Laurie Collyer
bilang Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The komedya film Furlough, starring Melissa Leo, Tessa Thompson, Edgar Ramírez, etc., directed by Laurie Collyer, was released on March 16, 2018 in Estados Unidos. It tells the story of when an inmate is granted one weekend out of prison to see her dying mother, a rookie correction officer struggles to keep her under control. This is a Komedya, Drama film with a runtime of 83 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.5/10 from 2,155 viewers.
Laurie Collyer
bilang Director
Melissa Leo
bilang Joan Anderson
Tessa Thompson
bilang Nicole Stevens
Edgar Ramírez
bilang Kevin Rivera
Erik Griffin
bilang Warden Borden
Drena De Niro
bilang Linda
La La Anthony
bilang Brandy
Damien Lemon
bilang Michael Evans
Suzanne Shepherd
bilang Elizabeth Anderson
Michael Chernus
bilang Bus Driver
Dolly Wells
bilang SA Group Leader
Anna Paquin
bilang Lily Benson
Whoopi Goldberg
bilang Moms
Edward M. Kelahan
bilang Ron The Delivery Driver
Lorenzo Beronilla
bilang Clerk
Lorenzo Beronilla
bilang Train Ticket Counter
Twinkle Burke
bilang Car Rental Clerk
Jerry Dean
bilang AA Leader
Jennifer Delora
bilang AA Member with Attitude
Barry Strugatz
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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source: Furlough
It's not Avengers and it isn't supposed to be. It's a relax enjoy a dramedy then move on story. Tessa Thompson saved the movie she was great. I liked this move 6/10.
I initially found this film a little tedious but it must do the groundwork because when we reach the pinacle emotional scenes, I have to say it came away with some profound points. That could be on incarceration, Life, and how time is spent for both Joan and her prison-guard. There's some social-realism here, which is why I think it attracted a good cast in Melissa Leo and Anna Pacquin particularly, as well as Tessa Thompson. Worth a look for that.
Definitely not great but not the worst. Either way it's watchable despite its cringey moments where the prisoner gets cuffs off and even free from the C.O. for a portion of time, which was ridiculous on many levels. Melissa Leo was pretty decent and so was the young Tessa Thompson; mediocre for what it is.
I really expect more from this movie. It has a number of my favorite actors. It had a good premise. I considered watching it again incase I missed something but decided against it. The story is ripe with plot holes. Melissa Leo has the strongest performance in my opinion. At least she could say she went to jail for bad decisions and with even being near the end of her sentence she would still make bad choices. I would guess either the director or writer were to blame for failed performances of Tessa Thompson and Whoopi Goldberg. At least the camerawork was good. Worth seeing once if you have the time and nothing better to watch. Hopefully whoever was at fault will improve their craft in the future.
Generally an endearing picture about love between mothers and their daughters, set in a quirky, warmhearted story. Good acting performances. Not a terrific movie, but quite nice. A funny female "buddy" movie about a female cop who has to escort a female convict to her dying mother. Things tend to go get out of control a bit along the way, resulting in some funny and some less funny situations. Small (10 minutes) , yet funny supporting role by Whoopi Goldberg, who is playing the mom of the police officer. Whoopi keeps calling her daughter while she has to escort the convict, resulting in lots of funny mother-daughter dialogues. Good fun.
This film tells the story of a correctional officer who escorts a prisoner for 36 hours for a death bed visit. The plot sounds like a heavy drama, but actually it is a light hearted comedy. The plot is funny, even thought there are no specific scenes that make me laugh out loud, it still cheers me up. I think both Melissa Leo and Tessa Thompson are great in the film. I enjoyed this unexpectedly sweet comedy.
Other than a good cast I'm not sure why this movie was made.
The movie is enjoyable to a certain level ,, but i kinda expected a comedy movie to be actually funny ,, i mean it was okay ,, heartwarming for some scenes but not funny ,,, i don't know ,, i think there was that one scene with the taser and that was it . The idea and the plot are original and had some potentials but the screenplay was so dull and not interactive.. I liked that intense Tessa Thompson character but still didn't rise to the occasion, same goes for Melissa Leo. I think i'm being a bit generous giving the movie a 4 stars review ,, just for the idea itself.
A young, struggling part-time correctional officer gets the chance to become full-time by escorting a prisoner to her mother's deathbed. She is obviously supposed to learn something from the experience of trying to chaperone an unruly but older prisoner. Instead of a script that might let them learn or bond, instead it's a series of scenes with them simply sitting together as they travel. Unfortunately, it feels as if the plot gets elements added to it to make it difficult. Most of what occurs in the trip seems to happen for no good reason, except to create situations where the inmate can escape, at least temporarily? Why, for example, would they be forced to take a bus and then a train to the mother (but then quickly return via rental car)? Why does the phone of the officer constantly ring or receive texts? Why do romantic interests appear and disappear as if put on the screen like chess pieces? In short, I wanted to like this movie but it seems a mess, and I kept wondering how much Whoopie Goldberg and Anna Paquin were paid for what must have been 2 days of shooting each (if that). The humour really doesn't work - painfully so. The script is dull at best, and the tone is sometimes too mournful for it's own good. If you are a fan of Orange is the New Black, any episode you've seen is better than this.
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Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.