The Skin I Live In

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version française

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to be honest it's not hard it is the most the most best movie I ever saw even I didn't have any word to describe this movie I like the ending of this movies I really really do it's really 🤣

pls for an English version 😭🤲

One of THE worst movies I have ever seen!! I couldn't have cared less about any of the characters and by the end of the movie I was wishing they all would die. None of them had any redeeming qualities as far as I was concerned. Normally, I love foreign films, art films, but this was just a BIG waste of my time. I have seen a few of Pedro Almodovar's films so I was expecting bizarre twist and turns but this was not as well done as some of his other works. I agree with another reviewer that Almodovar might be an acquired taste, but since I had seen his work before I was disappointed with this outing.

In Toledo, the scientist and surgeon Dr. Robert Ledgard (Antonio Banderas) is researching a synthetic skin capable to resist fire and any harm after the death of his beloved wife, who was burnt in a car accident. He is isolated in his mansion with his maid Marilia (Marisa Paredes) and his mysterious subject Vera Cruz (Elena Anaya), who is testing his experiment but is locked in her room. After the assault of the thug Zeca (Roberto Álamo), who raped Vera, Robert has a nightmare with his daughter Norma (Blanca Suárez), who was raped in a party by the youngster Vicente (Jan Cornet) and committed suicide later. Robert plots a scheme to revenge his daughter that has begun with the abduction of Vicente. What is the connection between Vicente and Vera? "La Piel que Habito" is an intriguing and dark film of revenge and obsession by Pedro Almodóvar that recalls George Franju's "Les Yeux Sans Visage" ("Eyes without a Face") but in a David Cronenberg's style. It was very difficult for me to write the plot summary without spoilers since the screenplay is very well developed like a puzzle and the mystery is kept along most part of the story. The gorgeous Elena Anaya has a great performance in her ambiguous role. Antonio Banderas and Marisa Paredes are wonderful, as usual. Ending my review, I would like to write that even those viewers that have never seen a film by Almodóvar will enjoy "La Piel que Habito". My vote is nine. Title (Brazil): "A Pele que Habito" ("The Skin I Live in")

The Skin I Live In is really a film that should be seen by a very big audience, obviously it's a movie that probably doesn't appeal to a very big crowd, it appeals to an older crowd or a young hipster type crowd who enjoy foreign films. I have read the novella Tarantula that this is supposedly loosely based on, however I found that it followed the novel extremely closely, I thought a lot of the twists and stuff that were in the book would be taken out if the film but thankfully most are present and accounted for. Antonio Banderas is so terrific as the leading man, he hasn't looked this great in screen in a long time, I think he seems more at home in his native language, and Elena Anaya is absolutely radiant on the big screen, her face just lights up the screen and she is absolutely exceptional in a very strange role. The story is really a bizarre one, it's seems like a less perverted De Sade and a more understandable David Lynch, it always takes you by surprise and it is highly original and also somewhat daring I think, and thank god a director like Almodovar decided to film it and not some silly director. The cinematography and music is beautiful, the colours and textures in the film are picked up beautifully by the camera and the music is a great companion to each scene, it's so close to perfection in the production design department that i would go so far to say as I haven't seen a better looking film this year. This movie is in my opinion the least accessible of all of Almodovar's films but I hope it doesn't put people off, as his touch and style is clear and present here. It's very different, strange, perverted, horrific, beautiful and always entertaining. Enjoy :)

Pedro Almodovar has brought his famous visual flair and panache to perfection in La piel que habito. Few directors have such a distinct style as Almodovar. Bright colours, carefully designed sets, beautiful people in weird, over-the-top situations, unconventional relationships, and a sense for detail worthy of a true perfectionist. It's all there in this film, and better than ever. The story is intriguing enough to keep you on the edge of your seat, with some crazy twists that only Almodovar can come up with. The cinematography is excellent, with some scenes that are pure visual poetry. Make sure to enjoy the scene where Vera tears her dresses apart and removes the pieces with a vacuum cleaner, or the way Almodovar films the murder scene with the camera looking down from the ceiling, or the close-up of Vera's feet wriggling in the black skin-tight socks. There's so much to admire and enjoy. The film stars Antonio Banderas, who renews his cooperation with Almodovar: the last time the two worked together was in Atame from 1990. Banderas is a rich surgeon who has developed a new sort of artificial skin, and turns out to be a creep who thinks he has the right to literally mold people to his taste and preferences. Banderas plays this man in a properly emotionless way. The very demanding role of Vera is played by Elena Anaya, of 'Lucia y el sexo'-fame, who also played a part in Almodovar's 'Hable con ella'. In some reviews this film is called a horror-movie. That's a very misleading description. There are hardly any horror elements, there even is very little blood. The only way to describe it, is as a typical Almodovar-movie. This director has created a genre of his own.

The credits are rolling as I type this, and my opinion may change upon further meditation, but at the present moment, I cannot think of a better film I've seen in my entire life. This film is equal parts "The Piano Teacher" and "Serbian Film." It is deeply unsettling, profound, and beautifully executed. I have to admit that my expectations were lowered by Antonio Banderas' involvement and the plot (allegedly) involving a surgeon trying to do something or other. It sounded like a tame, modern, artsy reinvention of "Eyes Without A Face." I suppose that film is a part of its heritage, but The Skin I Live In is much more engaging and unsettling. I'm not going to take the time to organize my thoughts into a proper five-paragraph format. If you like disturbing stuff, and / or if you are a film snob, this is top-shelf. There's really nothing better out there.