Nicholas Winter
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The drame film A Dark Path, starring Makenna Guyler, Mari Beaseley, Thomasin Lockwood, etc., directed by Nicholas Winter, was released on August 10, 2020 in Royaume-Uni. It tells the story of Two girls in Eastern Europe are on their way home from a hen party in a car with no GPS signal. They're headed for a very unusual forest. Local people will not venture into this forest. This is a Drame, Horreur, Mystère film with a runtime of 75 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 2.7/10 from 931 viewers.
Nicholas Winter
dans le rôle de Director
Makenna Guyler
dans le rôle de Abi
Mari Beaseley
dans le rôle de Lilly
Thomasin Lockwood
dans le rôle de Hanna
Jimmy Essex
dans le rôle de Peter
Annabelle Mackinnon-Austin
dans le rôle de Jessica
Grace Long
dans le rôle de Claire
Elle Anderson
dans le rôle de Club dancer
Ade Dimberline
dans le rôle de The Creature
Eric Iverson
dans le rôle de Club dancer
Emma Louise Smith
dans le rôle de Club dancer
Nicholas Winter
dans le rôle de Writer
La disponibilité peut varier selon le pays, la langue et la fenêtre de sortie. Certains titres sont inclus dans les abonnements aux plateformes, tandis que d'autres peuvent nécessiter une location, un achat ou un accès via l'application. Les catalogues de streaming et les accords de licence étant régulièrement mis à jour, les options de lecture peuvent évoluer. Pour une expérience de visionnage optimale, consultez la fiche la plus récente sur le service choisi et vérifiez la prise en charge régionale, les sous-titres et la compatibilité de l'appareil avant de commencer.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
Téléchargez les derniers paquets MovieBox pour mobile, les versions FM et les APK compatibles TV. Choisissez le paquet adapté à votre appareil et à votre région, puis suivez le guide d'installation officiel pour une compatibilité et une sécurité optimales.
source: A Dark Path
Had to use closed caption to understand dialogue. What bothered me after they found the second car, was why didn't they think to get that cars spare. Both cars were small size models. Spare would have worked. Change out movie over. Been best to leave out finding second car.
As low budget UK horror films go, this one at least kept my interest. A lot was left to the imagination (always a good thing for me). Yes, I know this kind of genre has been done to death, and the acting was a little more than wooden. However, as mentioned before, it held my attention. I do recommend this to those of us that can still use our imagination.
I would have rather that the movie just be 74 minutes of dark and silence. This was really annoying but I did make it to the end with the creatures and the lights!!!! Nice one. 2/10
Mediocre idea of a film that was fairly acted. But nothing special. Ultimately a creature feature that was too low budget. And the plotting wasn't flushed out well. Add an abrupt ending for no conclusion, this film falters majorly. A couple extra stars went for the lead actresses.
Waste of rental money. Tedious. Lacking in any atmosphere or tension. Poor acting. Ist year film school project but with bigger budget?
Two female characters with a contentious relationship, travelling alone at night on a lonely, deserted road in the middle of nowhere. A murderous creature stalks them. This basic premise applies to both "A Dark Path" and to "The Monster", but the latter is by far the better of the two movies. Based on other reviews that I read here, I expected "A Dark Path" to be much worse than it actually was. The relationship between the uptight, authorative older sister and the smart alecky, free-spirited younger sister was carried off well enough by the two lead actresses. When their rental car breaks down, they don't do anything abysmally stupid, like splitting up and wandering off in the dark to find help. The tired old "Oh no, there's no cell service here!" ploy is used, though. "The Monster" managed to avoid falling back on this stale trope, and actually uses the fact that there IS cell service to add to the creature's body count. As with the female lead in ""The Monster", there are emotional revelations between the two sisters in "A Dark Path", but it takes a lot longer for anything to actually happen in the latter than it took in the former, in terms of the creature in each movie. The creature effects in "The Monster" were much, much better. "A Dark Path" isn't the worst monster/horror movie that I've ever seen, but it is much closer to the worst than it is to the best.
Some potential with no delivery. Took forever to get to path. Took forever for cheap antagonist to be revealed. Worst inconclusive ending ever.
Wow this British film is so amateurish. I don't know what camera in which this movie is filmed but it looks so dated. It feels like a low budget TV movie made in the 1990s. Please avoid as the monster also look like it was taken from a computer game from that era or a cheap wannabe swamp thing. Ps this film is very dark but maybe it is done to hide the deficiency of this cinematography.
Seriously...Is the worst movie I've watched so far😤😤. Who the h£ll directed this movie. So what went through their minds after watching it themselves. For this kind of movie, I bet anyone can direct 🚶🚶
Un décryptage détaillé des récents changements de prix, des raisons pour lesquelles les utilisateurs repensent leur installation et de la façon d'évaluer une solution alternative sans perdre vos habitudes de découverte.
Découvrez la bonne méthode pour installer l'APK Movie Box : d'abord les bases de version, puis des étapes d'installation propres, et enfin comment choisir entre TV, iOS, Web et application.
Une critique détaillée expliquant pourquoi Project Hail Mary se distingue en 2026 : qualité d'adaptation, narration scientifique, profondeur émotionnelle et réactions du public.
Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.