Mohammad Rasoulof
بطور Director
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The ڈرامہ film There Is No Evil, starring Ehsan Mirhosseini, Shaghayegh Shourian, Kaveh Ahangar, etc., directed by Mohammad Rasoulof, was released on May 14, 2021 in Iran. It tells the story of The four stories that are variations on the crucial themes of moral strength and the death penalty that ask to what extent individual freedom can be expressed under a despotic regime and its seemingly inescapable threats. This is a ڈرامہ film with a runtime of 151 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.5/10 from 7,747 viewers.
Mohammad Rasoulof
بطور Director
Ehsan Mirhosseini
بطور Heshmat
Shaghayegh Shourian
بطور Razieh
Kaveh Ahangar
بطور Pouya
Baran Rasoulof
بطور Darya
Mohammad Valizadegan
بطور Javad
Zhila Shahi
بطور Zaman
Mahtab Servati
بطور Na'na
Pejvak Imani
بطور Nima
Salar Khamseh
بطور Salar
Anahita Eghbalnejad
بطور Nana's mother
Reza Bahrami
بطور Shahram
Darya Moghbeli
بطور Tahmineh
Alireza Zareparast
بطور Hasan
Bardia Yadegari
بطور Prisoner
Mohammad Rasoulof
بطور Writer
دستیابی ملک، زبان اور ریلیز ونڈو کے لحاظ سے مختلف ہو سکتی ہے۔ کچھ عنوانات پلیٹ فارم سبسکرپشنز میں شامل ہوتے ہیں، جبکہ دیگر کے لیے کرایہ، خریداری یا ایپ پر مبنی رسائی درکار ہو سکتی ہے۔ اسٹریمنگ کیٹلاگ اور لائسنسنگ معاہدے باقاعدگی سے اپ ڈیٹ ہوتے ہیں، اس لیے پلے بیک کے اختیارات وقت کے ساتھ بدل سکتے ہیں۔ دیکھنے کے سب سے درست تجربے کے لیے اپنی منتخب سروس پر تازہ ترین فہرست دیکھیں اور شروع کرنے سے پہلے علاقائی سپورٹ، سب ٹائٹل کے اختیارات اور ڈیوائس کی مطابقت کی تصدیق کریں۔
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Castle Rock Entertainment
مجموعی طور پر 21 جیتیں اور 43 نامزدگیاں
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اچھی فلم!
As it's usually the case with anthology films, the main problem with this one is that some parts are significantly stronger than the others. Namely, part 1 and 3 are disturbing and effective, part 2 is okay-ish but the last part is quite weak. Such layout results in a fragmented, disorganized film. To make things even worse, the filmmakers put the weakest and longest part at the end, a baffling decision which really makes you wonder if enough labour went into the post-production stage. Another point I want to put out is that I don't appreciate the approach they took to address death sentence. I do consider myself a radical death penalty opposer but I don't think showing the toll it takes on the button pushers/lever pullers is the way to show the ugly face of this cruelty; By the simple logic that all these activators can easily be replaced by machines which renders the conflicts in this film irrelevant while keeping the legislation intact. I think we should focus on how and why death penalty is a barbaric, savage act and discuss its ethical aspects instead of showing some apparently normal, some greatly struggling executioners.
Prison guards are prisoners themselves, yet they are responsible for their action, in a system that is brutal and oppressive. Can people abrogate their ethical, humane responsibilities on the ground that they are just following the orders? Oppressive system break people in more than one way, by denying their rights and forcing, "encouraging" them to conform and oppress others which in turn shatters their humanity! So who is the evil? The system ( which is made of individuals) or those individuals themselves, with varying degrees of responsibility. There is always a price we pay for "choices" we make, just as there are reward(s) for those choices. Conformity and making unethical choices, can provide some type of " security", but may not provide peace of mind or ease the pain and the consequences of those choices. This is well made movie that explores the role of people in a repressive environment, the choices they make and the consequences of those choices in romantic love, alienation, separation, pain and guilt feeling. State enforced capital punishment ( provides the context for the story flow. With lovely cinematography, and a deliberate slow motion in some sequences for viewers contemplation. The acting is good, with emotions well reflected in many close ups. The director should be congratulated for being brave, as making such a film in Iran is not just about budgeting and casting and other tasks of film making, but also risking one's live and making a choice about consequences of such film making.
Really good movie. Just as the movie title is, that show us there is no evil. Almost Every decision has good side and bad side. You must decide what is the best in your opinion and do that way. Nothing is 100% wrong or right. And help us to don't judge people easily. Certainly worthy to watch. Highly recomonded.
Kudos for the reality of what a hanging actually looks like. The body twitches for minutes during death, and often there is uncontrolled peeing. Not the quick & pretty sight typically shown in movies. I liked the message of people living under despotic regimes to make some effort to stay in their countries and help change to a better, more humane, political system. Iran joins China, Russia, Myanmar, Saudi Arabia, and now Afghanistan in denying the rights of individuals for freedom of life. Disappointed in the U. S. political system for putting trade/money before the ethics of fostering change in those countries through economic pressure.
The best and the more meaningful Iranian movie I have ever seen. Highly recommended
This was some of the finest acting in film I've ever seen. Some of these scenes I felt guilty watching because I felt like I was actually there and spying on them. Every act was thought provoking and perfectly executed. Some of the scenes were masterpieces of visual art. The girl standing against the wall of the house with her red boots blew my mind at how visually perfect it was and reminded me that scenes like this are not common in film making anymore. This is the film to watch when you're tired of superficial films and want to watch something deeper with substance and fine acting. I'll be looking for more from this director and these actors and actresses.
This is one of the best movies of this year. After denouncing the corruption system in Iran, Rasoulof targets the death penalty. He doesn't seem very bothered by the censorship or the jail sentence against him. The film is beautifully shot, and the stories are cleverly told, depicting four different ways to be a victim to death penalty as an executor.
I like slow paced movies. For example, Stalker is my favourite movie but this takes it too far. I think the director misunderstood the difference between building tension and portraying normal life. I get the juxtaposition between normalty and death sentence but drawing this out for 20 minutes in the first story ruined it for me. The other parts of the movie were decent enough but nothing great. Found them little contrived and unrealistic.
Rasoulof's new film 'There Is No Evil' (Persian title- Satan doesn't exist) is an anthology film (consisting of four short film-segments) concerning the capital punishment in Iran. We know about the traditional Govt. System and dictatorship exists in Iran and the result- it pulls the country towards strangulation and anarchism. The film actually presents itself as an illustration and gives a genuine look at those Iranians who serve as executioners and those who show courage to refuse. Mohammad Rasoulof's film ( who has been barred from leaving the country since 2017) is nothing but an enthralling ride, it gives rise to those questions- the terror of what it means to live in a world where every resolution brings new questions. He challenges the viewer's morality as well as its characters and fortifies them to take action. Film also presents the situation- the hardships they have to face, how it affects their life whether they do it (doing their job as executioners) or not...I think it's more about this helpless situation-you have to face consequences; a point of no return. 'There is no Evil' is also a very captivating thriller...sets the premise of each story really well, slowly unfolds the painful secrets and truths while focusing on family, love, freedom etc. To make each story to deliver their individual effectiveness. Ashkani's brilliant cinematography of sublime close-up shots and long takes, also the landscapes of countryside which actually helps to develop the story really well and certain intimacy in director's storytelling creates a poetic charm in it and takes to a higher cinematic level. But Rasoulof left us many questions with no actual answers. He explained that the film is about "people taking responsibility" for their actions, and that each story "is based on my own experience." For me he is most prominent revolutionary filmmaker of Iran; one who has seen 'A man of Integrity', 'Manuscripts don't burn', 'Goodbye' definitely knows that. Long Live Iranian Cinema!
حالیہ قیمتوں میں تبدیلیوں، صارفین اپنے دیکھنے کے سیٹ اپ پر دوبارہ غور کیوں کر رہے ہیں، اور اپنی دریافت کی عادات کھوئے بغیر متبادل طریقہ کار کا جائزہ لینے کا تفصیلی تجزیہ۔
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ایک تفصیلی جائزہ جو بتاتا ہے کہ 2026 میں Project Hail Mary کیوں نمایاں ہے: موافقت کا معیار، سائنسی کہانی، جذباتی گہرائی اور سامعین کے ردعمل۔
کامیڈی کہانیاں مزاح کے ذریعے تفریح فراہم کرنے کے لیے بنائی جاتی ہیں۔ مقبول فارمیٹس میں حالات پر مبنی کامیڈی، خاکہ نما مزاح، دفتری کامیڈی اور رومانوی کامیڈی شامل ہیں۔
ایکشن فلمیں جوش، جسمانی کشمکش، بہادر کرداروں اور تیز رفتار کہانی پر زور دیتی ہیں۔ ایڈونچر فلموں میں اکثر تلاش، بقا یا عظیم سفر دکھائے جاتے ہیں۔
کرائم ڈرامے تفتیش کاروں، جاسوسوں، وکلا یا صحافیوں کی پیروی کرتے ہیں جب وہ مجرمانہ مقدمات حل کرتے ہیں۔ اسرار کہانیاں ناظرین کو کرداروں کے ساتھ سراغ دریافت کرنے کی ترغیب دیتی ہیں۔
سائنس فکشن مستقبل کی ٹیکنالوجی، خلائی سفر، مصنوعی ذہانت، متبادل حقیقتوں اور سائنسی قیاس آرائیوں کی کھوج کرتا ہے۔
ہارر کہانی نفسیاتی تناؤ، مافوق الفطرت واقعات، راکشسوں یا بقا کے منظرناموں کے ذریعے سسپنس پیدا کرتی ہے۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔
اینیمیشن میں بچوں، خاندانوں اور بالغوں کے لیے تعلیمی مواد سے لے کر پیچیدہ ڈرامائی کہانی تک کے کام شامل ہوتے ہیں۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔