Tom Tykwer
dans le rôle de Director
English,Español,Filipino,Français,Indonesian,Kiswahili,Malay,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The comédie film Un Hologramme pour le Roi, starring Tom Hanks, Omar Elba, Sarita Choudhury, etc., directed by Tom Tykwer, was released on April 28, 2016 in Royaume-Uni. It tells the story of Un représentant des ventes américain raté cherche à récupérer ses pertes en se rendant en Arabie saoudite et en vendant le produit de son entreprise à un riche monarque. This is a Comédie, Drame, Romance film with a runtime of 98 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.1/10 from 49,523 viewers.
Tom Tykwer
dans le rôle de Director
Tom Hanks
dans le rôle de Alan
Omar Elba
dans le rôle de Yousef
Sarita Choudhury
dans le rôle de Zahra
Sidse Babett Knudsen
dans le rôle de Hanne
Tracey Fairaway
dans le rôle de Kit
Jane Perry
dans le rôle de Ruby
Tom Skerritt
dans le rôle de Ron
Michael Baral
dans le rôle de Young Ron
Lewis Rainer
dans le rôle de Young Alan
Alexander Molkenthin
dans le rôle de Kid Alan
Xara Eich
dans le rôle de Young Kit
David Menkin
dans le rôle de Brad
Christy Meyer
dans le rôle de Cayley
Megan Maczko
dans le rôle de Rachel
Ben Whishaw
dans le rôle de Dave
Eric Meyers
dans le rôle de Eric Randall
Khalid Laith
dans le rôle de Karim Al-Ahmad
Amira El Sayed
dans le rôle de Maha
Dave Eggers
dans le rôle de Writer
Tom Tykwer
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
Bon film !
Bon film !
Bon film !
the 2025 they were talking about finally came
source: A Hologram for the King
I'm from Saudi Arabia, so I'd write a comment about this movie, but above all .. Are all Americans venerate their buildings through the demolition of other buildings or distorted? I felt humiliated to portray a national representative of this form of love, because I did not feel that this land my land or my habits habits. All human beings feel the lack of others because they do not agree with everything, but the intellectuals of them know how to respect those differences. When I come to America, I feel they have some deficiencies, but I respect their unwillingness to those things. My American friends .. We are friendly and welcoming guest and respected, even if the back of us terrorists or stupid, that's because we are human beings even as others. My American friends we disagree with what you think, about us, and you are different from what you Tsouron, so be realistic in Ovlamkm .. This is not mainstream. Do not demolish buildings to show Bnatm others, and respect the difference. Then I did not understand What is the message to be delivered from this film?
"I think we should expect the unexpected." Alan (Hanks) is a businessman who is struggling and who's life is falling apart. He is sent to Saudi Arabia in order to convince the king to use his company's technology. When he gets there it is not at all what he expected, and in the middle of the desert Alan begins to really discover who he is. This is a movie that isn't bad but really comes down to the fact that Tom Hanks is such a great actor that he carries the movie on his own. By that I mean that this movie isn't all that exciting and may not have been made if not for Hanks. He can turn a barely watchable movie into something much better than it should be just by his skills alone. Essentially his character spends his time waking up late and riding in a taxi only to be told that the king isn't here today. Over and over. The caliber of Hanks really adds depth and emotion to this character and makes the movie worth seeing. Very few actors can do that. Overall, an OK movie at best but Hanks makes this watchable and he is the real reason to watch this. I give it a B-.
Tom Tykwer's movie with Tom Hanks. A businessman travels to Saudi Arabia. The portrayal of Saudi people using American/European actors was cringe worthy. Do you expect me to suspend my disbelief when every Saudi person speaks perfect English with no Arabic accent and women wear makeup and look European? If you're making a movie that is supposed to take place and be filmed in Saudi Arabia, don't PC wash/"Europeanise" it. That's bullshit. The movie itself wasn't interesting and I lost interest after less than 20 min.
Recently divorced Alan Clay (Tom Hanks) is a struggling salesman who is sent to Saudi Arabia to get the king to purchase an I.T. program that uses holograms. He is on a tentative basis with his daughter Kit (Tracey Fairway) and is afraid he won't be able to pay for her college. Still she is supportive of him. Sometimes I wonder why some movies are made in the first place as nothing really happens although we are kept waiting for something to happen. Sad. Alan undergoes a mild culture shock and one would think anyone going to a new country with far different cultural mores would - at the very least - learn some basic language greetings, and of course, his "howdy" doesn't do it. He asks for a beer in the hotel and is told it is not allowed. He meets a Saudi woman doctor Zahra (Sarita Choudhury) who is in the process of getting a divorce and he falls for her. At times they are both alone (Whaaaat?) Zahra does treat him for a cyst on his back. It is my understanding that woman doctors in Saudi Arabia only treat women. He experiences numerous delays that hinder meetings to get his company's product presented. Alan does have a good relationship with his driver, Yousef (Alexander Black) but Yousef always has to check to see that his car won't be blown up by the husband of the wife he is sleeping with. Their banter in the car is pretty good, but the problem is this: Alan's driver would be a nationality other than a Saudi and not a Saudi. Alan sees mannequins in a store window that sport bikinis. Why the Director allows something like this that would never be allowed in this country is beyond me. Yousef brings Alan to his family who live in the mountains and he asks Alan if he would fight for him should Yousef decide to join a revolution. It is here we think the main plot will take form, but it seems those script pages were lost in the desert winds and this goes nowhere. When will something happen? We are besides ourselves. Wait. Wait. Alan has a date with Zahra the woman doctor who takes him to her home and they go snorkeling and we see her topless in the water with Alan. (Whaaaaat??) Is this it? The main plot? Sadly, no. Sad. I don't know what city he is in, but the first time he enters the hotel he is greeted by the desk clerk with, "Welcome to the Hyatt Hotel, Jeddah." This is very strange as Alan is told the person he was to meet was not there and is in Jeddah. (Say what?) Maybe I heard it wrong. The clerk says this every other time Alan enters the hotel. Apparently, Tom Hanks is miscast in this. His facial expressions to indicate humor fail. Not good. There is nothing funny in here. The banter in the car with Yousef almost serves as comic relief, but again those script pages were eaten by camels and although the banter is good, it is not ha ha funny, and a far cry from a LOL funny. Apart from uncomfortable scenes within the Denmark Embassy with an aggressive Hanne (Sidse Babett Knudsen) nothing happens and we are lost. In this Embassy we see suggestive dances, make-out sessions, drug and alcohol use. Again, we wonder why some movies are made and why some A-List stars bother to be in them. Nothing happens to pique our interest. Nothing. Sad. Very sad. (4/10) Violence: No. Sex: No. Nudity: Yes, the snorkeling scenes. Language: No
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.