Three Minutes: A Lengthening

source: Three Minutes: A Lengthening

Although this received excellent critical reviews and was only 69 minutes long, I wasn't sure how much I would like this one for two reasons. The first one was that the three prior reviews before me on IMDb were not very positive. The second reason is that over the years, Holocaust movies no longer break any new ground, and I find them to be mostly derivative. If you see my IMDb review for "Final Account," you will see that most people don't like that I didn't fall all over myself saying how great that documentary is. That's because I've seen that kind of Holocaust film (documentary or dramatic movie) so many times that I don't learn anything new, and it's an absolute bore. So why did I l like "Three Minutes: A Lengthening" more? I liked it more because it was a fresher take on the genre, and explored the Holocaust off of a recently discovered home movie taken pre-Holocaust in Poland, and the search to learn more about the town of Nasielsk, and if anyone could recognize any of the people in the home movie, and if anyone who was seen in those three minutes was still alive. I found this all to be very interesting. I also found the eyewitness accounts of what happened in Nasielsk a few years later when the Germans came in to round up all the Jews to be especially sad and powerful.

As "Three Minutes: A Lengthening" (2022 release; 69 min) opens, we immediately get the entire 3+ min. Footage that was filmed in 1938 in a small village north of Warsaw, Poland. The footage is law quality at times, and high quality at times, and goes back and forth between B&W and color. The voice over (by Helen Bonham Carter) informs us that the footage was discovered in 2009 in Florida, by the grandson of the guy who filmed it. But what are we actually seeing in those 3+ minutes? Couple of comments: this is directed by Dutch film maker Bianca Stigter. Here she assesses what we actually see in this historic footage. Glenn Kurtz, grandson of David Kurtz who filmed this while on a tourist trip across Europe, is intrigued and wants to know more: where was this filmed? Who is being filmed? Etc. So this is not unlike putting together a puzzle, albeit hampered by a 70 years delay, during which most (but not all) of these people have perished and much (but not all) if the small village has been torn down and/or rebuilt. Like revealing an onion's layer after layer, more information is revealed to us. The film makers do an excellent job putting it all together in a way that combines history and mystery, paying tribute to the erstwhile population of a small Polish village whose Jewish population was decimated by the Holocaust. I readily admit I had not heard of this film, that is until I read NPR's list of the "50 Best Movies and TV of 2022" earlier this week, and I immediately knew I just had to see this. The fact that it is currently rated 100% Certified Fresh on Rotten Tomatoes certainly didn't hurt either. "Three Minutes: A Lengthening" is currently streaming on Hulu, where I caught it last night. If you have any interest in the Holocaust or Europe's pre-WWII era, I'd readily suggest you check this out, and draw your own conclusion.

Originally Premiered at the 2022 Sundance Film Festival in the Spotlight Selection. "Three Minutes: A Lengthening" is about a snippet of 16mm film offers an emotionally charged, meditative glimpse into the lives of the unsuspecting Jewish citizens of a small Polish village at the precipice of World War II. Director Bianca Stigter uses an entire 16mm film to offer a nostalgic experience about the topics of WWII and the Jewish people and it was an interesting take on researching and covering the topic from a cinematic lens. The presentation is well presented with really good uses of archival footage used throughout the entire film. The footage helps to add a feel of the past, the old days and what it must have felt like during the WWII years. Helena Boham Carter's narration does provide the information nicely and her voice fits the scenario pretty well. However, the documentary does feel like it's a bit stale since the entire film is using footages, which does get a bit old at the end of the film. The pacing really really does drag and because of that, it made some parts unsatisfying and not as engaging as I was hoping for. Certain sound designs were noticeable that had some poor structures and some editing could be improved. In my opinion, this would have worked as a short film rather then being a feature limit film. Overall, It's interesting to see a documentary about the Jewish people's lives in Poland from old archival footages but I feel like it was a little underwhelming by the end of the day. But I still recommend for those who are interested. Rating: B-

This is an unusual documentary that attests to the strength of the cinematographic image in recording the collective memory, not only of a people, but of humanity itself. On a tourist trip to Europe, in the summer of 1938, an American businessman of Polish and Jewish origin, films three and a half minutes of the life of a small town, North of Warsaw, Naselsk, where his wife was originally from. Popular curiosity causes around 150 people, mostly children, to appear in this small, partially colored, film. Just one year later, almost the entirety of this Jewish population was taken to ghettos in various parts of Poland by the Nazis, and will end up exterminated in Treblinka or on the way to this infamous camp. The few survivors recognize some faces, names and buildings from the film, thus contributing to the preservation of the memory of those people, abandoned by their own God. An impressive experience.

Bianca Stigter's fascinating semi-experimental Documentary literally takes three minutes of 16mm home movie footage and examines it in extraordinary detail. Save for one very very brief shot, we see nothing else but that film during the course of the suitably brief 69 minutes. Taken on a European vacation in 1938 by David Kurtz the precious (and, at the time, expensive) footage has quick bits in Paris and Geneva, but the prime focus here is the film he shot in Nasielsk Poland. It was predominantly Jewish, and as fate would have it, be largely wiped out by the Nazis the very next year. In a way, THREE MINUTES is like a tragic ghost story - the viewer haunted by the notion that most of the faces we see would be gone so soon thereafter. Remarkably, through research and interviews, Stigter and her team were not only able to name some of the people we see, but even track down a survivor. THREE MINUTES is a laudable effort in film examination. No footage so brief has probably been so thoroughly gone over since the Zapruder film. Stigter has done a remarkable job of not only exploring the celluloid for its historical value, but, also giving an afterlife of sorts to the men, women and children of Nasielsk.

source: Three Minutes: A Lengthening

Although this received excellent critical reviews and was only 69 minutes long, I wasn't sure how much I would like this one for two reasons. The first one was that the three prior reviews before me on IMDb were not very positive. The second reason is that over the years, Holocaust movies no longer break any new ground, and I find them to be mostly derivative. If you see my IMDb review for "Final Account," you will see that most people don't like that I didn't fall all over myself saying how great that documentary is. That's because I've seen that kind of Holocaust film (documentary or dramatic movie) so many times that I don't learn anything new, and it's an absolute bore. So why did I l like "Three Minutes: A Lengthening" more? I liked it more because it was a fresher take on the genre, and explored the Holocaust off of a recently discovered home movie taken pre-Holocaust in Poland, and the search to learn more about the town of Nasielsk, and if anyone could recognize any of the people in the home movie, and if anyone who was seen in those three minutes was still alive. I found this all to be very interesting. I also found the eyewitness accounts of what happened in Nasielsk a few years later when the Germans came in to round up all the Jews to be especially sad and powerful.

Avoided the talking head regime of most documentaries and the flashbacks to coverage that is not relevant. Completely authentic and therefore powerful. Town of Nasielsk, Poland comes alive in this three minute documentary. I had a strong feeling for it because I have just written a new novel, The Girl Who Counted Numbers, Amsterdam Publishers, Out on October 12th on Amazon. Much of the book reflects to characters who lived in Rozvadow, Poland, a shtetl about the same size as Nasielsk, destroyed when the Nazis arrived. I visited Rozvadow and there is a resemblance to Nasielsk. Buildings around a town square. Farmers, Storekeepers. Children playing. A sense of the neighborhood is very keen and most of all life seems to be normal. In this documentary things appear and reappear, come back and leave, emphasizing the patterns of life in the village. This is true in Rozvadow, Poland, too. I wish that I could have seen a three minute film of Rozvadow,Poland.

As "Three Minutes: A Lengthening" (2022 release; 69 min) opens, we immediately get the entire 3+ min. Footage that was filmed in 1938 in a small village north of Warsaw, Poland. The footage is law quality at times, and high quality at times, and goes back and forth between B&W and color. The voice over (by Helen Bonham Carter) informs us that the footage was discovered in 2009 in Florida, by the grandson of the guy who filmed it. But what are we actually seeing in those 3+ minutes? Couple of comments: this is directed by Dutch film maker Bianca Stigter. Here she assesses what we actually see in this historic footage. Glenn Kurtz, grandson of David Kurtz who filmed this while on a tourist trip across Europe, is intrigued and wants to know more: where was this filmed? Who is being filmed? Etc. So this is not unlike putting together a puzzle, albeit hampered by a 70 years delay, during which most (but not all) of these people have perished and much (but not all) if the small village has been torn down and/or rebuilt. Like revealing an onion's layer after layer, more information is revealed to us. The film makers do an excellent job putting it all together in a way that combines history and mystery, paying tribute to the erstwhile population of a small Polish village whose Jewish population was decimated by the Holocaust. I readily admit I had not heard of this film, that is until I read NPR's list of the "50 Best Movies and TV of 2022" earlier this week, and I immediately knew I just had to see this. The fact that it is currently rated 100% Certified Fresh on Rotten Tomatoes certainly didn't hurt either. "Three Minutes: A Lengthening" is currently streaming on Hulu, where I caught it last night. If you have any interest in the Holocaust or Europe's pre-WWII era, I'd readily suggest you check this out, and draw your own conclusion.