Piotr Skowronski
بطور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The ڈرامہ film The Discarded, starring Chisholm Pothier, A.J. Aschaber, Nick Biskupek, etc., directed by Piotr Skowronski, was released on August 4, 2020 in کینیڈا. It tells the story of Debt and unemployment are forces of oppression in Maggie's world in this gritty story of survival. This is a ڈرامہ, سنسنی خیز film with a runtime of 86 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 3.5/10 from 155 viewers.
Piotr Skowronski
بطور Director
Chisholm Pothier
بطور Dr. Moreau
A.J. Aschaber
بطور Officer Wyatt
Nick Biskupek
بطور Viceroy
David Crowe
بطور Travis
Daniel Friedman
بطور Marco
Alino Giraldi
بطور Speaker in Corporate Video
Zara Jestadt
بطور Maggie
Neil Paterson
بطور Mason
Kate Alice Phillips
بطور Worker
Judy Roche
بطور Andrea
Rick Stolz
بطور Kyle
Milosz Skowronski
بطور Writer
Piotr Skowronski
بطور Writer
دستیابی ملک، زبان اور ریلیز ونڈو کے لحاظ سے مختلف ہو سکتی ہے۔ کچھ عنوانات پلیٹ فارم سبسکرپشنز میں شامل ہوتے ہیں، جبکہ دیگر کے لیے کرایہ، خریداری یا ایپ پر مبنی رسائی درکار ہو سکتی ہے۔ اسٹریمنگ کیٹلاگ اور لائسنسنگ معاہدے باقاعدگی سے اپ ڈیٹ ہوتے ہیں، اس لیے پلے بیک کے اختیارات وقت کے ساتھ بدل سکتے ہیں۔ دیکھنے کے سب سے درست تجربے کے لیے اپنی منتخب سروس پر تازہ ترین فہرست دیکھیں اور شروع کرنے سے پہلے علاقائی سپورٹ، سب ٹائٹل کے اختیارات اور ڈیوائس کی مطابقت کی تصدیق کریں۔
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
مجموعی طور پر 21 جیتیں اور 43 نامزدگیاں
موبائل، FM بلڈز اور TV-مطابقت پذیر APK ورژن کے لیے تازہ ترین MovieBox پیکجز ڈاؤن لوڈ کریں۔ اپنے آلے اور علاقے سے مماثل پیکج منتخب کریں، پھر بہترین مطابقت اور سیکیورٹی کے لیے سرکاری انسٹال گائیڈ پر عمل کریں۔
اچھی فلم!
source: The Discarded
I will say this film was better than many recent films I've seen. I grew up in a time when plot and storyline actually mattered and films weren't just thrown together like they are today. I do agree with another reviewer that said It has a weak storyline/plot and it's pretty slow. My biggest complaint is that is felt like a musical at times. I can't stand movies that include some actor/actress singing. It feels weird and it doesn't belong. I think music belongs in musicals. Outside of that, it was watchable but that's all I can say. Many films today I can't even finish so I guess that's some kind of compliment but it can't live up to many movies I've seen just 20 years ago.
There could have been a good movie here if only someone decided to question the motivations behind the actions driving the story whilst it was still in embryonic script development stage but, obviously, no one ever bothered and the result is that what we've got here is a film that's confusing, preposterously outlandish, illogical and just plain silly. The pretense of the scenario is based upon the crushing conscientious weight of student debt for which people are apparently wholly prepared to live for years on end in concentration camps with armed guards, brutality, attacks dogs and all of those other atrocities that the civilised world in which this film is apparently set, (you wouldn't know, since they don't bother giving you any idea about which country this movie is set in), countries that have spent the last 70 years since the end of WWII legislating and outlawing out of existence through rules and laws designed to ensure nothing of the kind ever again has any chance of happening, and yet, for some crazed reason, the makers of this film expect us to somehow throw aside all comprehension of these aspects of modern life and fully accept that some corporation somewhere deemed it 'best business practice' to incarcerate the student loan debt laden poor with a cruel regime of suffering that would, in any real world scenario, see their board of directors quickly locked up for decades and their company sued until a meter deep layer of earth on their company head office building site had been bagged up and flogged off in order to settle the masses of damages lawsuits. If you're prepared to initiate 'nuclear response level logic wipe suspension of disbelief' then this film may be, for you, a peak viewing experience, whereas, for myself, it's logical flaws so voraciously made themselves glaringly and prominently omnipresent that I couldn't stomach another second of it in under the first 30 minutes. However, if you detest logic then prepare yourself to enjoy- People who live in a slick, 21st century environment in some unnamed nation where people live on the street in the manner of 15th century peasants, dealing daycare services for babies (that magically disappear after one scene) from the back of a car which are paid for with a handful of spare change,. Heads of medical departments who think pressuring staff into sex to keep their job a valid option something that would actually occur in the manner in which this film believes it possible. Unmolested by law, 'work camps' utilising armed guards, barbed wire and complete lack of heavy earth moving equipment as best practise for their end goal. I'm sure it later revved up to suck hard enough to empty a carcass of bones in under ten seconds were it a domestically available vacuum cleaner, but I'm not prepared to suffer another minute of it to find out as early on I deduced its 'resolution' point ending, and how we were going to get there, (with ample gratuitous violence employed whilst boyfriend rescuing girlfriend, escaped the camp). My only remaining question would then be- "Guys, maybe you need to locate your baby?"
Horribly directed and written, how are these movies even green lit and whose foolish enough to spend the money? Save your time and go for a walk, or watch paint dry, or the grass grow. Anything else is better than watching this movie. Hard pass.
Slow movie, weak storyline, questionable acting and horrible direction. A couple nice shots in the film but that's about it. Save yourself time and skip this one.
Definitely worth a watch, very relevant! I really enjoyed the female lead performance.
Intriguing story! Strong female lead ! Beautiful cinematography! The Discarded is a film I would highly recommend watching!
source: The Discarded
There could have been a good movie here if only someone decided to question the motivations behind the actions driving the story whilst it was still in embryonic script development stage but, obviously, no one ever bothered and the result is that what we've got here is a film that's confusing, preposterously outlandish, illogical and just plain silly. The pretense of the scenario is based upon the crushing conscientious weight of student debt for which people are apparently wholly prepared to live for years on end in concentration camps with armed guards, brutality, attacks dogs and all of those other atrocities that the civilised world in which this film is apparently set, (you wouldn't know, since they don't bother giving you any idea about which country this movie is set in), countries that have spent the last 70 years since the end of WWII legislating and outlawing out of existence through rules and laws designed to ensure nothing of the kind ever again has any chance of happening, and yet, for some crazed reason, the makers of this film expect us to somehow throw aside all comprehension of these aspects of modern life and fully accept that some corporation somewhere deemed it 'best business practice' to incarcerate the student loan debt laden poor with a cruel regime of suffering that would, in any real world scenario, see their board of directors quickly locked up for decades and their company sued until a meter deep layer of earth on their company head office building site had been bagged up and flogged off in order to settle the masses of damages lawsuits. If you're prepared to initiate 'nuclear response level logic wipe suspension of disbelief' then this film may be, for you, a peak viewing experience, whereas, for myself, it's logical flaws so voraciously made themselves glaringly and prominently omnipresent that I couldn't stomach another second of it in under the first 30 minutes. However, if you detest logic then prepare yourself to enjoy- People who live in a slick, 21st century environment in some unnamed nation where people live on the street in the manner of 15th century peasants, dealing daycare services for babies (that magically disappear after one scene) from the back of a car which are paid for with a handful of spare change,. Heads of medical departments who think pressuring staff into sex to keep their job a valid option something that would actually occur in the manner in which this film believes it possible. Unmolested by law, 'work camps' utilising armed guards, barbed wire and complete lack of heavy earth moving equipment as best practise for their end goal. I'm sure it later revved up to suck hard enough to empty a carcass of bones in under ten seconds were it a domestically available vacuum cleaner, but I'm not prepared to suffer another minute of it to find out as early on I deduced its 'resolution' point ending, and how we were going to get there, (with ample gratuitous violence employed whilst boyfriend rescuing girlfriend, escaped the camp). My only remaining question would then be- "Guys, maybe you need to locate your baby?"
حالیہ قیمتوں میں تبدیلیوں، صارفین اپنے دیکھنے کے سیٹ اپ پر دوبارہ غور کیوں کر رہے ہیں، اور اپنی دریافت کی عادات کھوئے بغیر متبادل طریقہ کار کا جائزہ لینے کا تفصیلی تجزیہ۔
Movie Box APK انسٹال کرنے کا صحیح طریقہ جانیں: پہلے ورژن کی بنیادی باتیں، پھر صاف انسٹالیشن کے مراحل، اور آخر میں TV، iOS، ویب اور ایپ کے استعمال کے راستوں میں سے انتخاب کیسے کریں۔
ایک تفصیلی جائزہ جو بتاتا ہے کہ 2026 میں Project Hail Mary کیوں نمایاں ہے: موافقت کا معیار، سائنسی کہانی، جذباتی گہرائی اور سامعین کے ردعمل۔
کامیڈی کہانیاں مزاح کے ذریعے تفریح فراہم کرنے کے لیے بنائی جاتی ہیں۔ مقبول فارمیٹس میں حالات پر مبنی کامیڈی، خاکہ نما مزاح، دفتری کامیڈی اور رومانوی کامیڈی شامل ہیں۔
ایکشن فلمیں جوش، جسمانی کشمکش، بہادر کرداروں اور تیز رفتار کہانی پر زور دیتی ہیں۔ ایڈونچر فلموں میں اکثر تلاش، بقا یا عظیم سفر دکھائے جاتے ہیں۔
کرائم ڈرامے تفتیش کاروں، جاسوسوں، وکلا یا صحافیوں کی پیروی کرتے ہیں جب وہ مجرمانہ مقدمات حل کرتے ہیں۔ اسرار کہانیاں ناظرین کو کرداروں کے ساتھ سراغ دریافت کرنے کی ترغیب دیتی ہیں۔
سائنس فکشن مستقبل کی ٹیکنالوجی، خلائی سفر، مصنوعی ذہانت، متبادل حقیقتوں اور سائنسی قیاس آرائیوں کی کھوج کرتا ہے۔
ہارر کہانی نفسیاتی تناؤ، مافوق الفطرت واقعات، راکشسوں یا بقا کے منظرناموں کے ذریعے سسپنس پیدا کرتی ہے۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔
اینیمیشن میں بچوں، خاندانوں اور بالغوں کے لیے تعلیمی مواد سے لے کر پیچیدہ ڈرامائی کہانی تک کے کام شامل ہوتے ہیں۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔