Keith Sutliff
بطور Ren
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The جرم film The Mason Brothers, starring Keith Sutliff, Brandon Sean Pearson, Matthew Webb, etc., directed by an unlisted director, was released on April 14, 2020 in امریکہ. It tells the story of A group of outlaws attempt to reveal their brothers killer from a neighboring gang after being set up during a bank heist. This is a جرم, ڈرامہ, سنسنی خیز film with a runtime of 114 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.3/10 from 1,403 viewers.
Keith Sutliff
بطور Ren
Brandon Sean Pearson
بطور Jesse
Matthew Webb
بطور Gage
Michael Ryan Whelan
بطور Orion
Julien Cesario
بطور Fredrick
Tim Park
بطور Jerry
Gregory R. Gordon
بطور Diego
Pelé Kizy
بطور Cyrus
Erica Souza
بطور Helen
Alex Luna
بطور Violet
David A. Trevino
بطور Tony
Nazo Bravo
بطور Adrian
Steve Bethers
بطور Lance
Carlotta Montanari
بطور Allena
دستیابی ملک، زبان اور ریلیز ونڈو کے لحاظ سے مختلف ہو سکتی ہے۔ کچھ عنوانات پلیٹ فارم سبسکرپشنز میں شامل ہوتے ہیں، جبکہ دیگر کے لیے کرایہ، خریداری یا ایپ پر مبنی رسائی درکار ہو سکتی ہے۔ اسٹریمنگ کیٹلاگ اور لائسنسنگ معاہدے باقاعدگی سے اپ ڈیٹ ہوتے ہیں، اس لیے پلے بیک کے اختیارات وقت کے ساتھ بدل سکتے ہیں۔ دیکھنے کے سب سے درست تجربے کے لیے اپنی منتخب سروس پر تازہ ترین فہرست دیکھیں اور شروع کرنے سے پہلے علاقائی سپورٹ، سب ٹائٹل کے اختیارات اور ڈیوائس کی مطابقت کی تصدیق کریں۔
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
مجموعی طور پر 21 جیتیں اور 43 نامزدگیاں
موبائل، FM بلڈز اور TV-مطابقت پذیر APK ورژن کے لیے تازہ ترین MovieBox پیکجز ڈاؤن لوڈ کریں۔ اپنے آلے اور علاقے سے مماثل پیکج منتخب کریں، پھر بہترین مطابقت اور سیکیورٹی کے لیے سرکاری انسٹال گائیڈ پر عمل کریں۔
source: The Mason Brothers
Short and sweet ... amateurish and effeminate chick flick of a gangster movie.
Do not waste your time! This is some of the worst acting, writing, and directing i have seen in awhile. I gave it 2 stars just for the story, which had potential.
The director who is also the actor in this movie learned film making at a trade school. He self proclaims himself as a visionary director even though he has never made a film before. The movie is bad !! MONEY=WASTED. LESSON= LEARNED 0/5 star
I moved to LA about a year ago and stumbled upon some posts and comments about Keith Sutliff and this film. After seeing some marketing photos/posts with billboards of the poster on city buses I thought "oh geez, another bootleg attempt at trying to be 'Hollywood' and I'm sure this is garbage like most failed attempts at being 'cool' in this industry." I was super surprised at how much I liked this project! Not only does the way the story is presented remind me of Reservoir Dogs, I actually liked the characters and actors. Very impressed by the work by Sutliff and I'm already looking forward to his next flick, which is either in pre-prod or already filming! If you're reading this Keith, great work and great acting! Cheers! -David Thomas Newman
At its core, the story is very similar to Reservoir Dogs, a bank heist goes horribly wrong, a crew man is shot, the bank robbers then seek answers while violently bickering among each other. But there are some key differences. In this film, its another bank robbery crew that violently interrupts the main characters robbery, the characters are also all brothers, plus the film is set in more modern times. But how does it compare to Reservoir Dogs. Well obviously its not nearly as good, but the film is also not bad by any means. With solid acting, writing good enough to keep you interested, an a fantastic musical score. So what was good and what was bad. Well first off some of the acting was good. A few of the actors did a serviceable job portraying their characters, while a few others don't appear to be acting, just being themselves on camera. The musical score was also top notch, I felt like it really complimented the film well. And finally, the writing is moderately good enough to keep me interested in how the story would end. The cinematography was nothing special, very average shooting with little to no artistic direction. So would I recommend this film? I don't really know, i suppose if you like Reservoir Dogs, you might like it, but then again you might not, its up to you.
Overall captivtaing from beginning to end. Fantastic cast with solid acting. Many twists through out the film with visceral intensity.
As soon as the starting credits rolled and I saw Keith Sutliff's name in almost every line, I knew I was in trouble. Actor, producer, writer, director, production manager, editor, location manager, casting director, second unit director, assistant director, production designer, art director, casting department, art researcher, production controller, production coordinator and *whew* finally set decorator Keith Sutliff bit off waaaay more than he can chew. I mean seriously? Look, I get this is a low budget indie film and Kieth is a amateur filmmaker, but had he gone to a good film school, lesson #1 is to spread the talent. There are seasoned filmmakers out there that can't wear more than 3-4 hats, but throwing your name in all these roles is a recipe for disaster. This film is worse than any other C-grade film I've seen. The only surprisingly redeeming quality this film had was the score. It was great in building tension to something.. that never happened. Luckily Keith Sutliff didn't do the score. Everything else about this film was a flop. I don't think I have ever seen any film with such long, dragged out, dumb, irrelevant and useless scenes AND dialogue. What was the point of the girlfriends? Who cares about the trip to Vegas? etc... A 5th grader could've written a much better screenplay. There were more plot issues and holes than in Swiss cheese. Every time one of the leads said "shut up" to the other guys for rambling, I had already said it at least 5 times! The pacing was atrocious. The 114 min length of this film felt like 5+ hours. This film needed to be edited/cut down to a short film 15-25 min long. Keith however did do a decent job with the some of the camera directing, although leaving a camera on a tripod in that coffee table room doesn't need much skill. But he really failed in directing his stale, balding and boring cast. Then the current 5 fake/paid reviews even mentioning any comparison to Reservoir Dogs is an insult to that film and a huge insult to Quentin Tarantino, beyond forgiveness. I'm guessing that Keith Sutliff is simply trying to add credits to his resume, but had he stuck to only directing and maybe acting in this film, and subbed out the rest to more experienced crew, this film would have had a better showing - which is far more important than resume credits towards a flop film. I give him 1 star for his efforts, and another for the only redeeming quality, the score, which was very impressive and better than some B-grade films I've seen lately. Thus it's an honest and generous 2/10 from me.
The Mason Brothers is a well written crime thriller, an overall artistic style with intriguing story telling. The acting is dramatic, the cinematography really brings the audience into every scene and the vivid score is superb. Love the intensity of the music throughout. At times the film seems like a stage play with intimate close up scenes and then it breaks out into dramatic confrontations. Well done film, looking forward to the next.
The Mason Brothers
حالیہ قیمتوں میں تبدیلیوں، صارفین اپنے دیکھنے کے سیٹ اپ پر دوبارہ غور کیوں کر رہے ہیں، اور اپنی دریافت کی عادات کھوئے بغیر متبادل طریقہ کار کا جائزہ لینے کا تفصیلی تجزیہ۔
Movie Box APK انسٹال کرنے کا صحیح طریقہ جانیں: پہلے ورژن کی بنیادی باتیں، پھر صاف انسٹالیشن کے مراحل، اور آخر میں TV، iOS، ویب اور ایپ کے استعمال کے راستوں میں سے انتخاب کیسے کریں۔
ایک تفصیلی جائزہ جو بتاتا ہے کہ 2026 میں Project Hail Mary کیوں نمایاں ہے: موافقت کا معیار، سائنسی کہانی، جذباتی گہرائی اور سامعین کے ردعمل۔
کامیڈی کہانیاں مزاح کے ذریعے تفریح فراہم کرنے کے لیے بنائی جاتی ہیں۔ مقبول فارمیٹس میں حالات پر مبنی کامیڈی، خاکہ نما مزاح، دفتری کامیڈی اور رومانوی کامیڈی شامل ہیں۔
ایکشن فلمیں جوش، جسمانی کشمکش، بہادر کرداروں اور تیز رفتار کہانی پر زور دیتی ہیں۔ ایڈونچر فلموں میں اکثر تلاش، بقا یا عظیم سفر دکھائے جاتے ہیں۔
کرائم ڈرامے تفتیش کاروں، جاسوسوں، وکلا یا صحافیوں کی پیروی کرتے ہیں جب وہ مجرمانہ مقدمات حل کرتے ہیں۔ اسرار کہانیاں ناظرین کو کرداروں کے ساتھ سراغ دریافت کرنے کی ترغیب دیتی ہیں۔
سائنس فکشن مستقبل کی ٹیکنالوجی، خلائی سفر، مصنوعی ذہانت، متبادل حقیقتوں اور سائنسی قیاس آرائیوں کی کھوج کرتا ہے۔
ہارر کہانی نفسیاتی تناؤ، مافوق الفطرت واقعات، راکشسوں یا بقا کے منظرناموں کے ذریعے سسپنس پیدا کرتی ہے۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔
اینیمیشن میں بچوں، خاندانوں اور بالغوں کے لیے تعلیمی مواد سے لے کر پیچیدہ ڈرامائی کہانی تک کے کام شامل ہوتے ہیں۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔