Harmony Korine
بطور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The مزاحیہ film The Beach Bum, starring Matthew McConaughey, Snoop Dogg, Isla Fisher, etc., directed by Harmony Korine, was released on March 29, 2019 in Switzerland. It tells the story of A rebellious stoner named Moondog lives life by his own rules. This is a مزاحیہ, ڈرامہ film with a runtime of 95 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.5/10 from 26,408 viewers.
Harmony Korine
بطور Director
Matthew McConaughey
بطور Moondog
Snoop Dogg
بطور Lingerie
Isla Fisher
بطور Minnie
Stefania LaVie Owen
بطور Heather
Martin Lawrence
بطور Captain Wack
Zac Efron
بطور Flicker
Jonah Hill
بطور Lewis
Jimmy Buffett
بطور Jimmy Buffett
Donovan St V. Williams
بطور Snoop's Rasta Pilot
David Bennett
بطور Homeless Phil
Clinton Archambault
بطور Lawyer
Joshua Rosen
بطور Reporter
Tonya Oliver
بطور Drug Counselor
Chela Arias
بطور Cuban Maid
Ricardo Matallana
بطور Jose the Pool Boy
Joshua Ritter
بطور Groom "Limp Dick" (Heather's Husband)
Jo Marie Payton
بطور Judge
Karla Goodwin
بطور Maria
Harmony Korine
بطور Writer
دستیابی ملک، زبان اور ریلیز ونڈو کے لحاظ سے مختلف ہو سکتی ہے۔ کچھ عنوانات پلیٹ فارم سبسکرپشنز میں شامل ہوتے ہیں، جبکہ دیگر کے لیے کرایہ، خریداری یا ایپ پر مبنی رسائی درکار ہو سکتی ہے۔ اسٹریمنگ کیٹلاگ اور لائسنسنگ معاہدے باقاعدگی سے اپ ڈیٹ ہوتے ہیں، اس لیے پلے بیک کے اختیارات وقت کے ساتھ بدل سکتے ہیں۔ دیکھنے کے سب سے درست تجربے کے لیے اپنی منتخب سروس پر تازہ ترین فہرست دیکھیں اور شروع کرنے سے پہلے علاقائی سپورٹ، سب ٹائٹل کے اختیارات اور ڈیوائس کی مطابقت کی تصدیق کریں۔
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
مجموعی طور پر 21 جیتیں اور 43 نامزدگیاں
موبائل، FM بلڈز اور TV-مطابقت پذیر APK ورژن کے لیے تازہ ترین MovieBox پیکجز ڈاؤن لوڈ کریں۔ اپنے آلے اور علاقے سے مماثل پیکج منتخب کریں، پھر بہترین مطابقت اور سیکیورٹی کے لیے سرکاری انسٹال گائیڈ پر عمل کریں۔
اچھی فلم!
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اچھی فلم!
I wish this movie was an hour shorter. The pastel and neon dizzying hedonism is artfully directed. However, when the film's pace begins to slow, it's like the lights coming on in a club. The characters then become annoying and boring, the plot holes more obvious, and the movie excruciatingly boring. The end is an interesting homage to KLF.
How much you like or dislike this movie depends on how much you're into Matthew McConaughey and Harmony Korine making their Cheech and Chong/Hunter S Thompson flick (well, Thompson but as a poet and more The Dude than Raoul Duke). This is funky, loose, crazy, and dumb, but often wildly funny. I dont know if Korine is going for a terribly deep message, and thats ok! It veers into mania and real darkness and terror, and it is legitimately shocking because he's got his chops as a provocateur (in part because Debie, for all his filters, has a sense of naturalism alongside his director), but the whole experience is riveting. It's his most "conventional" movie in that it isn't aggressively full of oddities, but that doesn't mean it doesn't dance enough there to be what it is. I knew at times I shouldn't be laughing, or at least questioned it, and I think I can see someone coming to it and not having any of it. I wouldn't be mad if someone told me this got on their nerves - like Fear and Loathing in Las Vegas, it'll either hit you or it won't. For me, I dug McConaughey (how much this is how he is deep down and how method or who knows what for it, don't care, I was equally charmed and repulsed and couldn't look away) and I dig seeing Martin Lawrence, as the world's greatest dolphin tour guide, make a quasi comeback in one of the more insane comic set pieces I've ever seen. It keeps you on your toes and doesn't let you know how to feel about the shenanigans go down. Soundtrack is an all-timer (give or tair a Creed song).
This movie is just a whole new level of failure, no story, no script, nothing funny at all and it's utterly boring, I had to live the movie theater after 30 mins after trying to convince myslef that I drove all the way there and paid the money ! I could've filmed a way better movie with my iPhone and a $10 bill ! P.S. I was the last one to leave the movie theater & it wasn't even halfway through !
This movie is beautifully broken. It is strange, disjointed and like trying to recollect the events after a 10 day binged on the beach. It's wild, weird and very pretty in its own way. A complete mess that somehow makes sense. I definitely recommend sticking through it at least once.
Not sure why or how Matthew McConaughey thought it's a good idea to star in this movie. Well maybe his acting was decent even for such worse than mediocre film, but he could find better roles to show off his talents. The movie was boring, without any meaningful plot or idea, I am liberal person but this was too much and the way of life that was depicted in the movie should not be encouraged and idealized. Do not waste your time on this film!
Another post-irony prank. Remember in Spring Breakers how there was this trace of conscience behind it? Just enough to see it at social critique as the girls gradually drop out and return back to humanity or face the consequences of their actions, bringing forth some accountable artist at work behind it. Beach Bum hints at avenues where it might go there with the daughters tiredness and stoicism, the ex-wife's fate, and his legal repercussions; but any traces of lessons, growth or consequences are stomped to pieces moments later. Korine's artist commentary is strangely hidden in its excess. Every one of my audience walked out. It's so gleefully immoral that in this universe he's rewarded with the highest accolades society can offer because nothing matters. "He just makes me so crazy." Constantly it makes fun of any kind of real authenticity people can have between each other. It's sarcastic Terrence Malick. It don't care about nothing. A canary in the cold mine in late stage capitalism where one has these infinite resources and distribution, to make fun of god. The court jester throws out his inhibition to mock the king, laughing while getting hanged for it. Problem with both this and Spring Breakers is they become the real deal, actual culture in the process of their critique. While works like this you can only see the meaning in the opposite. So the film's function seems to be mocking its own audience and their motives to see it in the first place. Think of the performance art as the juggle of financing, banking, courting the industry to make this at all, reflecting the machine's decay against itself. You could hate getting dragged through the mud but it's pretty much the definition of iconoclast. Korine said, "These films mean nothing to me and everything." As in it's his way of chipping away and bringing down the structure from within. Its existence is an act in radical accelerationism. The end of the empire. collapse, civil war, the global digital juggernaut paradise-hell. The ones not concerned with the world around them move the same direction except within delight. Then the moral frame missing unlocks its true motive in reflecting the surrounding culture at war. Individual to a satiric extreme; laissez-fair 'life is fun, have a laugh, there's Moondog in all of us', while really believing the opposite. Bum is a pejorative. The film's conscience is not missing but inherent, and all the 'endearing' and 'feel good,' despite its endless evils and debauchery, are maybe being fooled by Moondog's charm, which might have been its actual prank.
There is literally no plot to this movie and I cant believe Matthew took on a role like this. Zac Efron also comes out for .5 seconds and is never to be seen or talked about again? I'm mad I wasted time watching this 💀
حالیہ قیمتوں میں تبدیلیوں، صارفین اپنے دیکھنے کے سیٹ اپ پر دوبارہ غور کیوں کر رہے ہیں، اور اپنی دریافت کی عادات کھوئے بغیر متبادل طریقہ کار کا جائزہ لینے کا تفصیلی تجزیہ۔
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ایک تفصیلی جائزہ جو بتاتا ہے کہ 2026 میں Project Hail Mary کیوں نمایاں ہے: موافقت کا معیار، سائنسی کہانی، جذباتی گہرائی اور سامعین کے ردعمل۔
کامیڈی کہانیاں مزاح کے ذریعے تفریح فراہم کرنے کے لیے بنائی جاتی ہیں۔ مقبول فارمیٹس میں حالات پر مبنی کامیڈی، خاکہ نما مزاح، دفتری کامیڈی اور رومانوی کامیڈی شامل ہیں۔
ایکشن فلمیں جوش، جسمانی کشمکش، بہادر کرداروں اور تیز رفتار کہانی پر زور دیتی ہیں۔ ایڈونچر فلموں میں اکثر تلاش، بقا یا عظیم سفر دکھائے جاتے ہیں۔
کرائم ڈرامے تفتیش کاروں، جاسوسوں، وکلا یا صحافیوں کی پیروی کرتے ہیں جب وہ مجرمانہ مقدمات حل کرتے ہیں۔ اسرار کہانیاں ناظرین کو کرداروں کے ساتھ سراغ دریافت کرنے کی ترغیب دیتی ہیں۔
سائنس فکشن مستقبل کی ٹیکنالوجی، خلائی سفر، مصنوعی ذہانت، متبادل حقیقتوں اور سائنسی قیاس آرائیوں کی کھوج کرتا ہے۔
ہارر کہانی نفسیاتی تناؤ، مافوق الفطرت واقعات، راکشسوں یا بقا کے منظرناموں کے ذریعے سسپنس پیدا کرتی ہے۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔
اینیمیشن میں بچوں، خاندانوں اور بالغوں کے لیے تعلیمی مواد سے لے کر پیچیدہ ڈرامائی کہانی تک کے کام شامل ہوتے ہیں۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔