Emma Tammi
بطور Director
English,Filipino,Français,Indonesian,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The ڈرامہ film The Wind, starring Caitlin Gerard, Julia Goldani Telles, Ashley Zukerman, etc., directed by Emma Tammi, was released on April 5, 2019 in امریکہ. It tells the story of A plains-woman faces the harshness and isolation of the untamed land in the Western frontier of the late 1800s. This is a ڈرامہ, خوفناکی, اسرار film with a runtime of 88 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.6/10 from 10,592 viewers.
Emma Tammi
بطور Director
Caitlin Gerard
بطور Lizzy Macklin
Julia Goldani Telles
بطور Emma Harper
Ashley Zukerman
بطور Isaac Macklin
Dylan McTee
بطور Gideon Harper
Miles Anderson
بطور The Reverend
Martin C Patterson
بطور Eli
Teresa Sutherland
بطور Writer
دستیابی ملک، زبان اور ریلیز ونڈو کے لحاظ سے مختلف ہو سکتی ہے۔ کچھ عنوانات پلیٹ فارم سبسکرپشنز میں شامل ہوتے ہیں، جبکہ دیگر کے لیے کرایہ، خریداری یا ایپ پر مبنی رسائی درکار ہو سکتی ہے۔ اسٹریمنگ کیٹلاگ اور لائسنسنگ معاہدے باقاعدگی سے اپ ڈیٹ ہوتے ہیں، اس لیے پلے بیک کے اختیارات وقت کے ساتھ بدل سکتے ہیں۔ دیکھنے کے سب سے درست تجربے کے لیے اپنی منتخب سروس پر تازہ ترین فہرست دیکھیں اور شروع کرنے سے پہلے علاقائی سپورٹ، سب ٹائٹل کے اختیارات اور ڈیوائس کی مطابقت کی تصدیق کریں۔
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
مجموعی طور پر 21 جیتیں اور 43 نامزدگیاں
موبائل، FM بلڈز اور TV-مطابقت پذیر APK ورژن کے لیے تازہ ترین MovieBox پیکجز ڈاؤن لوڈ کریں۔ اپنے آلے اور علاقے سے مماثل پیکج منتخب کریں، پھر بہترین مطابقت اور سیکیورٹی کے لیے سرکاری انسٹال گائیڈ پر عمل کریں۔
اچھی فلم!
اچھی فلم!
اچھی فلم!
source: The Wind
This film may not be for every horror fan because it is slow paced and flashback oriented, which creates some confusion and boredom. However, the actors were convincing and the cinematography exuded a feeling of true desolation. Several of the scenes were nicely crafted without relying on overt gore or jump scares to frighten the audience. I thought it was clever to blend an american western period piece with a demonic, neurotic tone. I think this movie is definately worth a watch and is one of the more original horror films as of late.
Decent acting but terrible, boring and depressing film. Give it a body swerve. As scary as Driving Miss Daisy.
This film began with decent cinematography , nice location for a horror film. But it kept moving the same pace in which it began... The director tried to create an unknown fear, anticipation and thrill like M Night Shyamalan, who always manages to keep the same pace but in a fearful manner and theres a twist in the end, but this director terribly failed! More of an art film horror movie.. Made to woo cannes jury members or any film festival jury members thats it. No psychological scary elements, but jump scare shocks here and there , old trick. Since the beginning the volume of their dialogues was low, i thought there might be some streaming issue, but to my annoyance it was the same old trick that layman directors use , to boost the volume only at jumpscare moments, disgusting. There was immense scope for the lady director to make it a frightening horror film, but she just made a woman centric artistic film festival material with no scary substance! It was just a short film , which was stretched hours long.. The real action starts after 60 mins.. And this film is only good to be hung at the film festivals, not in horror movie collections. Not even a one time watch movie. Photography lovers might use this as their study material.
I had high hopes for this movie. The trailer reminded me of The Witch (2015), which is one of my favorite horror movies. But The Wind never grabbed my attention. I told myself that it only had a slow start, but by the end I was simply waiting for it to be over. I thought the two main leads had good performances. I haven't seen Ashley Zukerman in much, but I loved him in Manhattan. The cinematography was good, some silhouetted shots stood out. The music, especially when something scary happened, didn't really fit. The story grabbed me at points, trying to uncover the puzzle. But there's really not much to it. If you go in with lowered expectations, and you're into the idea of a slow horror mystery, then there might be something for you here. Otherwise I wouldn't really recommend it.
This movie had good promise. It's based on a movie from the 1920's but deviates from that film significantly. This movie is created in the vein of "The Witch" (see it !) and perhaps "Hereditary" to compare three recent film examples. The Wind wants you to try and figure out if the antagonists are mentally ill, or if there exists a supernatural force on the prairie where the four homesteaders come to live. The music is nice, and appropriate for the stark landscapes. The cinematography captures the beauty of the mid--west prairie in the early 20th century America. The problem with this movie is the writing and editing which attempt to achieve mystery and tension by presenting the sequence of events out of linear order. Granted, flashbacks can be effective in storytelling. In "The Wind", it's just too much! There are too many similar shots of wistful looks, confused moments and chronologically disjointed discoveries that confused me and were probably unnecessary. This is not a movie that needs this technique to this degree. We learn that mental illness, anxiety and depression are present in the isolation of the prairie life. We suspect there are hallucinations and even chloroform -inspired dream sequences. The writers help us out with tidbits of juxtaposed backstories. But in the end, it's a bit too much. It's a bit too slow and self indulgent to be rated higher. Sometimes it's possible to be too creative. Some movies are worth the energy to try and figure out. "The Wind" is not . . .
The wind is a fresh breath of ol'wild west, and the conquering of the blessed land over the ocean, and the fertile grounds to build on and harvest from, just if it hadnt been for ''the wind. its a smallcast horrordrama, the story couldve been better and more fulfilled in its narrative, but the acting are good, no major flaws found, and the lovations and settings are mwellpicked and well created. the big dilemmais to me : is it a horror film or is it just a drama of desillusioned womanhood, due to far too much loneliness on the prairie, with vast distances to the nearest neighbour, that might be even more insane, and the burden of having a husband that wont see or listen to whats tormenting this womens mind must have been a gruelling terror spiced up with religous faith and its opposite, the devil, as were a usual cause for womens insanity in a mans mind,''shes been dancing with the devil, and riding to bloksberg on her broomstick, to enjoy satyrical orgies with satan in hell''- kinda explonation that especially reverends made up mat that time. so whatever its is, its a good film, a bit slow and dark visuals, but the grumpy old man found this more than recommendable
حالیہ قیمتوں میں تبدیلیوں، صارفین اپنے دیکھنے کے سیٹ اپ پر دوبارہ غور کیوں کر رہے ہیں، اور اپنی دریافت کی عادات کھوئے بغیر متبادل طریقہ کار کا جائزہ لینے کا تفصیلی تجزیہ۔
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ایک تفصیلی جائزہ جو بتاتا ہے کہ 2026 میں Project Hail Mary کیوں نمایاں ہے: موافقت کا معیار، سائنسی کہانی، جذباتی گہرائی اور سامعین کے ردعمل۔
کامیڈی کہانیاں مزاح کے ذریعے تفریح فراہم کرنے کے لیے بنائی جاتی ہیں۔ مقبول فارمیٹس میں حالات پر مبنی کامیڈی، خاکہ نما مزاح، دفتری کامیڈی اور رومانوی کامیڈی شامل ہیں۔
ایکشن فلمیں جوش، جسمانی کشمکش، بہادر کرداروں اور تیز رفتار کہانی پر زور دیتی ہیں۔ ایڈونچر فلموں میں اکثر تلاش، بقا یا عظیم سفر دکھائے جاتے ہیں۔
کرائم ڈرامے تفتیش کاروں، جاسوسوں، وکلا یا صحافیوں کی پیروی کرتے ہیں جب وہ مجرمانہ مقدمات حل کرتے ہیں۔ اسرار کہانیاں ناظرین کو کرداروں کے ساتھ سراغ دریافت کرنے کی ترغیب دیتی ہیں۔
سائنس فکشن مستقبل کی ٹیکنالوجی، خلائی سفر، مصنوعی ذہانت، متبادل حقیقتوں اور سائنسی قیاس آرائیوں کی کھوج کرتا ہے۔
ہارر کہانی نفسیاتی تناؤ، مافوق الفطرت واقعات، راکشسوں یا بقا کے منظرناموں کے ذریعے سسپنس پیدا کرتی ہے۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔
اینیمیشن میں بچوں، خاندانوں اور بالغوں کے لیے تعلیمی مواد سے لے کر پیچیدہ ڈرامائی کہانی تک کے کام شامل ہوتے ہیں۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔