Tali Shemesh
بطور Director
The TV series The Motive, created by Tali Shemesh and produced by an unlisted studio, first premiered on October 28, 2021 in an unspecified country. The series spans 1 season with 4 episodes, featuring the voices of Avi Samuel, Yossi Arnon, Yossi Cohen, and Haim Siani. It follows the story of In Jerusalem 1986, a 14-year-old boy shoots his family point-blank in their beds. Yet questions persist. In this docuseries, insiders come forward. This is a دستاویزی فلم, جرم, اسرار series and has received a rating of 5.3/10 from 1,901 viewers.
Tali Shemesh
بطور Director
Asaf Sudri
بطور Director
Avi Samuel
بطور Self - Youth Investigator, Jerusalem Police Dept.
Yossi Arnon
بطور Self - Defense Attorney
Yossi Cohen
بطور Self - Head of Investigations, Jerusalem Police
Haim Siani
بطور Self - Forensics Detective
Shmuel Tiano
بطور Self - Psychiatrist
Mazal Freige
بطور Self - Teacher
Adi Sabag
بطور Self - Classmate
Irit Hachham Shalev
بطور Self - Classmate
Ofer Calaf
بطور Self - Neighbor
Shmuel Chefer
بطور Self - Teacher at Reform School
Eli Herskovitz
بطور Self - Press Photographer
Shoshana Calaf
بطور Self - Neighbor
Rakefet Kabesa
بطور Self - Classmate
Ruthie Yovel
بطور Self - Journalist
Yehudit Pops
بطور Self - School Counselor
Yehoshua Feznik
بطور Self - Prosecutor
Lea Lecher
بطور Self - Co-Worker
Shira Cohen
بطور Self - Murdered Sister
Tali Shemesh
بطور Writer
Asaf Sudri
بطور Writer
دستیابی ملک، زبان اور ریلیز ونڈو کے لحاظ سے مختلف ہو سکتی ہے۔ کچھ عنوانات پلیٹ فارم سبسکرپشنز میں شامل ہوتے ہیں، جبکہ دیگر کے لیے کرایہ، خریداری یا ایپ پر مبنی رسائی درکار ہو سکتی ہے۔ اسٹریمنگ کیٹلاگ اور لائسنسنگ معاہدے باقاعدگی سے اپ ڈیٹ ہوتے ہیں، اس لیے پلے بیک کے اختیارات وقت کے ساتھ بدل سکتے ہیں۔ دیکھنے کے سب سے درست تجربے کے لیے اپنی منتخب سروس پر تازہ ترین فہرست دیکھیں اور شروع کرنے سے پہلے علاقائی سپورٹ، سب ٹائٹل کے اختیارات اور ڈیوائس کی مطابقت کی تصدیق کریں۔
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
مجموعی طور پر 21 جیتیں اور 43 نامزدگیاں
موبائل، FM بلڈز اور TV-مطابقت پذیر APK ورژن کے لیے تازہ ترین MovieBox پیکجز ڈاؤن لوڈ کریں۔ اپنے آلے اور علاقے سے مماثل پیکج منتخب کریں، پھر بہترین مطابقت اور سیکیورٹی کے لیے سرکاری انسٹال گائیڈ پر عمل کریں۔
اچھی فلم!
اچھی فلم!
اچھی فلم!
اچھی فلم!
اچھی فلم!
What a waste of time. Horribly edited, lacks any narrative, structure or satisfying conclusion. I regret watching it. Now, you could say the story is somewhat interesting, but it is nowhere as mysterious as they want it to be. This is not the first time a psychopathic child murders their family for "no apparent" reason. Even his defence lawyer said that the child wanted the verdict to be "manslaughter", and not "murder", so that he could inherit the family possessions. Is this not a motive? After getting the reduced manslaughter sentence, he says "life starts at 20", implying he will get out of prison and start living on a blank slate with the money and properties his family had. He never showed any regret or remorse. What a mystery.
He did it because he wanted to know what it is like to shoot them. Plain and simple. That idiot laywer is just creating confusion and a lot of smoke. But the answer is simple.
A psychopath killing his whole family is being idealized just because he's brilliant. He is presented as the victim and a hero. Not a single respect is paid to those who lost their life. Point is there is no motive cause boy is just a psychopath who had urges to killed. And to the producers, please do anything else but stop making docuseries please. It was very bad.
The biggest issue I have with this docuseries is the interview process - or at least what's visible to us. The questions are closed-ended or loaded with preconceptions or not provocative enough. It's like just seeking confirmation for whatever the interviewees had planned to say. A good interviewer should be both provocative and able to put people at ease so that interviewees would reveal more of what they're thinking/feeling (there are a few brief moments in which they managed to do that, but the rest of the interview is just a disappointment). Also, they should always press for something more concrete from the interviewees, especially those considered to be experts or authorities - there's a lot of flowery language and swelling emotions, but not much substance. Like the lawyer who thinks he knew the motive, sure, but maybe wonder why his opinion holds any weight as he's not a psychiatrist? Or how he drew his conclusions? Or the psychiatrist, who admitted we have better understanding of mental states now than before, sure, what are the developments? What are the studies, terminologies, examples, etc? What are the philosophies on children crimes, mental health, family dynamics, military, gun control, Israeli state at that time, etc? For me, there are two possible reasons why he could've committed such heinous crimes - one influenced by external forces, and the other internal. External forces could be: abuses sustained by him or any of his family members (little evidence of that), delirium caused by rage or any extreme emotion (not found), or brain tumours (for example, see Charles Whitman; even though this is internal of the murderer, it's out of his control, hence can be considered as external, this isn't mentioned in the show). Then, there are the potential internal forces: narcissism, psychopathy, etc. One might find it hard to imagine, but you're never in the head of a psychopath, the problem isn't that they think about doing evil things all the time, it's that evil deeds don't bother them because they're not emotionally affected by it. And one always seeks for outward traits of devil (as suggested by many authorities in the show), as if there's a stereotypical face caused by psychopathy. What are you looking for, a "666" tattoo? For instance, Chris Watts, who murdered his wife and daughters simply because he wanted to leave them behind and start a new life with another woman, he could also be thought as just a regular Joe. You would think the means are way too extreme for the ends, but that's not how they see it. One of my theories is that the murderer actually felt suffocated by the attention and affection that he's showered with, and could be feeling like everyone's baby, which he despised (the journalist - if she could be trusted - mentioned something along the lines that he felt that he could only be a real grown up without his family). Lastly, there are the technical parts... first, why is it cut into 4 short episodes? Is it necessary? Or it makes the blatant repetitions of images and sentiments less egregious? Then the narrative, music... are all quite hackneyed. They aren't bad, just a little pedestrian for such a compelling story. The show seems like just a cool presentation of what people can already guess/know, they should ask more probing questions, shine light on more perspectives (with real studies to back it up). As it stands, it seems more like a he-said-she-said gossip story.
Kept showing the same scenes over and over again , and to this day no one knows the motive. A horrific crime like the one committed should have been far more compelling, instead it became boring .
حالیہ قیمتوں میں تبدیلیوں، صارفین اپنے دیکھنے کے سیٹ اپ پر دوبارہ غور کیوں کر رہے ہیں، اور اپنی دریافت کی عادات کھوئے بغیر متبادل طریقہ کار کا جائزہ لینے کا تفصیلی تجزیہ۔
Movie Box APK انسٹال کرنے کا صحیح طریقہ جانیں: پہلے ورژن کی بنیادی باتیں، پھر صاف انسٹالیشن کے مراحل، اور آخر میں TV، iOS، ویب اور ایپ کے استعمال کے راستوں میں سے انتخاب کیسے کریں۔
ایک تفصیلی جائزہ جو بتاتا ہے کہ 2026 میں Project Hail Mary کیوں نمایاں ہے: موافقت کا معیار، سائنسی کہانی، جذباتی گہرائی اور سامعین کے ردعمل۔
کامیڈی کہانیاں مزاح کے ذریعے تفریح فراہم کرنے کے لیے بنائی جاتی ہیں۔ مقبول فارمیٹس میں حالات پر مبنی کامیڈی، خاکہ نما مزاح، دفتری کامیڈی اور رومانوی کامیڈی شامل ہیں۔
ایکشن فلمیں جوش، جسمانی کشمکش، بہادر کرداروں اور تیز رفتار کہانی پر زور دیتی ہیں۔ ایڈونچر فلموں میں اکثر تلاش، بقا یا عظیم سفر دکھائے جاتے ہیں۔
کرائم ڈرامے تفتیش کاروں، جاسوسوں، وکلا یا صحافیوں کی پیروی کرتے ہیں جب وہ مجرمانہ مقدمات حل کرتے ہیں۔ اسرار کہانیاں ناظرین کو کرداروں کے ساتھ سراغ دریافت کرنے کی ترغیب دیتی ہیں۔
سائنس فکشن مستقبل کی ٹیکنالوجی، خلائی سفر، مصنوعی ذہانت، متبادل حقیقتوں اور سائنسی قیاس آرائیوں کی کھوج کرتا ہے۔
ہارر کہانی نفسیاتی تناؤ، مافوق الفطرت واقعات، راکشسوں یا بقا کے منظرناموں کے ذریعے سسپنس پیدا کرتی ہے۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔
اینیمیشن میں بچوں، خاندانوں اور بالغوں کے لیے تعلیمی مواد سے لے کر پیچیدہ ڈرامائی کہانی تک کے کام شامل ہوتے ہیں۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔