Connor Paolo
بطور Martin
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The ڈرامہ film The Stakelander, starring Connor Paolo, Nick Damici, Laura Abramsen, etc., directed by an unlisted director, was released on February 7, 2017 in امریکہ. It tells the story of جب اس کا نیو ایڈن کا گھر ایک احیاء شدہ اخوان المسلمین اور اس کے نئے ویمپ لیڈر کے ہاتھوں تباہ ہو جاتا ہے، تو مارٹن خود کو امریکہ کے خراب علاقوں میں تنہا پاتا ہے اور اس کی رہنمائی کے لیے اس کے سرپرست اور لیجنڈ ویمپائر ہنٹر مسٹر کی صرف دور کی یاد آتی ہے۔. This is a ڈرامہ, خوفناکی film with a runtime of 81 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.3/10 from 4,302 viewers.
Connor Paolo
بطور Martin
Nick Damici
بطور Mister
Laura Abramsen
بطور Lady
A.C. Peterson
بطور Bat
Steven Williams
بطور Doc Earl
Bonnie Dennison
بطور Peggy
Kristina Hughes
بطور The Mother
Zane Clifford
بطور Juda
Jaime Bird
بطور Belle
Nicole Garies
بطور Billie
Blaine Hart
بطور Karl
Kathryn Bracht
بطور Jean
Alex Arsenault
بطور Luke
Dylan Sthamann
بطور Young Guard
Tim Lynchuk
بطور Tattoo Face
Larry Fessenden
بطور Biggs
Trevor Aikman
بطور Father
Josh Strait
بطور Brotherhood General
دستیابی ملک، زبان اور ریلیز ونڈو کے لحاظ سے مختلف ہو سکتی ہے۔ کچھ عنوانات پلیٹ فارم سبسکرپشنز میں شامل ہوتے ہیں، جبکہ دیگر کے لیے کرایہ، خریداری یا ایپ پر مبنی رسائی درکار ہو سکتی ہے۔ اسٹریمنگ کیٹلاگ اور لائسنسنگ معاہدے باقاعدگی سے اپ ڈیٹ ہوتے ہیں، اس لیے پلے بیک کے اختیارات وقت کے ساتھ بدل سکتے ہیں۔ دیکھنے کے سب سے درست تجربے کے لیے اپنی منتخب سروس پر تازہ ترین فہرست دیکھیں اور شروع کرنے سے پہلے علاقائی سپورٹ، سب ٹائٹل کے اختیارات اور ڈیوائس کی مطابقت کی تصدیق کریں۔
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
مجموعی طور پر 21 جیتیں اور 43 نامزدگیاں
موبائل، FM بلڈز اور TV-مطابقت پذیر APK ورژن کے لیے تازہ ترین MovieBox پیکجز ڈاؤن لوڈ کریں۔ اپنے آلے اور علاقے سے مماثل پیکج منتخب کریں، پھر بہترین مطابقت اور سیکیورٹی کے لیے سرکاری انسٹال گائیڈ پر عمل کریں۔
This movie is bullshit, I regret watching it
اچھی فلم!
this movie is great
I loved Stakeland, I hated The Stakelander. This film is not totally awful, but it's pretty darn close, and it doesn't hold a candle to the first film. Stakeland was a movie that was lovingly crafted and made well on a limited budget - this is B grade schlock that was clearly rushed and nowhere near the same love and attention was put into it. The acting is not as good, they've stolen concepts straight out of multiple other movies (The Book of Eli, Mad Max: Fury Road, The Road, just to name a few,) and the story is a rushed and incoherent mess. The villain makes little sense, the interesting concepts of the film are woefully underdeveloped and presented in a totally contradictory fashion - we are told that the world has entered a new 'dark ages', but then everyone is still using modern technology likes cars, electricity, modern medicine, military weapons and armaments, etc. And we are introduced to 'the Brotherhood' who are supposed to be a Christian sect who are in league with a vampire and her vampire hoard despite the blatantly obvious fact that she (and her vampire brood) would clearly be considered as demonic minions from the pit of Hell by any such religious group - but hey, there's no need to tell you why this should be or even explain how this partnership came to be because... reasons. But on the bright side, they managed to ham-fistedly shoehorn in a gay couple (did they get some sort of extra funding for the diversity points?) and then they keep labouring the fact that they're a gay couple - just in case you missed it the first time around. When I think about it, this film kind of feels like a cheaply made attempt to make conservatives and Christians look evil and bad while the progressives are the good guys fighting on the side of the angels. In a nutshell: this movie feels like a montage of set pieces and concepts that have been poorly put together, all the while someone forgot to actually write a plot to string all the various pieces (and concepts blatantly stolen from other movies) together as one coherent whole. Zero character development, wholesale abandonment of the lore established by the first movie, zero character arcs, blatant copying of other apocalyptic movies (including it's predecessor), poor acting, poorly executed and contradictory story points, action set pieces were poor imitations of the original, nowhere near the same level of attention paid to costume and world development (don't get me started on that awful and cheap looking fortified compound!), nowhere near as many vampires, the musical score was nowhere near as good as Stakeland (and was it just me, or did it feel like the first 10 minutes of the movie was scored by someone totally different than the rest of the film?) If this movie was a vampire, you wouldn't need to stake it through the heart because it was already dead on arrival. It's a real shame, because the first movie was an absolute unexpected cult classic worthy of all the praise it gets - in fact, if you haven't seen it already, forget this one and go and watch Stakeland instead!
I have mixed feelings about the original STAKE LAND movie: it wowed me when I first saw it, but on a rewatch I was left less than impressed. Perhaps I'm just left feeling increasingly jaded by the over predominance of the post-apocalypse genre, in particular the endless saga of THE WALKING DEAD which ran out of steam a long time ago. This one's set in the same world as the first but tells a new story about a survivor roaming the wilds, encountering both psychotic humans and vampire foes as he explores the terrain. It's all too dark and all too low budget, and even the action sequences fail to impress. Nice to see genre veteran Steven Williams in a small role, though.
watchable, too dark the scenes, was a let down, the first one had so much more too it much more effort put into the first one, also they never focused much on the brotherhood in this one, like you saw them in the film, but you didn't see as much how they were organized in comparison to the first one you had that bald fella, very strong actor. And at the end you couldn't see the fight scenes or what was happening, i was confused for the majority of the film
I get it, people want huge productions and fancy fx but this has none of that. It's just a dreary end of the world vampire movie. The vampires are grotesque, not pretty and sensual. It's the way I think they should be portrayed. They are monsters that use humans as food. Also love the fact they kept the cannibals. Really adds to the fear the movie wants to deliver. Acting is good enough for an apocalyptic flick. There's no stupid decisions by the seasoned characters, like in Walking Dead or other countless movies and shows like this. These characters are rugged, broken and survivalists that count on the same things that have kept them alive as long as it has. I love 30 Days Of Night and would compare Stakeland 1 & 2 to that film. If you prefer nasty vampires that are more animalistic beasts, then you will likely enjoy this.
Stakelands 2: The Stakelander. In this sequel The Brotherhood who see the Vampire Plague as the Lord's Work overrun New Eden. Martin is the only survivor and goes in search of the legendary Vampire Hunter, Mister. Martin makes his way through a savage devastated landscape. He encounters a crazed homicidal old couple, cannibals and slavers on his quest to locate Mister. A rag-taggle team is assembled to battle The Brotherhood and their new She-Vamp leader. Good Vampire/Post-Apocalypse Thriller. The Vampires are more Zombie like apart from their Alphas who retain a more Human appearance. Disturbing and not for the squeamish or faint-hearted. 7/10.
I had fun with this one, mostly of course because it reminded me of the first, a vampire movie with a slightly different approach. It is quite obvious that the horror viewers are begging for anything unusual. As vamp movies go, there are a few with "cojones", like Daybreakers, presenting a complete society or Priest, with a new monster look, a better dystopian background. Now for Stake Land: a nice add-on to the genre, a small movie that was nicely welcomed by anyone. The second part succeeded throughout the movie but failed with the opposite side, where they should have worked just a little more. If that part would have been explored properly, I do believe Stakelander could have been easily just as enjoyable as the first. Nevertheless it is a good movie on its own and I do recommend it. All in all, I do hope for a third part, and with a little more effort, maybe we can have a nicely almost indie trilogy. One to remember! Cheers!
Though I don't feel this movie is quite as good as the first it still is an underrated movie, so was the first as well. The whole vampire category is basically at a parody level thanks to the Twilight movies and while Zombies get to enjoy a huge wave of popularity vampires do not and I feel this movie helps add a new, scary, aspect to the vampire universe of movies and TV. Something it has been lacking badly. The movie isn't the best, some below par acting mainly makes this obvious but for the budget and market it should get more credit.
حالیہ قیمتوں میں تبدیلیوں، صارفین اپنے دیکھنے کے سیٹ اپ پر دوبارہ غور کیوں کر رہے ہیں، اور اپنی دریافت کی عادات کھوئے بغیر متبادل طریقہ کار کا جائزہ لینے کا تفصیلی تجزیہ۔
Movie Box APK انسٹال کرنے کا صحیح طریقہ جانیں: پہلے ورژن کی بنیادی باتیں، پھر صاف انسٹالیشن کے مراحل، اور آخر میں TV، iOS، ویب اور ایپ کے استعمال کے راستوں میں سے انتخاب کیسے کریں۔
ایک تفصیلی جائزہ جو بتاتا ہے کہ 2026 میں Project Hail Mary کیوں نمایاں ہے: موافقت کا معیار، سائنسی کہانی، جذباتی گہرائی اور سامعین کے ردعمل۔
کامیڈی کہانیاں مزاح کے ذریعے تفریح فراہم کرنے کے لیے بنائی جاتی ہیں۔ مقبول فارمیٹس میں حالات پر مبنی کامیڈی، خاکہ نما مزاح، دفتری کامیڈی اور رومانوی کامیڈی شامل ہیں۔
ایکشن فلمیں جوش، جسمانی کشمکش، بہادر کرداروں اور تیز رفتار کہانی پر زور دیتی ہیں۔ ایڈونچر فلموں میں اکثر تلاش، بقا یا عظیم سفر دکھائے جاتے ہیں۔
کرائم ڈرامے تفتیش کاروں، جاسوسوں، وکلا یا صحافیوں کی پیروی کرتے ہیں جب وہ مجرمانہ مقدمات حل کرتے ہیں۔ اسرار کہانیاں ناظرین کو کرداروں کے ساتھ سراغ دریافت کرنے کی ترغیب دیتی ہیں۔
سائنس فکشن مستقبل کی ٹیکنالوجی، خلائی سفر، مصنوعی ذہانت، متبادل حقیقتوں اور سائنسی قیاس آرائیوں کی کھوج کرتا ہے۔
ہارر کہانی نفسیاتی تناؤ، مافوق الفطرت واقعات، راکشسوں یا بقا کے منظرناموں کے ذریعے سسپنس پیدا کرتی ہے۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔
اینیمیشن میں بچوں، خاندانوں اور بالغوں کے لیے تعلیمی مواد سے لے کر پیچیدہ ڈرامائی کہانی تک کے کام شامل ہوتے ہیں۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔