Andrew Gaynord
dans le rôle de Director
The TV series A Whole Lifetime with Jamie Demetriou, created by Jamie Demetriou and produced by an unlisted studio, first premiered on February 28, 2023 in Royaume-Uni. The series spans 0 seasons with 0 episodes, featuring the voices of Jamie Demetriou, Ellie White, Sian Clifford, and Katy Wix. It follows the story of A womb with a view, awkward adulthood, the not-so-golden years. Journeying through life's stages with Jamie Demetriou in a musical sketch-comedy special. This is a Comédie series and has received a rating of 6.1/10 from 710 viewers.
Andrew Gaynord
dans le rôle de Director
Jamie Demetriou
dans le rôle de Baby in womb
Jamie Demetriou
dans le rôle de Chesha's Boyfriend
Jamie Demetriou
dans le rôle de Kieran
Ellie White
dans le rôle de Chesha
Ellie White
dans le rôle de Ellin
Sian Clifford
dans le rôle de Nafaf
Katy Wix
dans le rôle de Bav Davison
Emma Sidi
dans le rôle de Faye
Lloyd Griffith
dans le rôle de Brian the Milkman
Al Roberts
dans le rôle de Sigmund the City Boy
Kiell Smith-Bynoe
dans le rôle de Saul
Jon Pointing
dans le rôle de NickNick J
Sunil Patel
dans le rôle de Tom
Phoebe Walsh
dans le rôle de Gina
Ben Ashenden
dans le rôle de Fred
Alexander Owen
dans le rôle de Craig
Stan West
dans le rôle de Doctor Dance
Bella Glanville
dans le rôle de Georgina
Will Hislop
dans le rôle de Stewart the City Boy
Christopher Jeffers
dans le rôle de Vin
Charlie Wernham
dans le rôle de Dr. Jack Twins
Jamie Demetriou
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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At the time of this review of 1st episode the RT rating of 80% and imdb 6/10, but I seriously question the validity of these scores. It's structure seems similar to Monty Python's "Meaning of Life", but it's unwatchable. I found it painful, awkward and boring. I stopped watching this after 13 min. Most of the characters that I saw were unlikable gross caricatures with shallow insights. The music did not add anything to the content. The only thing of mild interest was slap stick comedy, but it felt empty and repetitive. I normally don't bother criticising comedy, but this was awful enough that it deserved a PSA.
Demetriou's solo debut for Netflix is a mixed bag but so gloriously entertaining and rammed with star quality that I'll happy hold it. The mixed bag, I mean. I'll hold it until someone wants to pick it up. Did the central premise work? Not really. Did some of the sketches go on about 10% too long? Yes they did. Did I regularly release an audible hoot of such intense magnitude that my ceiling partially collapsed? Yes I did. Look at these names: you've got Silcox in there, the lesser-seen Jonny Sweet, the legendary Katy Wix. I could keep going. This is yes, admittedly, a mixed bag that I am still holding for some reason but I like doing it and I don't intend to stop.
Loved Stath, but didn't get series 3 as much as the others, so was unsure if I'd given Jamie and his regulars too much credit. However... His Comic Relief sketches were inspired, doing his own thing to the max, then a great song by the ensemble. Wasn't sure about this Netflix special, but stuck the trailer on and was intrigued (the old hospital man needs his own series!). So glad I watched it - I honestly think it's the funniest thing I've watched in the last few years. Some of the sketches were incredibly fresh and unexpected. I've only docked a star for the Best Man sketch, but probably being a bit mean. The only thing similar (to me) is I Think I Should Leave, but both are unique. Want more more more now, but will gladly watch this again, whenever I just want a laugh. Thanks.
Jamie Demetriou had me in stitches in the wonderful "Stath Lets Flats" but here he barely raised a few smiles amid periods of sheer unfunniness. Some of the ideas were potentially funny and just misfired, others didn't seem to have much purpose at all, and, irritatingly, just once in a while something looked like it might really gel but usually didn't. In other words, this was a big disappointment and I'm wondering why. Maybe it was the format, maybe it was the lack of a truly sympathetic supporting cast (in marked contrast to the spot-on ensemble in "Stath"), maybe it was a result of trying to squeeze too many ideas into too short a time frame. Regardless, this is not the place to see the best of Demetriou.
Absolutely crying whilst watching this. Yea I appreciate that if you don't get his off the wall humour it'll probably disappoint. It's so Steve coogan and British cringe comedy. I love it. I need more of this lol. Don't be dismayed by the 1/10 ratings. Watch it and make your own opinion. It sums up perfectly how it feels to grow up and the awkwardness of teenage life to adulthood. The joke specifically in the office and the gag was absolutely hilarious. I love stath and I love the comedy in both of these shows I hope Netflix make more of this because it's bloody brilliant Well done Jamie and everyone involved!
Jamie Demetriou is a fantastic comedy creator and Stath Lets Flats is genuinely great - unique, heart-warming and full of loveably quirky characters. This show was utterly painful to watch; predictable punchlines, oddly lacking flow between actors, almost as though they were a little embarrassed by the script, and full of bizarre musical interjections. Could have been something really good but immensely hard to enjoy. Hoping this was a one-off lack of form from such a talent but also hoping he isn't asked to make any future Netflix specials - baffling to think if anyone could honestly enjoy A Whole Lifetime.
Sadly, A Whole Lifetime is a really disappointing sketch show. There is only a single funny sketch, Kiss Villa, with the rest being utterly forgettable. Perhaps with a bit more exposure these sketches could develop into something better, but they all feel one-and-done. The success of Demetriou's previous work comes from the brilliantly developed and instantly endearing characters. Given 5 minutes each, that is not created here. It's silly, no doubting that, but just not enjoyable. Musical elements are thrown in to no great avail, and despite a roster of recognisable actors from the creator's previous shows, no one particularly shines here.
So disappointed in this, I am a massive Stath let's Flats fan and had high hopes for more character comedy genius but was left completely disappointed. The whole thing is a messy mish mash of quite frankly nonsense. The comedy doesn't root itself in anything relatable or funny. It's not even weird in a kooky out there comedy genius way it's just boring predictable nonsense! Jamie is however a brilliant comedy actor and he can pull off such varied characters so well and this showcased his brilliant diversity in acting but really none of his comedic writing skills. I guess it will always be hard to follow up a hit show but sometimes as in this case it's best not to try. I really hope he can find his comedy again and come back with a well put together quirky and most importantly FUNNY show. Sorry Jamie this wasn't it.
Really interesting and refreshing look at comedy, not for boomers I guess. Not perfect but got lots of potential for a follow up. If you like ITYSL I think you'd like this. Nice observations of social anxiety, crap TV, vulnerable people and parenting. The slapstick in it is great, and Demetriou is a natural at it. He uses his low vocal range in great comedic ways too. Definitely not perfect, some of it falls flat (some of the music is beyond so-bad-it's good) and it's not quite as deep as the sketches could have been. It's definitely too weird for some people, but really, that's a good thing.
Was wanting so much better from this as I know he's a funny comedian, but this seems like a cheap version of Bo Burnham songs lacking the good writing. There isn't the storyline and writing to match similar things like Toast either that also includes occasional songs. A neat idea and collection of stories through life which might have been better as five minute sketches put out on YouTube like baby cow does. This seems like a bunch of sixth formers have written it and put it together , or maybe I'm not the right audience and some will fall about themselves. For those who've seen Woody Allen you'll expect more . Shame.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.