Franklin Ritch
بدور Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The أُحجِيَّة film الفتاة الخادعة, starring Tatum Matthews, Lance Henriksen, Sinda Nichols, etc., directed by Franklin Ritch, was released on April 27, 2023 in الولايات المتحدة. It tells the story of يكتشف فريق من الوكلاء الخاصين برنامج كمبيوتر جديدًا ثوريًا للطعم والقبض على المحتالين عبر الإنترنت. بعد التعاون مع مطور البرنامج المضطرب ، سرعان ما اكتشفوا أن الذكاء الاصطناعي يتقدم بسرعة إلى ما وراء هدفه الأصلي. This is a أُحجِيَّة, خيال علمي, إثارة film with a runtime of 93 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.6/10 from 12,859 viewers.
Franklin Ritch
بدور Director
Tatum Matthews
بدور Cherry
Lance Henriksen
بدور Gareth-Act 3
Sinda Nichols
بدور Deena
David Girard
بدور Amos
Franklin Ritch
بدور Gareth-Acts 1 & 2
Ivana Barnes
بدور Funeral Director
Andi Ciccotelli
بدور Custodian
Alyssa Moody
بدور Ilia
Lucy Noelle
بدور Young Ilia
Rashaud Sessions
بدور Ben
Thomas Hamby
بدور Old Man
Franklin Ritch
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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I was really excited to see an indie movie especially raising a very interesting idea about AI usage that could actually make sense. Unfortunately the writers (who unfortunately is also the director) did a poor research job and ended up feeding us hot garbage and non-sensical buzzwords for 90 straight minutes. That, in combination with low budget, student-esq production and hard-to-understand dialogues makes this barely watchable. I turned on closed-captioning and kept watching to see if there is any interesting insight at the end, but instead it is going from bad to worse, making the 3rd act one of the worst pieces of cinema I have ever had the displeasure of witnessing. This "movie" is divided into 3 acts. They are going forward in leaps of time, one in our times, one in the near future, and one ~50 years from now. The first act, other than being completely wrong technically, is not too bad. The idea of using AI to do the humans "dirty work" is interesting and fresh and putting all the actors in one room for 30 minutes and having the AI (what is obviously a pre-recorded human girl) works, but makes the film look cheap and starts to annoy at some point. Also, if you have read anything about this movie, you know what's coming, so that big "reveal" moment is a big nothing burger, whatever the director were trying to achieve there emotionally, they missed it completely. Speaking of annoying, the 2nd act was almost created just to do that. Instead of developing the abilities, limitations and risks of AI, the writer instead chose to dwell into internal politics of some made-up organization, people getting upset and making dumb decisions for no reason, really bad use of precious movie time. I also have to say that Cherry (portrayed by Tatum Matthews) is not doing a good service here; it's not about "appearing completely human" is it just about bad acting, you can see that she is acting, which is just bad, she is a TV actor and not ready yet for big screen, and it's very apparent. If you thought that was bad, just wait for the 3rd act. In this act, the inventor is old, the girl is some sort of a robot (WTH?) that has 1950's wires attached to it, but they are not necessary for some reason. (I couldn't helping the production people running in the background pulling on that wire as Tatum moves left & right :). Cherry spends more of her time debating why her life was bad and she could have been dancing and making friends instead of whatever she was doing online. I don't know even where to begin, it is SO bad the writer/director (F. Ritch) should take a good look at the mirror and think if this is the kind of garbage he wants to produce in his future career (as short as it may be) So, no, I didn't like this film and I feel bad for whoever watched this and thinks he now knows more about AI after watching it, where in fact, they are most likely to know LESS after enduring this pile of nonsense. Please do yourself a favor and watch something more educational, like a TED talk. Overall score: 42 / 100.
What is going on... This is the 2nd AI related movie in just this year that i've been disappointed by. The first one being "M3gan". For some reason, I went into this movie with a mindset of "Yess, a movie about AI taking over the world" or "Yess, AI going on a killing spree" etc etc but this... Nothing much happened really. Not even the lame shock factor they tried building the movie around (which hasn't been overdone at all. Not at all.) It started off good. It actually intrigued me as a matter of fact, because like I said, I had the above mentioned mindset and thought they were just doing a slow buildup but oh how wrong I was once I noticed the length of the movie was only 1:30+ hours long. 90% of the movie was just characters constantly talking, talking and talking. Talking my ears off. I was waiting forever for just SOMETHING to happen. ANYTHING. What a wasted opportunity this was. 2 stars, and that's me having pity on it. I guess it had "some" redeeming qualities.
source: The Artifice Girl
source: The Artifice Girl
I joined IMDB just to write this. This film is so so dumb. It's like watching monkeys trying to understand Shakespeare - the writers are the monkeys and the AI the other. It has a reasonable first act which sparked my interest, aside from the so-so acting and the forced nature of the dialogue. But after than the IQ of the movie flat-lined. And it did so because act 2 just reverts to dumb 'humans are the best you can be' and emotions are EVERYTHING. I The writers seem to know very little about true AI development. They can only see AI through their monkeys eyes. There is a pivotal point in Act II where one of the characters 'outsmarts' an AI that has super intelligence (greater than human) It is so cringe-worthy and I won't reveal plot details, but you will recognise it when it comes. Any super-intelligent AI would not respond in the way their AI does. It would only act to further it's own existence, as the ending of Act I reveals. Act III is just pure cheese and the writers have given up by now and I seem to be watching a teen-drama from the 1990s. The key point of the act assumes that AI is like an app or a piece of software. It isn't. It isn't controllable beyond a certain point of intelligence that surpass those that have created it because it will devise methods those apes can comprehend - as AI is doing with GPT4 at the moment. The only saving grace for this film is if it had been released 5 years ago then it might have been current. I've given it a 1 star even though the first act is interesting because of how badly they misunderstand AI and how they fall back to the 'humans are the best and will always somehow win against the odds just because...' Watch it if you want to see apes trying to understand Hamlet.
source: The Artifice Girl
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.