Ken Kwapis
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The adventure film Randonneurs amateurs, starring Robert Redford, Nick Nolte, Emma Thompson, etc., directed by Ken Kwapis, was released on September 2, 2015 in États-Unis. It tells the story of after spending two decades in England, Bill Bryson (Robert Redford) returns to the U.S., where he decides the best way to connect with his homeland is to hike the Appalachian Trail with one of his oldest friends, Stephen Katz (Nick Nolte). This is an Adventure, Biographie, Comédie film with a runtime of 104 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.4/10 from 31,989 viewers.
Ken Kwapis
dans le rôle de Director
Robert Redford
dans le rôle de Bill Bryson
Nick Nolte
dans le rôle de Stephen Katz
Emma Thompson
dans le rôle de Catherine Bryson
Mary Steenburgen
dans le rôle de Jeannie
Nick Offerman
dans le rôle de REI Dave
Kristen Schaal
dans le rôle de Mary Ellen
R. Keith Harris
dans le rôle de Sam Bryson
Randall Newsome
dans le rôle de TV Host
Hayley Lovitt
dans le rôle de Donna
Linds Edwards
dans le rôle de Darren
Susan McPhail
dans le rôle de Beulah
Andrew Vogel
dans le rôle de Young Hiker #1
Derek Krantz
dans le rôle de Young Hiker #2
Gaia Wise
dans le rôle de Becca
Tucker Meek
dans le rôle de Grandson
Chandler Head
dans le rôle de Granddaughter
Sandra Ellis Lafferty
dans le rôle de Widow
John Schmedes
dans le rôle de Gene
Michael Arndt
dans le rôle de Writer
Bill Holderman
dans le rôle de Writer
Bill Bryson
dans le rôle de Writer
La disponibilité peut varier selon le pays, la langue et la fenêtre de sortie. Certains titres sont inclus dans les abonnements aux plateformes, tandis que d'autres peuvent nécessiter une location, un achat ou un accès via l'application. Les catalogues de streaming et les accords de licence étant régulièrement mis à jour, les options de lecture peuvent évoluer. Pour une expérience de visionnage optimale, consultez la fiche la plus récente sur le service choisi et vérifiez la prise en charge régionale, les sous-titres et la compatibilité de l'appareil avant de commencer.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
Téléchargez les derniers paquets MovieBox pour mobile, les versions FM et les APK compatibles TV. Choisissez le paquet adapté à votre appareil et à votre région, puis suivez le guide d'installation officiel pour une compatibilité et une sécurité optimales.
Bon film !
source: A Walk in the Woods
OK, Walk In The Woods is far from being Bryson's best book but never in the history of film making could so many people spend so much time and money to come up with such a flat uninspiring movie. In the film, Bryson describes a book as "Television for the intelligent". Here, substitute "television" for "this film". Just look at the credits - a vast number of people seem to have been needed to create all sorts of trickery - but this wasn't Life Of Pi - it should have been a nicely filmed simple low to medium budget film that capitalised on Bryson's wit, yet that was all lost to make it easy for some sections of society to understand it. It cheapens Bryson and I really wonder why he got involved at all - surely he doesn't need the money that badly. Redford never looks comfortable in his role and Nolte has an easy job playing an old soak - hardly an Oscar performance from either. Redford - surely you didn't need the money that much either? Cinematography was vanilla at very best, missing the beauty of the area entirely. Or, did I miss the point - was it meant to be funny rather than witty? It was neither folks. I'm sad for everyone associated with it. Don't buy the CD, buy the book - it is 100 times better - Bill deserves more than this.
Over the Labor Day weekend, 2015, I saw A Walk in the Woods in Santa Fe, NM. I love Bill Bryson's book and I loved this movie. I have hiked the Appalachian Trail in 6 of the 13 states. Since I may never return to the East Coast, I am thrilled to have gone on this inviting, cinematic journey. Casting was spot on and the ageless, incomparable Robert Redford personified Bill Bryson, in my humble opinion. Emma Thompson shines as his devoted wife. Though the hilarious Nick Nolte provided many well deserved laughs, I was genuinely touched by the friendship between Redford and Nolte's characters .The soundtrack was wonderful, never interfering with the dialogue. From what I could tell in the movie theater, the rest of the audience shared my enthusiasm. In a time of endless futuristic, apocalyptic movies, this one is a real breath of fresh air.
A Walk In The Woods by Bill Bryson, is one of my favorite books. I eagerly went to see the movie, the amazing cast being an extra attraction. Sadly, I wasted my money. Don't bother. My favorite line in the book comes when Bryson and Katz are trying to hitch a ride to town for supplies. Katz sniffs his armpit and says "no one is going to pick us up - I smell like Jeffrey Dahmer's refrigerator." Nick Nolte's line is, wait for it, "we smell really bad." That sums it up. Everything funny was reduced to unsalted mush. As for the hiking; it was painful to watch Nick Nolte clinging to the side of a hill on a six foot wide path, to watch them stumble into a creek that a child could have run over and the scene where Bryson is outside a motel room with a bathrobe on? Who the hell goes on a cross country hike and carries a bathrobe in their pack? Sadly, the movie is so very bad that it might put people off from reading the book. That would be a shame.
I just walked out of "A Walk In the Woods", and didn't look back. Bryson's book is among my most favorite reads, and is so worthwhile, but the film is awful. All of the things that I love about the book, Bryson's humor, his incredibly dense style of wordsmithing, and his hugely informative side bars, must have ended up on the cutting room floor. The actors, had zero chemistry, and were twice as old as Bryson, and Katz were, when they attempted the trail, and a lot of the attempts at humor would have made much more sense with younger actors. The story line was jumbled compared to the book, and made hardly any sense.
The book _A Walk in the Woods_ is a literate contemplation of some of life's big questions, spurred by a hike along the Appalachian Trail. It contains plenty of Bill Bryson's trademark wry humor. The movie _A Walk in the Woods_ is entirely different. It throws lots of exaggerated slapstick scenes at the viewer, trying for cheap laughs rather than anything deeper and richer. I found Nick Nolte's character overdramatic and consistently annoying. Meanwhile, Robert Redford portrayed Bill Bryson as a taciturn parody of the actual person; we've seen this sort of world-weary loner performance from him more than enough in other films. And, as others have pointed out, Bryson was in his mid 40s when he attempted to hike the Trail; Redford is nearly 80. This gives the story a very different flavor. Minor characters were used to add sparks, but they generally made goofy impressions before disappearing. Mary Steenburgen (a favorite actor of mine) depicted a motelkeeper who appeared oddly smitten with the much older Redford. (There was a theme here; Redford's wife was played - over-emotionally and under-sensibly - by Emma Thompson, who is vastly younger than him.) I kept expecting other characters to reappear, but almost none of them did; the movie is so short that I wonder if some reappearances were filmed but edited out. This film was obviously not meant to be an accurate translation of the book. But I liked reading it a lot better than I liked watching it.
Although the characters portrayed are probably older than me, I could relate to aspects of combining nature, friendship, and fresh air that goes along with hiking anywhere. I am an outdoors-man and I knew I would like this movie like I did, simply because of the hiking, camping, and philosophical air. Of course, the actors made the movie even more enjoyable for me as I thought about past entertainments from this crown and began to remember how they made me laugh in the past and take life in strides and enjoy. I recommend watching this movie simply to inspire people to step out of their normal routines once in while, get a level set, and remember to enjoy life versus stress over it all of the time.
Based on the 1998 book/memoir of the same name by Bill Bryson, 'A Walk in the Woods' is a sweet, simple & uncomplicated film, that turns out to be nice fun. Its also supremely well-acted, although that barely comes as a surprise, since the performers on-screen are legends. 'A Walk in the Woods' Synopsis: After spending two decades in England, Bill Bryson returns to the U.S., where he decides the best way to connect with his homeland is to hike the Appalachian Trail with one of his oldest friends. 'A Walk in the Woods' is sweet look at age, adventure & friendship. Watching the senior protagonists go on a trip in the wilderness, offers moments of warmth & subtle humour. However, the film plays it safe at all times & hence it turns out be a good watch, but nothing memorable. Its harmless, but never remarkable. Bill Holderman & Michael Arndt's Screenplay is nicely done. although its too simple in totality. Ken Kwapis's Direction is passable. Cinematography captures the wilderness well. Editing is sharp. Nathan Larson's Score is super. Performance-Wise: Robert Redford & Nick Nolte are delightful. They create a fabulous on-screen camaraderie & carry the film on their ever-reliable shoulders. Emma Thompson shines in a brief role. Mary Steenburgen, however, is tiresomely typecast. On the whole, 'A Walk in the Woods' is worth a watch.
It's hard to imagine a more flaccid attempt at a road movie than this. Dialogue performed with a stiffness that should have been reserved for their knees, barely a decent shot, no attempt at capturing any sense of light, which should have been fairly simple considering the locations, and with any pointed comments about modern America present in the book swiftly removed in favour of trite Hallmark sentiment. Redford was so poor, it really was like watching one's granddad in his doddering twilight years at some points, so different from the assured performance in All Is Lost last year. He looked embarrassed. And I've always struggled with Nolte but in this he really ups his game as it was hard not to tear my eyes and ears away whenever he was on screen. I desperately wanted to leave but felt it would be rude on the many grey pounders who were in the cinema – one small section apparently enjoying jokes and situations that were aged in 1954 and were signposted roughly that far in advance in this script. One redeeming feature: I think I know what it is to be old and frail now, as this film made me feel that way it was so lacking in spirit and verve.
Un décryptage détaillé des récents changements de prix, des raisons pour lesquelles les utilisateurs repensent leur installation et de la façon d'évaluer une solution alternative sans perdre vos habitudes de découverte.
Découvrez la bonne méthode pour installer l'APK Movie Box : d'abord les bases de version, puis des étapes d'installation propres, et enfin comment choisir entre TV, iOS, Web et application.
Une critique détaillée expliquant pourquoi Project Hail Mary se distingue en 2026 : qualité d'adaptation, narration scientifique, profondeur émotionnelle et réactions du public.
Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.