Christopher Ray
bilang Director
English,Filipino,Franรงais,Indonesian,Kiswahili,Portuguรชs,ะ ัััะบะธะน,ุงูููุนูุฑูุจููููุฉู,ุงูุฑุฏูู,ููุฑูุดูู ููููุณ,เฆฌเฆพเฆเฆฒเฆพ,เจชเฉฐเจเจพเจฌเฉ
The aksyon film Shark Week, starring Yancy Butler, Patrick Bergin, Joshua Michael Allen, etc., directed by Christopher Ray, was released on August 15, 2017 in Estados Unidos. It tells the story of A group of complete strangers find themselves isolated by a wealthy madman on his island compound. This is an Aksyon, Pakikipagsapalaran, Katatakutan film with a runtime of 89 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 2.4/10 from 1,584 viewers.
Christopher Ray
bilang Director
Yancy Butler
bilang Elena
Patrick Bergin
bilang Tiburon
Joshua Michael Allen
bilang Cal
Bart Baggett
bilang Holt
Erin Coker
bilang Reagan
Frankie Cullen
bilang Frankie
Valerie K. Garcia
bilang Layla
Billy Ray
bilang Guerra
Meredith Thomas
bilang Francine
Robert Matthew Wallace
bilang Pete
Eric s Wilson
bilang Roger
Israel Wright
bilang Alejandro
Josh Williams
bilang Henchman #1
John Paul Bennett
bilang Henchman #2
D'Janine King-Lasky
bilang Woman on the Beach
Brittany Lasky
bilang Beachgoer
Liz Adams
bilang Writer
H. Perry Horton
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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This is not the movie ุฏู ู ุด ุงูููู ูุฑูุช ุชุฌูุจู ุงูููู ุงูุญูููู
source: Shark Week
Made for TV Asylum production. Do I need to continue? A wealthy cartel owner (Patrick Bergin) kidnaps a half dozen or so people to play a shark survival game. About 30 minutes into the film they figure out they were all somehow involved in his son's death. The shark footage look very different from the rest of the film, i.e. Ed Wood inserting stock footage into a film. Acting was sad as well as the dialogue.
Who ever did the editing needs to never work again.... I thought something was wrong with my TV until I played it twice... @ 29:30 to 29:53...the group walking down path jumped BACK ...5 TIMES LOL
That's my entire review, although I am required to type more, or they won't post my review. After watching a series of really good movies lately (Cafe Society, Don't Breathe, Hell Or High Water, among a few others) I apparently felt compelled to torture myself, and watched this, one of the worst films I've seen this year. This is nearly unwatchable, a poor combination/ ripoff of shark attack flicks, and torture flicks. The opening title sequence is rushed through in less than 30 seconds, before we are taken on a lengthy, choppy tour of the greater LA area, as a number of people are kidnapped, and taken to some fruitcake's home. They are on a remote island, and they must fight their way through a variety of shark-related traps if they wish to live. They must also realise the chains they are bound in are obviously so loose they are almost falling off. It turns out this group is responsible for their captor's son's death, and, one by one he kills them, in retaliation. Spoiler alert, I guess. There are so many logic loopholes in the derivative screenplay, that the entire ordeal makes little sense, the effects never even rise to the levels of "so bad it's good", this film is so awful that I can barely even compose my thoughts right now.
I don't mind seeing a man torn apart by sharks, but it strains my credulity when the sharks ROAR while they do it. The 8 kidnapped victims all have their hands locked in chains, but the chains are so loosely wrapped it shouldn't take them more than two minutes to get loose. And that's the biggest problem with this movie, and why I stopped watching it after 15 minutes: whoever thought this movie was worth the cost of making it wasn't too tightly wrapped, either. This review system requires me to write at least ten lines of text; sadly, the movie isn't even worth that much of a review.
Horrible movie but still fun and cheesy. Guilty pleasure for sure. I enjoy B movies lmao.
Another entry by The Asylum so you all know what that means, trash. But I gave it a go due the director (Christopher Ray) being the son of Fred Olen Ray. Maybe that should ring a bell too, Fred's flicks aren't that great too but it has it followers. Still, you know that the Asylum do uses a lot of CGI and not the kind that will win an Oscar. The story itself doesn't make any sense and the acting is far below zero. Just look at the opening sequence. A shark in a swimming pool, really, the pool isn't that big at all but still the shark looks big. From there on it's a bit of a Saw story. try to survive a battle with all kind of sharks. All CGI and sometimes it's okay but most of it all it looks ridiculous. There's no blood to mention. Oh sure, the sharks do bite but the fight between humans and sharks isn't believable at all. A lot of clichรฉs all over the flick, but no suspense at all or even horror. Clocking in at 90 minutes it surely felt like a week, a shark week; Gore 0/5 Nudity 0/5 Effects 1/5 Story 2/5 Coledy 0/5
What a shame for the actors to play a movie as bad as this. 2012? as if it was made in Charlie Chaplin era. I swear it was the worst movie I have ever seen. Worst acting worst Director worst special effects worst music . I have no idea how was this movie released . We should be able to sue them for waisting our time & money on a movie as bad as this. I would give not 1 but -10 for this movie. I don't understand how come the producers put money on films as bas as this movie. Where do they go and learn directing or producing a movie as bad as this one. I swear if I watch an arabic movie made back in the 60's it would have been much better then this. It is really the worst ever movie I have watched in my life. Even in cartoons they make better special effects then this movie.
No real acting, bad cgi, no story ... but so much fun to watch. I've never seen a guy running around with a landmine under his arm, there is a first time for everything I guess ๐๐๐
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.