Graeme Campbell
bilang Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The komedya film Christmas à La Carte, starring Erin Agostino, Dillon Casey, Deborah Tennant, etc., directed by Graeme Campbell, was released on December 9, 2022 in Canada. It tells the story of when food correspondent, Carly, gets a shot at her own show, she is sent to Angel Heights to help Grant open his diner and film it as a Holiday special for her TV show. Will Grant and Carly open their hearts too. This is a Komedya, Drama, Romansa film with a runtime of 91 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.6/10 from 532 viewers.
Graeme Campbell
bilang Director
Erin Agostino
bilang Carly Hayes
Dillon Casey
bilang Grant Quinn
Deborah Tennant
bilang Delia Hayes
Maya Misaljevic
bilang Tess Quinn
Brittany Charlotte Smith
bilang Lena
Marcia Bennett
bilang Marian
Rex Hagon
bilang Gordie
Cory Lee
bilang Beth Walsh
Oksana Sirju
bilang Ramona
Stephanie Belding
bilang Martha
Nigel Downer
bilang Theo
Chris Tarpos
bilang Diner Customer
Chris Tarpos
bilang Christmas Festival Townsperson
Kelli Crawford
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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Although the script was predicable and had the usual snowball fight, cookie baking and misunderstanding it ended with the kiss. I thought the leads had good chemistry. I disagree with a previous reviewer who called them "uggos". When people judge a movie based upon the looks of the main characters, I wonder what the reviewer looks like. He also must be blind. In addition to being good actors, Erin Agostino is very pretty and Dillon Casey is quite the handsome hunk. The supporting cast was very good especially young Maya Misaljevic and Deborah Tennant. I liked the fact that the houses were not decorated too "over the top" ala Hallmark, but I wish these LA set designers would find out what real snow looks like. You don't have to show the dirty snow and slush, but having supposed day old snow look pristine only emphasizes the fact it's fake. FYI, poinsettias are a tropical plant and would never be outdoors in winter and if we have outside events we clear the walkways and festival sites.
Erin Agostino brings pride to all Montrealers for her starring role in this cute romantic Christimas movie. Her character Carly Hayes wants to host her own TV show. In order to clinch the deal she must do a profile on chef Grant Quinn's (Dillon Casey) new diner. The two do not hit it off at the start. Then they get close, followed by the typical misunderstanding. Grant has a young daughter, who adores Carly. Will they end up as a couple? Will they ever kiss? The ending certainly left the door open for a sequel.
This movie is everything you expect from a Christmas movie minus the tired trope of "big city woman must give up career to find love". The dialogue is snappy and clever, the actors have great chemistry, the set design is lush, and both main characters learn valuable life lessons through trial and error. I also really enjoyed how food and recipes are used as story teling devices - a very clever choice by the writer.
Up until the conflict in the story, this movie was totally derivative. It jumbles together the most common plot devices for a Christmas movie based on the premise where a reporter is sent to do an expose on a famous chef. In this case, it is a show producer, rather than a simple reporter, but the idea is totally the same. And there is no chance you can avoid predicting what will create that conflict. The boss calls seemingly every other scene to hurry up the producer and channel her efforts in a certain way. When Carly does it her own way and produces a simple hometown story, the network entirely reworks her production to make it a gossip piece, just exactly as expected. What takes place after that goes a little way towards rescuing the movie, but can only go so far. The ending and reconciliation are stretched out as Grant stubbornly refuses to listen to the facts, but there can't be an unhappy ending so he finally relents. Like so many Christmas movies, the leading lady has more chemistry with the daughter of her opposite lead, in this case Maya Misaljevic. It's hard to find much with Dillon Casey but there are a few good moments between them. I wasn't impressed with the acting of any of these three, but neither was it bad. The dialogue is likewise decent with some good moments but not sparkling. I think they could have improved the appeal of this movie by reducing the amount of nagging by Carly's boss and spending a little more time with Grant loosening up. As I said, the coming conflict was obvious because it was overplayed. Also, I would have liked a little less stubbornness on Grant's part at the end.
Christmas A La Carte (2021)- It's hard to believe that either of the leads could get a partner, they're both horrible people and don't really seem to get any better as the story progresses. I did like his intention to spend more time with his daughter, but it's easy to see that it won't last. To start with, I thought that his quirky look might be attractive, but he really didn't grow on me. In that respect they were perfectly matched, because I didn't like her face either. If I had realised that I didn't like him sooner, I would have turned it off, although it's not the worst I've ever seen. I tend to watch the ones with people that I like in so it keeps my interest and skip the others, as life's too short to watch uggo's! It's not overly Christmassy and could have been set at any time of the year with the same results. With that said, the story in general is nice and the acting is okay too. With nicer actors and better direction I think that they could have had a bigger hit, but this didn't appeal to me and I doubt I'll watch it again in the next 5-10 years. 5ish/10?
Magandang pelikula!
Up until the conflict in the story, this movie was totally derivative. It jumbles together the most common plot devices for a Christmas movie based on the premise where a reporter is sent to do an expose on a famous chef. In this case, it is a show producer, rather than a simple reporter, but the idea is totally the same. And there is no chance you can avoid predicting what will create that conflict. The boss calls seemingly every other scene to hurry up the producer and channel her efforts in a certain way. When Carly does it her own way and produces a simple hometown story, the network entirely reworks her production to make it a gossip piece, just exactly as expected. What takes place after that goes a little way towards rescuing the movie, but can only go so far. The ending and reconciliation are stretched out as Grant stubbornly refuses to listen to the facts, but there can't be an unhappy ending so he finally relents. Like so many Christmas movies, the leading lady has more chemistry with the daughter of her opposite lead, in this case Maya Misaljevic. It's hard to find much with Dillon Casey but there are a few good moments between them. I wasn't impressed with the acting of any of these three, but neither was it bad. The dialogue is likewise decent with some good moments but not sparkling. I think they could have improved the appeal of this movie by reducing the amount of nagging by Carly's boss and spending a little more time with Grant loosening up. As I said, the coming conflict was obvious because it was overplayed. Also, I would have liked a little less stubbornness on Grant's part at the end.
source: A Recipe for Joy
source: Christmas à La Carte
Although the script was predicable and had the usual snowball fight, cookie baking and misunderstanding it ended with the kiss. I thought the leads had good chemistry. I disagree with a previous reviewer who called them "uggos". When people judge a movie based upon the looks of the main characters, I wonder what the reviewer looks like. He also must be blind. In addition to being good actors, Erin Agostino is very pretty and Dillon Casey is quite the handsome hunk. The supporting cast was very good especially young Maya Misaljevic and Deborah Tennant. I liked the fact that the houses were not decorated too "over the top" ala Hallmark, but I wish these LA set designers would find out what real snow looks like. You don't have to show the dirty snow and slush, but having supposed day old snow look pristine only emphasizes the fact it's fake. FYI, poinsettias are a tropical plant and would never be outdoors in winter and if we have outside events we clear the walkways and festival sites.
Isang detalyadong pagtalakay sa mga kamakailang pagbabago sa presyo, kung bakit muling isinasaalang-alang ng mga user ang kanilang setup sa panonood, at kung paano suriin ang alternatibong workflow nang hindi nawawala ang iyong mga gawi sa pagtuklas.
Alamin ang tamang paraan para i-install ang Movie Box APK: mga pangunahing kaalaman sa bersyon muna, pagkatapos ay malinis na mga hakbang sa pag-install, at sa huli kung paano pumili sa TV, iOS, Web, at app usage paths.
Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.