Danny J. Boyle
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The comédie film Lune de miel et Cœur brisé, starring Rebecca Dalton, Edward Ruttle, Spencer Lord, etc., directed by Danny J. Boyle, was released on July 27, 2021 in Canada. It tells the story of when Ava's fiancé leaves her at the altar, she's determined to enjoy her honeymoon without him. Time away in a beautiful setting helps her figure out what she truly wants, but when her fiancé shows up, she's more confused than ever. This is a Comédie, Romance film with a runtime of 89 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.8/10 from 568 viewers.
Danny J. Boyle
dans le rôle de Director
Rebecca Dalton
dans le rôle de Ava
Edward Ruttle
dans le rôle de Brett
Spencer Lord
dans le rôle de Kyle
Jocelyn Gauthier
dans le rôle de Bonnie
Brendan Taylor
dans le rôle de John
Ryan Cowie
dans le rôle de Chuck
Brian Mack
dans le rôle de MC
Nick Preston
dans le rôle de Handsome Man
Pricilla Mudaliar
dans le rôle de Clerk
Mark Valenti
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
I agree with all of the other reviews. The main female character was extremely extremely annoying. Her controlling ways were the reason the fiancee broke up with her. Yet he is groveling to get her back. I totally wasted 2 hours of my life.. I had a sneaky suspicion this was written by a man. I was correct. I would hope no woman would ever write a female character like this without having her come too some self realization & improvement of her character flaws. She should have strongly accepted fault for the problems in the relationship. SERIOUSLY, pass on watching this.
Did ANYONE actually finish watching this film ??? Is this what film Directors have resorted to ? Making this puerile idiotic stuff ? I wonder how old the Director, Scriptwriter and Producer was - around 15 judging by the quality of this. I started to wonder if it was a Training Film for would be actors and directors in how not to act or make a movie ! Everyone from actor upwards need to go back to Drama School, because this film insults the intelligence of the audience. - and I only watched 40 minutes - yes I lasted THAT long.
This movie was nauseating. The girl is self absorbed and awful and when her fella finally gets the gumption to dump her, I cheered. Then he goes crawling back to her and she plays the victim! She never really took ownership of the fact that she was controlling, demanding and deserved to be dumped and the whole last part of the movie was him doing everything to win her back, which she did NOT deserve. 2 male leads and sister were very likable enjoyable characters. If this were real life, the guy needed TO RUN, or end up in a different type of Lifetime movie.
One of the worst plots I've seen. Could have been good if there was even one acknowledgment that the bride was a lunatic and control freak, but her only admitted faults were being an avid planner and spreadsheet preparer. Her partner had no say in any aspects of their relationship, and even at the dang ending she's forcing him to do something he doesn't want to do. Love of my life? Only if he's got Stockholm Syndrome. I watched it only because I like Edward Ruttle. Only Bonnie and John made it worth watching to the end.
There is a huge chance that the writers got hit by the bus just before writing this stupid movie. Classic bimbo is the protagonist who remains as such.
The female lead (Ava) was manipulative and self-absorbed. The male lead (Brett) was dangerous because he repeatedly failed to call Ava on these genuinely horrible character traits, just to avoid rocking the boat. When they reunite at the end of the movie, she did not acknowledge her failures, and he continued to grovel to preserve the relationship. It was beyond frustrating to watch a movie where there was no character development. It's as if the writers could see bad conduct, but they had no idea how to move a character in the right direction.
My husband and I started watching this movie, but the female lead was so annoying that we had to turn it off. She was self absorbed and terrible. Usually there is a redeeming quality somewhere that you can see that makes you want to watch and see if she comes to some realization of how she needs to change, but we couldn't see any positive in her at all if I can't root for the main character, I can't enjoy the show.
A few minutes into the movie I thought the annoying Ava was going to realize how unreasonable and insane she is over the next two hours, but instead she just got more annoying and more insane, with no one calling her out. Was she the good guy in this story? All these men throwing themselves at her, but why? Half way through I am still unsure who the good guy of this movie is and who she was going to end up with. With half an hour left of the movie, maybe Brett is actually the main character and the good guy? I have no idea what is going on. There's barely any character development for anyone in this movie. Also the sister talks about her dead husband as if he is alive and right next to her which was weird. If I get to the end of this movie it will be because there is nothing else on tv.
One of the worst movies I have watched recently. Lead actress was annoying and the former fiance was worse. The ending was awful. The only good thing about this movie was the sister and her new man.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.