots of mountains and landscapes, and 20% story that was riddled with plot and technical issues, and melodramatics with sappy dialogue and just as sappy score. For that matter, with all the negative feedback for the series, why did the writers and producers feel the need to punish audiences with the same boring story? This may have worked as a short film, but the ridiculously repetitive scenes full of filler and lack of any real interesting and suspenseful substance, made the 108 min runtime feel endless. Why even have the entire Life House portion at the beginning, when it was irrelevant to the rest of the story? If it was to portray her mental health issues, there was plenty of time during the long boring survival treks to bring that conversation up. Clearly terrible writing and poor directing is what failed this film, and that's too bad, because in the right hands, the concept actually had potential. To make matters worse, there were so many parts that were lazily written and dumb, it became cringeworthy quickly. For example, even a professional mountain/cliff climber would barely attempt the unbelievable treks that conveniently ended on the edges of all these cliffs and the climbs downwards. And no matter how dumb you are, why would anyone leave a crash site? So what if a storm is coming, the fuselage is still the best protection, with supplies right there to use and the best chance for survival, let alone the best chance for a rescue. To not know where you are and start walking without rhyme or reason, is just lazy and dumb writing. Don't waste your time with this sloth, even if you've seen the series and are the few who enjoyed it, I promise you this film will bore you. It's a very generous 5/10 from me, all going to the excellent cinematography and fairly decent performances by Turner and Hawkins.
The film begins with what seems like a psychological thriller where the psyche of the nail character is explored. After the plane crash, which was done very poorly, the whole story turns into a very unplanned story of survival. In this part, both characters are shown doing things that are unimaginable in reality, contrary to what the whole purpose of survival should be (the jump from the cliff to the tree was so so so cheap and amateur). Overall, it may be entertaining to watch but not much else.
Jane (Sophie Turner) is suicidal and leaving treatment despite still spiraling out of control. Her plane crashes in the freezing mountains. She and fellow passenger Paul Hart (Corey Hawkins) are the only survivors. The movie needs to get to the plane crash sooner. The treatment center opening section is unnecessary and unnecessarily artsy. All that can be revealed later with flashbacks and conversations. When she actually reveals her story, it's underwhelming. The opening is not adding much anyways. Her freak-out at the airport is more informative and more compelling. The plane crash could be better. It would be more logical if the plane crash happens when they are sitting side by side at the back of the plane. The logic is so false that I do wonder if he's a ghost. There is a lot that could be better. Their survival skills are trash although she has one great excuse. One would expect her character to be annoying but he's the annoying one. The locations are cool as long as they use the real locations. There is plenty of survival action but they are generally not filmed well. I don't know much about Mark Pellington but he doesn't seem to be a big action guy. This probably needs to be an action-packed survival film and they definitely need to get rid of the L word. They struggle to get that central premise through and that is what ultimately sinks this movie. I don't buy their connection and the L feels forced.
The movie is beautiful overall and carries an impressive message. There are some negative points in the thriller scenes that were not well made, but in general the movie is interesting and emotional, especially in the last scenes. I recommend watching.
حالیہ قیمتوں میں تبدیلیوں، صارفین اپنے دیکھنے کے سیٹ اپ پر دوبارہ غور کیوں کر رہے ہیں، اور اپنی دریافت کی عادات کھوئے بغیر متبادل طریقہ کار کا جائزہ لینے کا تفصیلی تجزیہ۔
Movie Box APK انسٹال کرنے کا صحیح طریقہ جانیں: پہلے ورژن کی بنیادی باتیں، پھر صاف انسٹالیشن کے مراحل، اور آخر میں TV، iOS، ویب اور ایپ کے استعمال کے راستوں میں سے انتخاب کیسے کریں۔
ایک تفصیلی جائزہ جو بتاتا ہے کہ 2026 میں Project Hail Mary کیوں نمایاں ہے: موافقت کا معیار، سائنسی کہانی، جذباتی گہرائی اور سامعین کے ردعمل۔
کامیڈی کہانیاں مزاح کے ذریعے تفریح فراہم کرنے کے لیے بنائی جاتی ہیں۔ مقبول فارمیٹس میں حالات پر مبنی کامیڈی، خاکہ نما مزاح، دفتری کامیڈی اور رومانوی کامیڈی شامل ہیں۔
ایکشن فلمیں جوش، جسمانی کشمکش، بہادر کرداروں اور تیز رفتار کہانی پر زور دیتی ہیں۔ ایڈونچر فلموں میں اکثر تلاش، بقا یا عظیم سفر دکھائے جاتے ہیں۔
کرائم ڈرامے تفتیش کاروں، جاسوسوں، وکلا یا صحافیوں کی پیروی کرتے ہیں جب وہ مجرمانہ مقدمات حل کرتے ہیں۔ اسرار کہانیاں ناظرین کو کرداروں کے ساتھ سراغ دریافت کرنے کی ترغیب دیتی ہیں۔
سائنس فکشن مستقبل کی ٹیکنالوجی، خلائی سفر، مصنوعی ذہانت، متبادل حقیقتوں اور سائنسی قیاس آرائیوں کی کھوج کرتا ہے۔
ہارر کہانی نفسیاتی تناؤ، مافوق الفطرت واقعات، راکشسوں یا بقا کے منظرناموں کے ذریعے سسپنس پیدا کرتی ہے۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔
اینیمیشن میں بچوں، خاندانوں اور بالغوں کے لیے تعلیمی مواد سے لے کر پیچیدہ ڈرامائی کہانی تک کے کام شامل ہوتے ہیں۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔